jashter

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thinking about what is and what isn't allowed in frame with reference ecosystems in prairie restoration

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Commissions Open for April - May! You can apply via this form and I’ll get back to you shortly.

For full T&Cs and samples see my website.

5/5 slots available.

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Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.

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The Things We Carve

A broomsquire attempts to whittle something for himself and struggles until his pen-turning friend visits his workshop.

This is also available on Ko-Fi as a PDF! It is FREE / Pay-What-You-Want. https://ko-fi.com/s/9f40f6db2e

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[This idea has been rattling in my brain and I had to share it.]

I know we all love the ‘humans are space orcs’ concept… but imagine, onboard the new ship they’ve been assigned to, the human meets an actual space orc. A massive monster… fangs and tusks and scars and a battle-hardened stare, looming over all the other life forms on the ship in its thick indestructible armour it refuses to remove. It barely drinks, it doesn’t need sleep, its massive shoulders are heavy with the terrible things it has experienced. Compared to the squishy & delicate human body, this thing is a walking tank.

… Except instead of hating/ignoring one another, the human and the monster start bonding over both coming from death planets. The human is excited to find a life form who doesn’t quiver with fear at the vague description of a jellyfish and the monster is ecstatic to meet someone who understands the feeling of being bitten by a qua’lem (cats are pretty close). They sit together and compare dangerous animals and locations as the other aliens look on in confusion and fear… oh, you also have dense jungles of deadly hidden predators, boiling acid lakes, tamed predatory killers, and areas with horrendously high and low temperatures? Sick!! 

It doesn’t take long before the two of them become totally inseparable. The human loves not feeling like some kind of crazy outsider and the monster is overjoyed they’ve finally found an equal in this unkillable marshmallow.

Monster: When I was a youngling, a grol-lik stung straight through my armour. The pain lasted for approximately 16 human hours. Human: Oh yeah man, I get that. As a kid I got a wasp stuck in my shirt. It stung me like four times, it was awful, and all my cousins just laughed at me… Monster: [using their arm screen to research human courting methods] I see.

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The Statues That Do Not Weather

For Sas, another story about helping.

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There is a statue on the cliffs overlooking the harbour, of a man shading his eyes with one hand and looking out over the sea.

They say that when invaders came, a man went up to the cliffs, and prayed to the gods. He offered them his own life to save his people. The gods accepted his sacrifice, and a great fire burned across the water, sinking all the ships. The man became stone, and ever since then he has stood on the cliffs, looking out at ships that sank long ago.

There is a statue that stands in the center of the town, of an old woman with both hands held up before her, palm out.

They say that when invaders came again, a woman stood in the middle of the square, and ordered them to halt. She reminded them of the great fire that sank the ships years before, and called on the gods to strike down any man who took one more step, though it cost her life. The gods accepted her sacrifice, and the invaders who stepped forward became water, running back down the hill towards the sea and soaking the boots of the men behind them. The survivors fled in fear, and the woman became stone, her feet set among the cobbles, her hands raised to stop invaders long gone.

There is a statue that stands by the road that runs past our village, of a young woman holding a basket.

They say that when brigands came upon the village in the teeth of a hard winter, starving and desperate, a woman saw them coming and offered them the food in her basket. They mocked her, saying that so little would not feed them for a day. She, too, called on the gods, and she, too, was answered. She made a bargain with their leader, that every man would turn back when he had all the food he could carry. From that one basket, she filled every bandit’s hands and sacks with food until he could carry no more. When she had filled even the leader’s hands, she bowed her head and became stone, her basket empty at last. The bandits kept to their bargain, and never troubled the village again.

We all know these stories. We all know why those people became stone, stone that does not weather.

Keep reading

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You are a supervillain who has just captured your rival’s child. Rather than being afraid, they’re begging you to let them stay.

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I love drawing cute scenes.

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Oops, I never uploaded this one to Tumblr (which I only realized when someone else did, but then was kind enough to tag me, thank you)!

This is the comic that kickstarted my obsession with telling stories with as few panels as I could (usually 10-11 haha), so it’s got a soft spot in my heart. 

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Here’s a story about changelings: 

Mary was a beautiful baby, sweet and affectionate, but by the time she’s three she’s turned difficult and strange, with fey moods and a stubborn mouth that screams and bites but never says mama. But her mother’s well-used to hard work with little thanks, and when the village gossips wag their tongues she just shrugs, and pulls her difficult child away from their precious, perfect blossoms, before the bites draw blood. Mary’s mother doesn’t drown her in a bucket of saltwater, and she doesn’t take up the silver knife the wife of the village priest leaves out for her one Sunday brunch. 

She gives her daughter yarn, instead, and instead of a rowan stake through her inhuman heart she gives her a child’s first loom, oak and ash. She lets her vicious, uncooperative fairy daughter entertain herself with games of her own devising, in as much peace and comfort as either of them can manage.

Mary grows up strangely, as a strange child would, learning everything in all the wrong order, and biting a great deal more than she should. But she also learns to weave, and takes to it with a grand passion. Soon enough she knows more than her mother–which isn’t all that much–and is striking out into unknown territory, turning out odd new knots and weaves, patterns as complex as spiderwebs and spellrings. 

“Aren’t you clever,” her mother says, of her work, and leaves her to her wool and flax and whatnot. Mary’s not biting anymore, and she smiles more than she frowns, and that’s about as much, her mother figures, as anyone should hope for from their child. 

Mary still cries sometimes, when the other girls reject her for her strange graces, her odd slow way of talking, her restless reaching fluttering hands that have learned to spin but never to settle. The other girls call her freak, witchblood, hobgoblin.

“I don’t remember girls being quite so stupid when I was that age,” her mother says, brushing Mary’s hair smooth and steady like they’ve both learned to enjoy, smooth as a skein of silk. “Time was, you knew not to insult anyone you might need to flatter later. ‘Specially when you don’t know if they’re going to grow wings or horns or whatnot. Serve ‘em all right if you ever figure out curses.”

“I want to go back,” Mary says. “I want to go home, to where I came from, where there’s people like me. If I’m a fairy’s child I should be in fairyland, and no one would call me a freak.”

“Aye, well, I’d miss you though,” her mother says. “And I expect there’s stupid folk everywhere, even in fairyland. Cruel folk, too. You just have to make the best of things where you are, being my child instead.”

Mary learns to read well enough, in between the weaving, especially when her mother tracks down the traveling booktraders and comes home with slim, precious manuals on dyes and stains and mordants, on pigments and patterns, diagrams too arcane for her own eyes but which make her daughter’s eyes shine.

“We need an herb garden,” her daughter says, hands busy, flipping from page to page, pulling on her hair, twisting in her skirt, itching for a project. “Yarrow, and madder, and woad and weld…”

“Well, start digging,” her mother says. “Won’t do you a harm to get out of the house now’n then.”

Mary doesn’t like dirt but she’s learned determination well enough from her mother. She digs and digs, and plants what she’s given, and the first year doesn’t turn out so well but the second’s better, and by the third a cauldron’s always simmering something over the fire, and Mary’s taking in orders from girls five years older or more, turning out vivid bolts and spools and skeins of red and gold and blue, restless fingers dancing like they’ve summoned down the rainbow. Her mother figures she probably has.

“Just as well you never got the hang of curses,” she says, admiring her bright new skirts. “I like this sort of trick a lot better.”

Mary smiles, rocking back and forth on her heels, fingers already fluttering to find the next project.

She finally grows up tall and fair, if a bit stooped and squinty, and time and age seem to calm her unhappy mouth about as well as it does for human children. Word gets around she never lies or breaks a bargain, and if the first seems odd for a fairy’s child then the second one seems fit enough. The undyed stacks of taken orders grow taller, the dyed lots of filled orders grow brighter, the loom in the corner for Mary’s own creations grows stranger and more complex. Mary’s hands callus just like her mother’s, become as strong and tough and smooth as the oak and ash of her needles and frames, though they never fall still.

“Do you ever wonder what your real daughter would be like?” the priest’s wife asks, once.

Mary’s mother snorts. “She wouldn’t be worth a damn at weaving,” she says. “Lord knows I never was. No, I’ll keep what I’ve been given and thank the givers kindly. It was a fair enough trade for me. Good day, ma’am.”

Mary brings her mother sweet chamomile tea, that night, and a warm shawl in all the colors of a garden, and a hairbrush. In the morning, the priest’s son comes round, with payment for his mother’s pretty new dress and a shy smile just for Mary. He thinks her hair is nice, and her hands are even nicer, vibrant in their strength and skill and endless motion.  

They all live happily ever after.

*

Here’s another story: 

Keep reading

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An old and homely grandmother accidentally summons a demon. She mistakes him for her gothic-phase teenage grandson and takes care of him. The demon decides to stay at his new home.

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You’re a daycare worker, watching over toddlers, when the imminent end of the world is announced. It becomes increasingly clear none of the kids’ parents are going to show up as the end inches nearer.

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Times are troubling and hard right now-but never forget, your Beet loving Grandmother loves you very very much and wants you to be safe.

And for you to eat your vegetables.

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“May you have a life of safety and peace”, said the witch, cursing the bloodthirsty warrior.

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Cinderella marries the Prince, part 1/2

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I made this a long time ago and was very nervous about posting it to Tumblr. I can’t really think of a good caption~ everything I wanted to say is in the little blurb at the beginning. 

‘God of Arepo’ Fan-made graphic novel 

Part 1 // Part 2 // Part 3 // Read the Original Story Here

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‘God of Arepo’ Fan-made graphic novel part two~

Part 1 // Part 2 // Part 3 // Read the Original Story Here