iputhepinprincess - Tumblr blog

iputhepinprincess · 8 hours ago

Text

Critical review on Carved and Modeled - Wittebane collaborative album - The Owl House by @a-magpie-in-gravesfield

On the day of the premiere, the four horsemen of the apocalypse (that’s me, @lasymit, @tuumcleander and @levshany) sat down with jokes and banter to watch the hour-long musical album. The project is impressively high-quality for fandom work, and the sheer amount of effort put into it commands respect. There were a few songs we especially liked, which deserve special mention.

A Dark Beginning, depicting the execution of Caleb and Philip’s parents, was dark and atmospheric—the music perfectly matched the tone of the narrative.

Witch Hunters, a song about hypocrisy, nailed the emotional weight, particularly the lines about how their parents “lost the game” they’re now forced to play.

I Can Be Your Friend! was also great—it perfectly captured the character’s energy and was dynamic as hell. The concept of Philip meeting the Collector in the in-between realm when he first crosses worlds is genuinely interesting. Too bad their relationship isn’t explored further.

Curse is absolutely magnificent—from the voice acting to the body horror atmosphere, it’s our favorite track.

Disclaimer

First off, we deeply respect Magpie for their dedication, enthusiasm, and the high-quality merch—clearly the result of painstaking work, with carefully chosen materials and lovingly crafted designs. We also appreciate their attentiveness to every customer and the monumental effort poured into this project!

What follows is serious criticism and our raw reactions. If you’re part of the project, loved the album, and are sensitive to critique, please stop reading here. Otherwise, we’re open to discussion��just keep it civil. We’ve done our best to make this critique constructive and not hurtful (we kept some cursing and CAPS for humor, because otherwise it would be a boring long read). Our goal isn’t to offend but to voice our perspective.

We disagree with Magpie’s interpretation and feel it’s important to say so, especially since this project is massive, gaining traction fast, and some fans are calling it "100% canon" and "better than canon". The fandom’s response has been overwhelmingly positive, likely because this is one of the biggest fan projects of its kind, made with contributions from so many people. Philip’s fans are proud that our fandom can produce something this ambitious.

But in our view, much of this fan-made story contradicts canon or works worse than the original series. Below, we’ll break it down.

Analysis

A Dark Beginning – Tragedy for tragedy’s sake. The music nails the vibe, but the uncle character could’ve been anyone—this song exists solely to hang Caleb and Philip’s parents. This plot point only matters until the second song and then vanishes.

Witch Hunters – The song itself works well as a follow-up to the previous track’s buildup. But despite expectations, the brothers’ conflict with society’s beliefs goes nowhere. Caleb briefly mentions being tired of pretending to be a witch hunter, then it’s dropped. This tension could’ve resurfaced when Philip decides to kill all the witches, but his motivation there is shaky too.

Daydreaming – Caleb dreams of a better life. But it’s unclear what’s weighing him down—everything around him looks rosy, romantic, and peaceful. The lyrics spell out his struggles, but visually, he’s just chilling and daydreaming. We don’t feel his pain.

Distance – Caleb tells Evelyn he wants to leave Philip behind… but also loves him. Why not just take the kid with them? Philip, a literal child with no malice or grudge against Evelyn, watches them sadly from afar. What’s the conflict here?

Struggling Light, Only For A Few Days – No real motivation or tension in Caleb’s decision to abandon Philip. Author tries to parallel Caleb and Luz, but it doesn’t work—Philip is a minor, and Caleb is almost an adult responsible for him. Again, why couldn’t they take Philip with them? Even if Caleb’s tired of parenting, we don’t see any emotional breakdown—just whining. Evelyn supports Caleb but doesn’t push back. She’s just… there.

They could’ve had her egg him on, making Philip resent them both, leading Caleb to make a rash, impulsive choice to leave without Philip. Or shown Caleb blaming Philip for all his problems. But none of that happens, so his motivation falls flat.

The Other Side – Caleb feels zero guilt, which is infuriating. He writes letters he never sends and even smiles while doing it! There’s no explanation for why he can’t return. Maybe the portal couldn’t reopen? Not a word about that. It feels less like he’s chasing a dream and more like he’s just oblivious, acting like a selfish ass with no self-awareness.

Were They Right? – Philip’s suffering again, somehow blaming himself. He’s not allowed to show negative traits. Where’s the betrayal brewing if he never saw the note? Why doesn’t he blame Evelyn? He and Caleb don’t even have one conversation in the whole album—not even before their fight.

Now Philip starts believing the witch hunters were right, that Caleb was enchanted… but nothing leads him to this. He just changes his mind over time. No trigger.

If Philip already thinks Caleb was enchanted, why doesn’t he act on it when they meet? Why not grab him and run? Instead, he kills him. Seems like he realizes Caleb wasn’t enchanted after all but keeps lying to himself. Except the lie’s so weak it doesn’t even convince him, so his real resentment spills out, and he kills Caleb. So is the delusion there or not? If it is, why doesn’t it work? If not, why include it?

If he believes in the enchantment, why not attack Evelyn, the supposed enchanter? If he’s just comforting himself, he could’ve picked a better lie. Why even chase Caleb if he doesn’t believe he was taken by force? Why is he so easily swayed that he kills Caleb on sight?

Cover Up – Over a piece of paper, they’re ready to burn him without trial. The story desperately lacks the systemic oppression that would’ve shaped Philip into who he is. The villagers’ vengeance feels half-baked, but at least the momentum’s engaging.

Finally, we get Philip’s motivation to find his brother.

I Can Be Your Friend! – A high-energy, dynamic song that perfectly fits the Collector’s vibe. Nothing concrete happens—it’s just Philip and the Collector vibing in the in-between. Fun stuff. Too bad the Collector disappears afterward.

Where Is Home? – The first murder feels unearned, and Philip has zero reaction. The description calls it an accident—let it be so—but killing someone point-blank over apples? Really?

WHERE DID THAT DOOR COME FROM SO FAST? WHAT DID HE MAKE IT FROM? DID HE JUST FIND A PORTAL IN THE BUSHES?

Has He Forgotten? – Cavelyn ex machina, resentment with no setup. Philip’s moping again. Earlier, he thought "maybe he was enchanted," now he’s suddenly certain it’s magic and leans into the delusion. The lyrics are too on-the-nose, the tone clashes with the visuals, and the pacing’s off. His motivation needed time to develop—this is a pivotal moment, but it’s rushed.

It feels like Philip just pulls out a knife out of nowhere. The song seems to frame it as a crime of passion, but he’s eerily calm when making the decision. Psychopathy fits Philip, but you can’t have it both ways—here he’s cold and calculating, in the next song he’s rage-fueled and impulsive. Which is it?

Murder – Caleb’s "I’ll always be there for you" rings hollow when he never even tried to return. This ties back to Caleb’s weak motivation—he’s completely oblivious to the consequences of his actions. Screw the note! He should’ve known it wouldn’t explain or justify anything, even if Philip read it.

We can’t tell who Philip’s attacking—Evelyn’s not in frame. If it’s Caleb, WHAT THE HELL IS HE DOING WITH HIS BACK TURNED? Why stab him? Is he angry? Trying to "break the spell"? Maybe the "spell" is a metaphor for his (unshown) resentment.

How did he spiral like this? No buildup except one mention in Were They Right?. Philip seemed to want Caleb back, but then he kills him because… he’s mad? Hurt? A fucking idiot? Does he genuinely believe Caleb was enchanted? The framing’s so vague we’re not even sure if we missed hints or if they just weren’t there.

WHERE THE FUCK WAS EVELYN THIS WHOLE TIME?

The lyrics say "SOUL IS TORN APART," but Philip’s face is stone-cold, like everything’s going according to plan. Delusions need REASONS, CONFLICT—they don’t just pop up. The emotional core is missing. Instead, we get "depression in my mind, misery in my behind", with none of the doubt that should be there after KILLING THE PERSON HE LOVED MOST.

The Door – Why doesn’t Evelyn, knowing where Philip is, try to kill him? Why is HE so calm, thinking logically AFTER MURDERING CALEB—the most traumatic event of his life? WHERE’S THE BREAKDOWN? THE SHOCK? THE DESPAIR? This should’ve shattered him—horror, tilt, depression. He should’ve cycled through grief and gotten stuck on denial, fueling his future canon actions.

This needed its own song because the dissonance between event and reaction is jarring. You could argue psychopathy, but even psychopaths aren’t usually this detached. Even for them, core motivation has to come from somewhere emotional.

There’s so much fanart of Philip losing his mind digging up Caleb’s body, but here he’s just… lonely. Sticking to canon here undermines Philip’s motivation, especially for his future arc. It’s flat. Pathetic. Frustrating.

The audience can’t connect Philip’s emotions to his choices because the initial conflict was undercooked. Now the story doesn’t work. Caleb’s role in Philip’s life feels interchangeable—it could’ve been anyone. This breaks the Grimwalkers’ concept—if he just needed someone, why not make it literally anyone else?

Why does he want to kill all witches? Over Caleb? But he seems to give zero shits about Caleb to dedicate 300 years to this crusade.

Canon Hollow Mind pictures don’t fit the narrative and feel illogical. If you’re using them as a foundation, the story should’ve been different.

What Now? – Evelyn leaves him in her world… WHY??? So he can genocide her people? "Let’s lock the maniac who murdered my child’s father in a room with my entire species"—BRILLIANT plan. Her reasoning—"I won’t let you hurt anyone else"—HOW does hiding the portal stop him, dumbass? Why not execute him publicly?

Philip wants to kill all witches so his people will "forgive" him. How he reached this conclusion is unclear. Is it guilt over Caleb’s death (which we never saw)? Who knows.

Later, he claims he’s "protecting" humanity from witches luring them with magic, like Caleb. COOL. Then why the earlier motivation? Why the contradictions? Is this his delusion or bad storytelling? Since it’s not clear at first glance, it feels like the latter.

He does express doubt—saying he’ll "believe the lie" to avoid pain—which is a great angle, but it’s buried under noise (like Evelyn’s portal door).

And, by the way, why didn’t he kill Evelyn? Their conflict has no resolution. He kills Caleb but ignores her, even though he blames her and all witches for this mess.

He wonders if Caleb was enchanted… but he already killed him over it. This doubt should’ve come before the murder.

So he makes Grimwalkers to "prove" Caleb wouldn’t betray him without magic? And because he’s terrified of forgetting Caleb’s face? But earlier, his motives were different. It’s a mess. Does he want revenge? To "save" Caleb? To protect humanity? Too much for one song—pick a lane.

Grimwalkers – He’s not deluding himself anymore. He knows killing Caleb was wrong. So why keep making Grimwalkers? The song implies he’s addicted, afraid to forget Caleb. But without the delusion, where’s the guilt? Why does he regret killing Caleb but not the Grimwalkers?

Again, Philip’s murders are treated with bizarre indifference—no reason, no emotion, in lyrics or visuals.

This song’s motivation isn’t bad, but it clashes with his inconsistent behavior earlier. The overall message still falters.

CURSE – ABSOLUTELY FLAWLESS. NO JOKE. WE’VE BEEN REPLAYING THIS ON LOOP. Best song in the album. The visuals sync perfectly with the music—his madness is on full display. THIS is Philip. Deranged, obsessed, desperate, agonizing under crushing guilt.

It echoes Transformation from Jekyll & Hyde, taking the best elements we’ve always associated with Philip. The whispering sends chills—his torment crawls under your skin. The vocal delivery masterfully conveys his fractured mind, pulling the audience into the horror. Priceless.

Why does it work? Because it’s a self-contained vibe—no narrative, just atmosphere. And the atmosphere is perfect.

The Titan's Will – Just canon events retold Hollow Mind, with no added depth. This song adds nothing. Cut it, and nothing changes.

Mask Of Gold – The lyrics mention "all the lives that were lost," but no kill besides Caleb’s was justified. Even Caleb’s death felt rushed. Philip rarely seems troubled by any of it—we see hints in CURSE (guilt) and Grimwalkers (doubt).

Which "lives" is he mourning? If it’s Caleb and his own, that’d make sense. But he shows no remorse for anyone else. The tragedy falls flat.

The tone doesn’t match what Philip should feel. The lyrics don’t fit the context.

It’d be more effective to show his melancholy creeping through his imperial routine—how, despite his busyness, intrusive thoughts break through his denial.

What we see—him indulging in sadness—would’ve destroyed him over 400 years. If this happened often, he’d be dead. He survives on hatred and denial, especially before the Day of Unity. He’s too busy to sit around staring at a world he despises.

Conclusion

We need to say why this post exists: It hurts to see Philip treated like this. This character means a lot to us—we’ve spent ages analyzing his motives and psyche. Seeing a project that glosses over both claim canonicity is disheartening.

This was meant to "fix" canon (where everything’s bad), but it fails just as hard by clinging to canon while creating new plotholes.

It ignores historical context that should’ve shaped Philip’s trauma and worldview, flattening his character.

There’s not one scene fully dedicated to his emotional pain—the core of his character. No standout moment focusing on his psychological damage—unlike CURSE, which highlights his physical agony and guilt.

We don’t want this project to become the "definitive" fandom interpretation. Canon left gaps in Philip’s backstory and motives, letting fans theorize and adding depth. But this album’s story leaves no room for interpretation. It offers half-baked "solutions" that raise more questions than they answer.

The attempts to patch canon’s holes clash with character motivations, making them shallow and their actions nonsensical. They’re hard to believe.

To understand their motives, we had to rewatch the album ON MUTE because the songs’ moods often clash with the events, distracting from the story. On first watch, we missed key details—there was no emphasis. We thought there was no improvement over canon. The album wants to tell a story, but its structure gets in the way.

We rewatched it twice and wrote this review to dig deeper. We did find some compelling ideas about Philip’s motivation, but it was as exhausting as dissecting the original show.

Magpie, if you’re reading this, we truly hope this critique doesn’t hurt you. Its goal is to offer constructive feedback on character writing. Whether you take it or leave it is entirely up to you.

Thanks for reading.

#the owl house #emperor belos #philip wittebane #caleb wittebane #the wittebane brothers #evelyn clawthorne #wittewife #text #words

50 notes · View notes