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missingNo from Nick Briz on Vimeo.

"the glitch itself was the first glitch that i ever knew how to do" -- youtube user Teamk8

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Restart from Rindo Child on Vimeo.

In the last few years, I've lost a lot of videos on this platform. Some of my favorites have been removed from the site and disappeared completely into the internet void. This video is a montage of just some random clips I made this week while seeking a new employment.

archive.org/details/fansub_Cowboy_Bebop

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TravelCi1947 from Rindo Child on Vimeo.

[Amateur film: "Travel/Cities"] by Unknown

Publication date ca. 1947 Usage Public Domain Topics Amateur films, Tourism, Aviation: Commercial Digitizing sponsor N/A Home movie showing travels to key U.S. tourist destinations, mostly by air. Shotlist

Addeddate 2002-07-16 00:00:00 Closed captioning no Collectionid 50007 Color B&W/C Identifier TravelCi1947 Numeric_id 87 Proddate ca. 1947 Run time 9:21 Sound Si Type MovingImage

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Glitch Codec Tutorial [glitch art demo] full tutorial from Nick Briz on Vimeo.

a tutorial on the technical, theoretical, and critical process of glitch art in six parts.

for downloads + more info visit: nickbriz.com/glitchcodectutorial

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Theme OR Trail from Rindo Child on Vimeo.

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split screen tap from Rindo Child on Vimeo.

img_1643.mov /://to be paired w/ img_6492.mov a. (Dub) b. (Sub) Italian cous

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A message from Tyshawn Jones from Chris Mulhern on Vimeo.

Filmed and edited in June of 2020. Includes archival footage from the last six years that Zander Taketomo and I have filmed with Tyshawn. Sound design by Kyle Hartigan.

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Preventing Pests from eFoodHandlers on Vimeo.

BFS4Slide21PREVENTINGPESTS2-20-19

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Dishwashing from eFoodHandlers on Vimeo.

BFS4Slide15DISHWASHING2-20-29

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Godzilla energy fields from Rindo Child on Vimeo.

Why did I do this to my parents computer? Well it used to be mine til I was caught as a kid.

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Interview Video with Nazafarin Lotfi and the Teen Arts Group from University Galleries of ISU on Vimeo.

Nazafarin Lotfi: Subtle Time Online exhibition beginning June 1, 2020

University Galleries of Illinois State University is pleased to present Nazafarin Lotfi: Subtle Time as an online exhibition beginning June 1, 2020. This exhibition is organized by the Teen Art Group at University Galleries. While she was a Fall 2019 visiting artist in the Wonsook Kim School of Art, Lotfi presented her work to the Teen Art Group. She has been working remotely with the group and University Galleries’ staff since that time.

Teen Art Group participants in 2019–2020: Brianna Berndt, Jeremiah Berndt, Grace Bingley, Ellie Braun, Katya Cline, Darrell Cope, Joshua Dahmm, Lydia Fisher, Aspen Goss, Kasia Jankowiak, Grace Marcy, Kathryn Novotny, Korynne Russell, Maddison Satterfeal, and Jeremy Swanson.

The Teen Art Group was founded in 2018 at University Galleries by director and chief curator Kendra Paitz, with support from the Illinois Prairie Community Foundation—Mirza Arts and Culture Fund. Each academic year, fifteen students from Bloomington High School participate in professional development activities, take a field trip to Chicago, and curate an exhibition. The 2019–2020 cohort was led by Paitz; Monica Estabrook, Bloomington High School art teacher; and Tanya Scott, University Galleries’ curator of education. The group visited the Art Institute of Chicago and Millennium Park; participated in art-making workshops, meetings, and exhibition tours at University Galleries; attended an artist lecture by Nazafarin Lotfi; curated this exhibition of Lotfi’s work; interviewed the artist; and developed ideas for educational workshops. Due to the Coronavirus (Covid-19) pandemic, the group’s last three meetings were conducted via Zoom and this exhibition transitioned to an online format. The 2019–2020 Teen Art Group was supported by another grant from the Illinois Prairie Community Foundation—Mirza Arts and Culture Fund.

Nazafarin Lotfi: Subtle Time presents twenty recent sculptures, drawings, and photographs, and premieres two performance videos created since the start of the Covid-19 pandemic. Rooted in her experiences of growing up in post-Revolutionary Iran and continuing her education and artistic practice as an immigrant in the United States, Lotfi’s works address temporal and physical displacement, the ambiguity of borders, and the disruption of expectations placed on individual bodies. She writes, “In all the different work that I do, there is an urgent need to create space, to open up the boundaries and to complicate borders.” For example, her recent paintings are based on her research on stylized forms in Islamic world maps and, in her words, ways to “map psychological landscapes drawn from lived experience.” Meanwhile, the geometric forms in Lotfi’s colored-pencil drawings are derived from the floor plans and architectural details of her own home, as well as those of her family and friends living internationally. Rather than creating representational drawings of specific locations, she addresses memories of space through her process of cutting shapes, combining portions and angles, and collapsing indoor and outdoor distinctions.

Comprised of papier-mâché, found objects, and layered graphite, Lotfi’s sculptures offer surprising relationships between positive and negative space, interior and exterior, lightness and heaviness. They evidence the physical touch of the artist, recall the forms of boulders and other geological formations, and serve as an extension of one’s body in space. Lotfi takes this idea beyond the studio, often carrying the deceptively lightweight sculptures through parks, lifting them near monuments, rolling them through crosswalks, and sitting next to them on bus stop benches, as ways to engage people in public. Since the start of the Covid-19 pandemic, Lotfi has begun making performative videos of her walks through the desert near her Tucson home. In the 10-minute videos, the artist individually walks through the landscape, navigating terrain and wildlife but never encountering another human—the epitome of social distancing. She evidences gaining a deeper understanding of a place, while also providing a portal to a new landscape for so many who are sheltering-in-place in cities worldwide.

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Sketchy draw program from Rindo Child on Vimeo.

Comforts

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Curatorial Talks: Daniel Quiles with Claire Pentecost from Mana Contemporary on Vimeo.

In this virtual series, art critic Daniel R. Quiles gives live interviews with artists from the Mana Contemporary community. Quiles explores each artist’s studio practice, recent projects, and where they are now in their work.

In this installment, Quiles joins artist Claire Pentecost, an artist and writer whose poetic and inductive drawings, sculpture, and installations test and celebrate the conditions that bound and define life itself. The pair address politically and environmentally active circles of artists who remain outside the spotlight in the art world, where the line between art and activism is insistently porous. They also reflect on Pentecost’s residency at the Garfield Park Conservatory in 2018.

Since 2006, Pentecost has worked alongside many others to organize Continental Drift, a series of seminars to articulate the interlocking scales of our existence in the logic of globalization. She is also a founding member of Deep Time Chicago, dedicated to cultural change in the Anthropocene. A sample of Pentecost’s exhibition venues include the DePaul Art Museum, dOCUMENTA(13), the Istanbul Biennial, and Whitechapel Gallery. publicamateur.org/

Daniel R. Quiles is an art critic and associate professor of art history, theory and criticism at the School of the Art Institute of Chicago. His academic research has focused on Argentinean conceptualism, as well as broader questions related to new media and politics in Latin American art.

MEETING AT A DISTANCE Meeting at a Distance presents recurring conversations, started in a time of quarantine. The series features artists from the Mana Contemporary community, connecting with each other to discuss this new time, and how it has shifted their practice, process, and thinking.

manacontemporary.com/event/curatorial-talks-daniel-quiles-with-claire-pentecost/

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Artist Spotlight: Tadd Mullinix from Ann Arbor Film Festival on Vimeo.

The Michigan Electronic Music Collective (MEMCO) has teamed up with the Ann Arbor Film Festival to bring you a unique spotlight on the Ann Arbor-based artist Tadd Mullinix. Recording as Dabrye, JTC, Charles Manier, SK-1, and X-Altera, Tadd’s musical repertoire is ever-growing, spanning from ambient and hip hop to techno and jungle productions. Check the video to learn more about his prolific career and Ann Arbor roots.

The interview was filmed on February 28, 2020.

Director, Producer, & Editor: Jordan Stanton DP & Colorist: Ben Catlin Assistant Camera: Cat Marchenko Sound Recordist: Mary O’Byrne

Special Thanks: Tadd and Nayiri Mullinix Bopside Records DMX Krew Ghostly International Sam Valenti IV Shigeto Encore Records

Music featured: JTC - Infoline (DMX Krew Remix) JTC - Escalator To Sorga Dabrye - Sunset (feat. Shigeto) Dabrye - Pretty JTC - Veronja One

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2020 Student Annual from University Galleries of ISU on Vimeo.

University Galleries of Illinois State University is pleased to present the 2020 Student Annual as an online exhibition.

Since 1974, the Student Annual has showcased new artwork produced by students at Illinois State University. This juried exhibition has offered many students the first opportunity to have their work reviewed by professionals outside the University. Due to the coronavirus (COVID-19) pandemic and University Galleries' resulting temporary closure, this year's exhibition is online. Additionally, instead of a juried exhibition, it is an inclusive open-call exhibition. All current Illinois State University students were eligible to submit up to two artworks, and all submitted works have been included.

Awards are sponsored by: Wonsook Kim School of Art; Program in Creative Technologies; Normal Editions Workshop; Silica Ceramics Club; University Galleries; Barry Blinderman (in memory of Karolee Johnson); Kelsey and Jonathan DeGreef (in honor of Richard D. Finch); Therese and Bob Franklin (in memory of Jen Franklin); Randy Reid; Irving S. Tick Memorial; and the following areas within the Wonsook Kim School of Art: Glass and Graphic Design.

The Wonsook Kim School of Art is pleased to present the 2020 Marshall Dulaney Pitcher Award to BFA student Arianna Garcia. This award honors outstanding students in the visual arts who demonstrate exceptional artistic talent, dedicated studio practice, and academic excellence. 2020 marks the 50th anniversary of this prestigious award, which was established by the Pitcher family in memory of painting student Marshall Pitcher. In previous years, University Galleries has dedicated exhibition space within the Student Annual to winners of the Marshall Dulaney Pitcher Award. Additional works by Garcia are available in the online exhibition.

JUDGES This year's studio judge is Edra Soto, an interdisciplinary artist, educator, and curator. Soto’s work has been exhibited at Pérez Art Museum, Miami; Museum of Contemporary Art, Chicago; Chicago Cultural Center; Crystal Bridges’ The Momentary, Bentonville, Arkansas; and University Galleries of Illinois State University, Normal, among many others. In 2019, she completed a public art commission for Millennium Park in Chicago. Her Screenhouse will be on view in the park for two years. Soto was the inaugural winner of the Foundwork Artist Prize, and she has received fellowships from 3Arts Foundation, Illinois Arts Council Agency, and the Efroymson Family Fund. She has also been awarded residencies at the Rauschenberg Foundation, Headlands Center for the Arts, Project Row Houses, Art Omi, and John Michael Kohler Arts Center. Soto’s work has been included in three exhibitions supported by the MacArthur Foundation’s International Connections Fund—with exchanges between Chicago and: Puerto Rico, Cuba, and Brazil. Soto is the co-director of THE FRANKLIN, an outdoor project space in Chicago, and a lecturer at the School of the Art Institute of Chicago.

This year’s design judge is Eric Benson, who worked professionally as a UI/UX designer at Razorfish and Texas Instruments before receiving his MFA in design from the University of Texas at Austin in 2006. His MFA thesis became the internationally recognized and award-winning sustainable design website re-nourish.org. His work with Re-nourish translated into an academic career, and he is currently an Associate Professor of Graphic Design at the University of Illinois at Urbana-Champaign. His research and teaching at Illinois laid the foundation to create the Fresh Press Agri-Fiber Paper Lab. Fresh Press explores the potential of papermaking to be zero waste, environmentally sustainable, and a catalyst for a thriving local economy. Benson has published and lectured internationally on the importance of sustainable design. His work has also garnered numerous design awards and has been on view at Walker Art Center, Minneapolis; Cooper Hewitt Smithsonian National Design Museum, New York; the Hammer Museum, Los Angeles; Contemporary Arts Museum, Houston; and Rhode Island School of Design.

Exhibition: galleries.illinoisstate.edu/exhibitions/2020/2020-student-annual/

Exhibition Photos: flickr.com/photos/52024644@N05/albums/72157713928654912

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QRtine from Rindo Child on Vimeo.

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VID19001 from Rindo Child on Vimeo.

green screening (rindoTeam)