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Alberto Burri (Italian, 1915 - 1995)

Muffe  -  1952

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Alberto Burri  -  Rosso Plastica   (plastic, acrylic, vinavil and combustion on canvas, 1963)

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Alberto Burri Sacco e Rosso 1954, Acrylic and burlap on canvas 59 x 51in

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Amazing piece by Arthur Jafa that is pertinent to ideas discussed in Digital Media.

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Beautiful piece by Hito Steyerl that I was able to witness in Venice. This poetic analogy to fashion to nature to the future functions cleverly with lasting impacts.

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An example of how A.I can have bias. 

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Revolves around a similar idea that Janet Cardiff deals with - of sound in an environment and of being reminiscent. This work from Venice Biennial incorporates this principle with history and poetry in regards to social and racial discrimination. 

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This idea of improvising/on chance in jazz

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Interesting video related to the wayfinding reading. 

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Another video piece from Venice Biennial 2019. Really utilizes the functionality of this disjointed conjunction of clips. 

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Excavation, Willem de Kooning

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Funny how some paint marks look so dimensional and sit on space. Offers this interesting idea of making a paint mark more like a rushed paint mark. 

Willem de Kooning’s record-breaking ‘Untitled XXV’ announced as a highlight of Christie’s Post-War and Contemporary Art Evening Sale in New York on 15 November #deKooning #contemporaryart

Willem de Kooning (1904–1997), Untitled XXV, 1977. Signed ‘de Kooning’ (on the reverse). Oil on canvas. 77 x 88 in. (195.7 x 223.5 cm.) This work is offered in the Post-War and Contemporary Art Evening Sale on 15 November at Christie’s New York. Estimate on request. (at Christie’s Auction House)

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Dekooning distorts the pictorial space so well- in effect, allows certain parts to extrude.

Seated Woman, 1940, Willem de Kooning

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Inspiration (abundance of violence/ war in history/ digital production) from Venice Biennial 

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Fabian Marcaccio

Untitled, 2010

2013 Spring Benefit