insomniacowl

[insomniacowl]

About Neon Genesis Evangelion analysis posts

Hi everyone, For some time now, I have been uploading my Neon genesis evangelion analysis posts here for little over a year, with a long break in between. Some of you might be new, some of you have been with me since the early chapters. I know I was gone for a long time and recently came back, and I really wanted to be able to finish it. And there was a story called song of Jupiter that I wanted to make into a game and share my story of loss and trauma and how I coped with it.

But recently, I have learnt that I am not in the right mental head space nor have I actually been able to recover. So I don’t think I can make the game.

As for the analysis posts, I really wanted to finish them and there isn’t much but a very small number of you have constantly liked it and have sent me some messages and left notes, and I truly appreciated it.

I’m sorry, I don’t think I can continue nor do I think I can come back to it ever.

Please forgive me and I hope life treats you kind, maybe oneday we will pass by each other in the streets, not recognizing each other.

I love you all and good bye

[insomniacowl]

Neon genesis Evangelion Analysis Chapter 23: Katsuragi Misato Part 2 Dear Shinji, this is my will.

Misato: So you don't want to meet your dad?

Just like me

Let us start from the beginning. The scene in the first episode where Misato drives down to meet Shinji. Her first words to him were, "Sorry, I made you wait." This, I believe, is the first of many times their interactions will revolve around the theme of "Waiting." The line also contrasts with her final words to Shinji, "Let's continue when you get back."

Her cross is first brought to our attention through Shinji's eyes as Misato shields him from the blast of explosions from the Self-defense force's missiles used against Sakiel. Then, on their way to NERV, Shinji confides to her about his feelings towards Gendou. Misato empathizes, saying, "You're just like me," pointing to their commonalities.

She later consoles Shinji as he refuses to pilot Eva-01 and tells him to "Not run away from himself." At this point, she was already seeing herself reflected in Shinji, and those words were meant for herself as well.

After this point, Misato constantly finds herself reflected on Shinji. While it has a positive influence, like in episode 1, it also frequently caused Shinji to hurt. One criticism viewers lay on Misato is the sarcastic tone she sometimes takes when talking to Shinji about his actions. "You don't want to pilot the Eva? With that kind of determination…. What a pain!", Is one of the harsh words directed at Shinji. Even in episode 12, her cold reaction to Shinji's contemplation regarding Asuka is also, in its own way, infamous.

Yet, if we consider that she sees a lot of herself in Shinji, those lines come to represent her self-contempt rather than how she sees the fourteen-year-old. Misato was not really in the position to take care of teenagers if we consider her character flaws.

While such actions are worthy of criticism, there is room to empathize considering the traumas she had to endure, which has shaped the kind of "Adult" she became. As a young child, she was in the center of the Second Impact, and the psychological impact has led to her being mute for a few years. However, she seemed to have eventually recovered. Perhaps to compensate, we are told that she became an overly happy and talkative person. On top of this, she has studied hard and become a student at the Second-Tokyo city University. She met and began living with Kaji in the year 2005, at the age of twenty. According to Ritsuko, she even had a week-long sex marathon with Kaji, where neither of them left the house during the period.

To elaborate on her constant need for physical pleasure, we can start from the glimpse of her inner monologue we get during the instrumentality. We learn that it was one of the few things she had control over that made her feel alive when she was intimate with Kaji. Yet she breaks up with him because She saw a glimpse of her father reflected in him, although that was what got her attracted to him in the first place.

What are you embarrassed about? You wanted the man you love to see you for who you were. NO!

I wonder about that. You wanted your father to see you for who you were. That's not true!

We can identify Misato as struggling with Electra Complex (Oedipus Complex for girls) regarding how she views her father. She then attempted to quench the thirst for affection her father failed to provide her from a different man who felt similar to him. This can be observed through Kaji and Shinji. Two people sharing the same character flaws as her father (Workaholic and being bad at human interaction) being the two people she opened herself up to (Mentally, emotionally, and sexually). Misato was hoping to compensate for the loss she suffered and recover from her past trauma using her relationship with these two.

Consciously or unconsciously, she likely understood this side of herself. She felt disgusted by herself, leading to her breaking up with Kaji while punishing and labeling herself as someone "Undeserving to love." While her relationship with Kaji was open and overtly described in the series, some of you might wonder how Shinji is involved in this process. Especially regarding the sexual aspect of this analysis.

We can definitively say that Misato and Shinji do not share a simple Guardianship relation. But the discussion about Misato and Shinji can wait for now. First, let us discuss Hyuga Makoto.

Hyuga is seen approaching Misato as more than just a direct superior at work (Especially after Kaji's death). "Only if it's with you (I don't mind dying from the base self-destructing)." It is a telling line that highlights Hyuga's feelings that he begins acting on in the latter part of the series. Turning him into a more dimensional character. While Misato seems to be aware of such advances, we never see her acting on it. Neither accepting nor rejecting him outright. Since this is at the low point of her emotional journey, Misato would have been okay with anyone. Thus, it makes us wonder if there could have been more intimacy between the two off-screen. I'd argue that Hyuga died a virgin (or at least that there was no sexual relationship between the two) based on Hyuga's fantasy during the instrumentality.

To bring our discussion back to Kaji, we are shown that he was the first man she trusted and gave her first intimacy to. At the same time, she was someone Kaji was able to trust and be vulnerable with. We never see either of them refer to each other by their names. While the reason is not depicted, we can make an educated guess and say that it stems from their determination to interact professionally. Without letting their (embarrassing) past hinder their work.

But perhaps it was destined that this guise was not meant to be. In episode 15, we see the two confide in each other. Misato laments about her father and her regret of not being a good lover for Kaji. Kaji embraces and accepts her of it. The last time they ever shared a bed, Kaji gives her his final present. His death led to Misato shedding many tears, but the present helped guide her to her next step. Before this point, we see her constantly drinking her favorite beer, but never after this event. All we see her drink from then on is canned coffee, Kaji's favorite drink. And now, two peoples' worth of "Will" lived on inside her. One from her father, the other from Kaji.

Now, let's discuss the last "Male" in her life: Shinji. As mentioned earlier, Shinji was more than just a child under her care. Shinji's first introduction of Misato was through her photo that she sent him. It is a revealing photo of herself with arrows drawing attention to her breast. As a side note, the actual words in this image were written by Anno himself, and the lipstick mark was from one of the female Gainax staff.

From the photo, we can see that Misato wants Shinji to see her as more than a potential caretaker (as ethically should), but as someone of opposite gender and a "potential" love interest. Although, of course, we can brush it aside as a part of her quirky and fun-loving attitude. But the problem arises in the latter part of the series where this attitude crosses the line. The suspicion is confirmed in the official pamphlet's character introduction describing her as Shinji's family + co-worker + superior + "lover."

Misato: Shinji, I'm going in. This is about all I can do for you right now.

Shinji: No!

The scene central to this discussion happens in episode 23 when she takes her seat next to Shinji, who is grieving the death of Second Rei on his bed. Although surface-level reading is, Misato wants to hold his hands to comfort him. If that is the case, the line "This is all I can do for you right now" is unnecessary. And not only that, but Shinji's rejection of this advance is also too strong to justify the conclusion of the surface level analysis. If anything comes to mind about an act that two grown-up adults do on the bed is "Sex."

Even if we try to give the benefit of the doubt and stay at the surface-level conclusion that is psychologically comfortable, this is Evangelion. It refuses psychological comfort. The film book released by Gainax has a note about this scene that says, "Misato is attempting to give Shinji her body." This is even alluded to in the shot right before the line, the head of the chair being where Shinji's Penis would be, and Misato coming to sit right on top of it.

Throughout the series, both Misato and Asuka approach Shinji as the "Other sex." it's natural for Asuka since they are the same age. However, it is unnatural to think of Misato (Who is twice his age) approaching Shinji sexually (neither should be accepted). So let's dive into how Misato might think about that. As early as episode 2, we are shown Misato yelling at Ritsuko through the phone, saying, "There is no way I will lay my hands on a boy!". This is perhaps foreshadowing what she will be doing in the later part of the series. So what changed in her throughout the series that she would end up trying to lay her hands on Shinji sexually. Did she genuinely believe that it was the only way she can console Shinji? Or perhaps there was a more selfish reason, to distract herself from the sadness of losing Kaji? Well, it could be both. There is a middle ground and an explanation that I prefer. Kaji was the only man she allowed herself to be vulnerable with. Because the best means of communication between the two have been sexual, she most likely believed this to be the most effective way to empathize and be vulnerable with Shinji.

We can see this as another manifestation of her Electra complex if we consider that Shinji also reminds her of her father.

As many of you are aware, Evangelion borrows concepts from psychology and is strongly influenced by Freudian psychoanalysis. Psychological terms are heavily used, especially in later episodes. The characters' internal conflicts are put into the spotlight in episodes 18, 19, and 20. All these episodes use terms from psychoanalysis for their title. Let me touch on each of them briefly over here. Episode 18's title is "Ambivalence." It refers to the coexistence of two conflicting emotions (Love and hate) regarding something and was coined by Eugen Bleuler in 1911. Freud borrowed this term in his analysis. His followers believed it to be an essential state that leads to the sadistic sub-phase of development. Episode 18 is also when the dummy-controlled Eva Unit-01 destroys Bardiel. Thus the title can also help us understand the Destrudo-led sadistic destruction of the dummy program.

Episode 19's title is "Introjection" and was a term heavily used by Freud. It is the unconscious adoption of the ideas or attitudes of others and a psychological defensive mechanism used by the ego to minimize anxiety. Almost every human being goes through this phase and is a part of healthy development as an individual. Episode 19 is when Shinji emits a strong dose of Destrudo and achieves a 400% synchronization rate. Here, we can try to explain the use of this term for the episode title in two ways. The first is to refer to the synchronization process of the pilot and the Evangelion. Secondly (and more specifically to the episode), to refer to Shinji becoming an individual that has become a part of Unit-01. Becoming a part of Unit-01 who have just absorbed the S2 engine and become as though god.

Last is episode 20, titled "Oral stage," and is the stage central to Freud's theory of Libido's development. Libido is the potential sexual energy, and Freud categorized the development into four distinct stages, starting with the oral stage. During this stage of development, the child clings onto its mother's breast for nourishment. This is also when the child begins to develop the ability to distinguish between themselves and the other. The significant happening of episode 20 is salvaging Shinji from Unit-01's Core, trying to bring Shinji back as an individual and away from the comfort of his mother. This can be seen to parallel the child leaving its mother's womb and coming to be born into its own person. And to add, they had to inject Libido into the Core to salvage him.

To return from our long detour, Evangelion is a series that heavily draws its conceptual inspiration from Psychology and Freudian psychoanalysis. What Freud posits, and perhaps most central to his scholarship, understands that desires created by both Libido and Destrudo, any forms of mental energy are irresistible and irrepressible. That is to say, if during one's development if any of such mental energies' expressions are disturbed and blocked off, it will results in the development of harmful coping mechanisms as an adult. In the case of Misato, her father's absence resulted in the absence of ways to healthily release her Libido. Therefore, Misato's inappropriate advance towards Shinji could manifested the harmful coping mechanism she developed as a child.

Losing her father as a child resulted in dysregulation in Libido. Losing Kaji, the only person she truly loved, left Masato broken. At this point, she had no other way to release her desires other than laying hands on a vulnerable child. When both Shinji and Penpen refused her the physical affection she needed, she could only find comfort in listening to Kaji's final voice message in repeat. Yet, she did not lose all possibility to recover. She was able to dry out her tears and began to follow the road her father once took. This leads her to analyze the evidence Kaji passes onto her and begins questioning the truth behind Rei. By the end, she manages to reach close enough to understand the "Truth." This is how she was able to explain to Shinji what was going on. She also experiences character growth through this process, becoming able to fully understand and empathize with the pain of others.

This is also when we see her starting to differ from Asuka. While both lost Kaji, whom they both loved, Misato comes to accept this loss and can carry herself as an adult. By the end, she was mature enough to send the grieving Shinji to Unit-01 during the End of Evangelion. While Misato has always convinced Shinji to get on the Eva, now, she was different from the past. Unlike in episode 4, where she emotionally manipulated Shinji into piloting Eva. Unlike episode 12, where she drew a hard line and coldly forced him. In EOE, she was no longer forcing Shinji out of her own hatred of the angels. All there was, was a grown adult's desire to convince a child that "Life is worth living." Even if she were to die during this process. All there was, was Misato's advice as an adult to the crying child. And it was this "will to live" that was passed on from Misato to Shinji.

Misato places her necklace on Shinji's hands and wraps his hands around it. Just as how she once held onto it while facing death in its face. Her father's memento. The love towards one's family. Hope for humanity. And all else that the cross symbolized. And the cross passed on from Misato to Shinji like the passing of the torch. To pass on the will to live. This was followed by a grown-up's kiss, just like how Kaji showed her, the perfect way to, perhaps the only way to fully communicate this will and pass it on. To want the other to continue living and hoping to live on as a part of their memory.

With the kiss, Misato stopped pretending to be Shinji's inept guardian.

She sent Shinji off, hoping that he could become a grown-up who can stand by himself.

Misato: You will be alone from this point on. You need to choose for yourself.

Shinji: No. I can't.

Misato: Crying isn't going to solve anything, either!

Misato: You hate yourself, don't you? That's why you hurt others. Deep down, you know that you suffer more when you cause someone else pain than if you just let yourself get hurt. But Shinji, that was your decision, so that makes it a valid choice. That's what you wanted, so that makes it worthwhile, Stop lying to yourself, and realize that you do have options. Then accept the choices that you made.

Shinji: But you're not me. You don't understand!

Misato: So what if I'm not you?! That doesn't mean it's okay for you to give up! If you do, I'll NEVER forgive you as long as I live.

Misato: I'm not perfect either. I've made tons of stupid mistakes, and later, I regretted them. And I've done it over and over again. A cycle of hollow joy and vicious self-hatred. But even so, every time, I learned something about myself.

Please, Shinji. You've got to pilot Eva and settle this once and for all. Find out why you came here. Why you exist at all.

And when you've found your answers, come back to me. Promise me. See you soon.

Kaji: Go and do what you can. No one will force that choice on you. Think for yourself and decide for yourself. GO and do what you must right now. So that you don't live to regret it.

Misato: If I had known it would end like this, I would have changed the carpet as Asuka suggested.

Many discussions about Eva centered around her last words, the one about the Carpet and Asuka. Most of the theories have interpreted it with the spilled coffee during the instrumentality scene. I'll touch on the scenes shown in instrumentality in future chapters. But for the discussion here, note that the coffee was not spilled on the carpet during the instrumentality scenes. So I'd instead interpret this line separately from it. Personally, I believe this to be Misato, as an adult, regretting not being as kind and compassionate as she could have been to Asuka.

Unlike Shinji, who she managed to pass on her will and true feelings, she did not have that privilege with Asuka. Instead, she wallowed in her sadness, not looking out for Asuka, who was herself suffering from traumas and grief. The regret of not being a good guardian and not making the home comfortable for Asuka would have hit her as waves of regret crashed in as she laid bleeding cold on the floor of section R-20.

After Shinji, who she just sent off, Asuka, who she feels sorry for, After Penpen, who was always there for her, Kaji now crosses her mind. Was she waiting for his praise for passing on his will to Shinji?

As though she can see him, she stares at the sky. Right before the explosion, we see Rei standing over her. Perhaps it was Lilith who traveled through time.

And we come to the final scene of the EoE. Shinji and Asuka are lying down on the shore, staring at the sky. At this moment, we are reminded of Misato through the cross, now nailed to a wooden post. The cross has come to symbolize Misato's hope and dreams for the two children who will now be growing up into two adults. Will Misato be able to revert back to her human form by her soul desiring it? Nobody knows. But I don't think that matters. Because now, Shinji carries on her will.

Let's continue when you get back.

I'm back. Welcome back.

Welcome Shinji, this is your new home.

I'm back.

Welcome back!

Sorry, made you wait!

TBC Chapter 24: Ritsuko Part 1 Mother and Daughter

[insomniacowl]

Neon Genesis Evangelion analysis chapter 22: Katsuragi Misato Part 1 The cross in her hand

Kaji's final gift

The three characters representing the "Second impact generation" are Kaji, Masato, and Ritsuko. They are respectively entwined with Asuka, Shinji, and Rei throughout the characters' developments. Both Kaji and Misato self-reflect on their own pain and suffering while observing Shinji's growth and passes on their "Will" to Shinji. This "Will," shared by Kaji and Misato, refers to the desire to understand the "Truth" and the motivation to overcome any adversities standing in the way. Misato climbed up the ranks to become a high-ranked official of Nerv. Kaji became a spy acting for multiple agencies and organizations.

Due to having chosen the more dangerous route, Kaji lost his life much earlier than Misato. Knowing his impending death, Kaji passed on the pieces of information to his unanswered questions to Misato through 'Physical intimacy.' In this chapter and next, we shall discuss Misato as a character and as a person who Kaji trusted solely and lovingly.

"Until the very end, Service, Service."

Katsuragi Misato

29 years old

Blood type: AB

Height: 163cm

Weight: 47Kg

Three Size: 33-23-32

Considering her diet and drinking habits, it is a wonder how she manages to maintain such weight and proportions. As the Nerv operations bureau's leader, she was a Captain at the start of the series and was later promoted to a Major. From her rank insignia and the information from Evangelion development documents, we can see that she is from the "Japanese self-defense force." As a young girl, she was caught in the Second Impact, and this incident left a large scar under her right breast; she seems to associate the scar with painful memories. She is the daughter of Dr. Katsuragi, who lost his life in the same second impact while saving her life. This act of sacrifice indirectly provided the reason for Misato's eventual employment at Nerv; the need to find the "Truth" and revenge against those that caused her father's death.

She moved into the third Tokyo city shortly before Sakiel's advance against the city. She became the Ikari Shinji's guardian after the battle. To her, it could have been a fulfillment of a desire to build an ideal family life, one she never had as a child. For the same reason, she takes in Asuka and, along with Penpen, forms a happy cohabitating unit of 3 human 1 bird family.

The house that she lives in was provided for her by Nerv and is large enough for three people to live together without much contestation for space. To touch on Penpen for a moment, he is an animal mascot sketched out by Sadamoto following Anno's request for an animal character to brighten up the show's atmosphere. The concept of a "Hot spring Penguin" is fictional. He eats human foods and drinks beer. Inferring from his human-like diet and ability to view TV or read the newspaper, we can guess that he was born from a mutation or a lab experiment. The backpack he wears on his bag is theorized by some to be a miniaturized fridge to keep him cooled. Due to security reason, he is sent off to live with Hikari (Shinji and Asuka's classmate) and makes his final appearance in the "Omedeto" Scene,

Katsuragi Misato in the development phase.

Misato is one of the rare characters whose design has not changed from the planning phase of the series, and on a side note, Anno was a big fan of the sailor moon series. Rei's name was inspired by Hino Rei (Sailor Mars). The design of Misato was based on the image Anno had of Usagi (Sailor Moon) as an adult. Adding to this point is the employment of the same voice actress (Mitsuishi Kotono) and Sadamoto designing their hairstyles to be identical. Furthermore, according to Sadamoto, Misato is a car enthusiast, and her room is full of related magazines and newsletters.

Returning to the topic, just like Shinji, Misato is a character who was designed with careful detail. According to Anno's production declaration (What is it that we are trying to make?) Similar in vain to Shinji being the child at the center of the Third impact, Misato was conceptualized to be the adult who was once at the center of the Second impact. Furthermore, both are inept at creating meaningful social bonds and are afraid of being hurt by the other. Lastly, they are both not used to communicating their needs to the people in their lives.

The difference between the two is that while Shinji feared interaction and ran away from the other, Misato made surface-level interaction with the largest number of people while hiding her true self under a mask. While Shinji's actions are understandable as he is only fourteen and made to shoulder an adult's responsibility, Misato is presented as a juxtaposition. Misato is presented as a child putting up an adult's veneer, showing her immaturity even as she is nearing her thirties. Asuka, who was acquainted with Misato during her service in Germany, described her lifestyle as 'Hypocritical.'

As we have discussed in the previous chapter, Kaji wore an irresponsible adult's mask to hide his serious side in pursuit of the Truth. In contrast, Misato wears a serious and bright adult mask to hide her cowardice and weakness. This would have worked against those that interacted with her on a surface level. However, it would have had to come off eventually, making it impossible to hide from people she lived with. This gave Shinji the perception of Misato as a 'hypocrite,' making it easy for him to reject her kindness and run away from her house.

Furthermore, when she lost Kaji and lost all willpower to put up that front, she could not care for the children physically nor care for their mental wellbeing. Concerning this, Asuka began closing herself up from Misato due to her jealousy for Kaji. Asuka also loved Kaji to the point she attempted sex appeal but was rejected for being "too young."

In episode 15, Asuka learns of Kaji's true feelings and begins feeling defeated, resulting in her bearing fangs against Misato. When her synchronization levels dipped below Shinji's in the following episode, her confidence in herself began to bottom, and Misato was in no position to offer help.

When Kaji began a more intimate relationship with Misato, whom Asuka perceived as mentally immature, Asuka was lost and began to distance her feelings from Kaji. Asuka's heart was broken, and there was no adult she could rely on. This point about Asuka will be covered more in later chapters.

Dr. Katsuragi

Before diving deeper into the character analysis of Misato, we need to understand her father, Dr. Katsuragi, more. He was a member of the Gehrin and the first person to theorize the working of the fruit of life; the S2 engine. The 'Super Solenoid theory (S2 theory)' first theorized in 1999 attempts to explain the mysterious energy source: the 'infinite spiral energy.' This being a fictitious theory, we can not go in-depth here. Still, for the sake of explanation, it is explained as a potential source of infinite energy that Dr. Katsuragi desired to use for humanity's good. Ironically and unfortunately, it was this theory that resulted in the tragedy of the second impact.

In the year 2000, the Doctor receives Seele's funding to form the Katsuragi expedition team. He leaves for Antarctica to prove his theory and perform the 'contact experiment' with Adam. While his theory was proven to be accurate, he losses his life from the 'eventual second impact. Our dear old Keel described the Doctor demeaningly, to quote, "The type of man who was blinded by his passion and unable to see reality," this statement is accurate, according to Misato. This makes him a figure similar in character to Gendou, someone whose work always came before all else, even his family. Causing Misato's mother to always cry tears of loneliness.

Misato understood the impact her father's absence had on the household. This resulting in the pressure to be a good child to please her mother. This leads her to refute others' descriptions of him as 'Kind and sensitive,' calling him 'weak and childish'; as someone who was irresponsible to his family and ran away from responsibilities. Misato's mother eventually divorces him, and she welcomed this separation. It seems that Dr. Katsuragi was shocked by this incident; Misato described it as getting his 'just desert.'

The cross: Dr Katsuragi’s memento

But of course, we have to answer one question regarding Dr. Katsuragi's affection towards his daughter; why did he bring Misato along to Antarctica in 2000? Since there is no mention of her mother in the series, we can infer that he gained custody of Misato after the divorce, thus being her only guardian. Yet to bring a young child to Antarctica was nothing more than putting her in danger. While he did not know of his impending death, bringing his daughter to such a place was downright irresponsible. While there is not enough detail about this, bringing Misato for the expedition might have been his way of showing affection. An imperfect way to express his love for her.

Here, we can draw a parallel with Ikari Yui's actions during her contact experiment. Perhaps the reason why the Doctor wanted to show Misato the contact experiment was the same as the answer Yui gave to Fuyutsuki; "To show this child the possibility for a bright future." And like the Ikaris, Katsuragis also separated in a tragedy. A tragedy for everyone involved.

Looking at the second impact scene, we can observe the Doctor covered in more injuries than Misato. This is likely due to him shielding her from harm using his own body.

With all of his remaining strength, he hoists Misato into an evacuation capsule. His face is covered in blood, and tears roll down his cheeks as he put his cross necklace around her neck. He draws his last breath. This necklace symbolizes the Doctor's love. The love for his family. And the love for humanity. He instills it in the cross and passes on all that he held dear to Misato. She now has to protect herself. But with the cross, the Doctor's desire to protect humanity also gets passed onto her. A burden too big for a little girl to bear.

Even though she claims to dislike her father, Misato is to be confused about what to feel about him; he risked his life to protect her after all. The biggest reason she is at Nerv and fighting the angels is likely to remember him and continue his legacy. Thus, the necklace is a protection charm and emotional support for Misato. We can see this when she desperately grasps the cross as Zeruel is about to shoot its laser.

The cross in her hand

To Misato, the reason for her battle against the angels has less to do with the desire to protect humanity. She fights, as Ritsuko points out in episode 12, as a form of revenge. She admits to this fact in episode 15 during her conversation with Kaji. This is the reason why she takes on near-improbable strategies based on her 'gut feelings.' Especially in episode 12's battle against Sahaquel, the likelihood of success was 0.00001%. The subtitle for this episode is 'Don't make others suffer for your personal hatred.' This perhaps was something Ritsuko (or even Misato herself) was thinking deep down.

Yet to chalk all of this up to a simple desire for revenge is reductionistic at best. The cross in her hand was concurrently the unfulfilled love Dr. Katsuragi had for his family and also the hope for a brighter future for mankind. It was also a Cross, the symbol of the weight of responsibility, and it was what she stood for.

Various iconographies of crosses in Evangelion

The beginning of the universe?

Touching on the cross as we conclude this chapter, we are bombarded with its iconographies across the series. The most notable being the flash of light produced when the angels die. Seeing that this is observable during the third impact, it perhaps symbolizes the soul exiting the body. Another memorable cross is the one we see flashing during the opening sequence.

In the production commentary, the blue dot at the very start of the opening, which expends out in a circle and into a "red gas," is revealed to represent the big bang and the start of the universe. This is followed by the crosses that make up the transition into the title screen, the same kind of visual directions used for the in-episode eye-catch.

Beyond the surface-level representations listed, there are many more hidden references to this iconography. In episode 21, after Yui's absorption into Unit – 01's core, Gendou's shadow carries a gigantic cross. The object casting this shadow is not shown as it is only a symbolic representation. It represents the responsibility that he will carry, One that Yui used to carry and Gendou perverts. The responsibility to forgive humankind's original sin. In episode 4, when Shinji runs away from NERV, he walks down a long path shaped like a cross. This symbolizes the heavy responsibility that he is Fated to carry. That he is destined to be burdened with.

As Anno has put it, Evangelion is like a puzzle to be pieced together. There are many more such scenes, but I will leave it as it is for your enjoyment of discovery.

TBC Chapter 23 Katsuragi Misato Part 2 Dear Shinji, this is my Truth.

[insomniacowl]

things I wish autism research actually tried to figure out:

why caffeine works for some of us, but not all, and even then it often depends on the way you take it and the dosage

how come all of us have gastrointestinal problems?

addendum to the above: what exactly are our gastrointestinal problems? are we genetically more likely to have autism be comorbid with gluten sensitivity/colitis/IBS/lactose intolerance/whatever else or is it something completely different? is it psychosomatic? the fuck

okay but how does being sensory-seeking work. and what does stimming do to your brain. what neurological function are we facilitating with flapping hands and rocking back and forth and spinning? wouldn’t it be great if we had a serious long-term study of the brain on stimming?

are you more likely to be autistic and LGBT?

what are things we do better than neurotypicals?

but no it’s always “how do we train the animals to be something they’re not” or “but what made you this way??” or “Time To Find A Cure”

[insomniacowl]

Neon Genesis Evangelion analysis chapter 21: Kaji Ryoji Lies and Silence

Hi, it's been a while. I'm sorry I disappeared for 5 months while working on the graduate thesis. From now on I will try to upload once every two weeks at 7pm on Saturday.

From here on out, the analysis will focus on the important characters of Evangelion with 15 chapters left to go. Thank you for your patience so far and I hope you all stick with me for the remainder of the ride.

Also, I realized that Tumblr now allows maximum of 10 photos a post, so I am thinking of moving or co-posting on a different site. I'll update all of you when that happens

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Sakiel: The third angel, the first real opponent of Nerv. A portion of voice recordings of the battle attained

Shamel: The fourth angel, visual data gathered and backed up. Will send recordings of Unit – 01's battle against it.

Ramiel: The fifth angel, portion of remains attained and analyzed. Will send information about AT field.

Gagiel: The sixth angel, visual confirmation. Information attained from the UN. Will send information along with Unit – 02's battle data.

Israphel: The seventh angel, visual confirmation, will send data through channel 11-B. Attained sample of material composition

Sandalphon: The eight angels, confirmation through a still image. No further information

Matarael: The ninth angel, visual confirmation. Used the blackout to obtain a sample.

Sahaquel: The tenth angel, photographed attained. Will enter into the database through channel 57-F

Ireul: The eleventh angel, visual confirmation, data erased by Nerv. Will retrieve physically and send them over.

Reriel: The twelfth angel. Unit – 01 went berserk again

Bardiel: The thirteenth angel. Data attained from Mitsushiro facility

Zeruel: The fourteenth angel, visual confirmation. Unit – 01 went berserk. Will send video data.

---Excerpt from "The memos of Kaji Ryoji."

"2015: the Last Year of Ryoji Kaji" was written by the head scriptwriter Yamaguchi Hiroshi and was published in 1997. It contains Kaji's observations of various Incidents and set pieces in the series. It is not anything too particular; however, the fresh perspective Kaji's writings provide makes this an essential material in our understanding of the world of Evangelion. The excerpts mentioned above are essential proof of Kaji's identity as a spy and prove that the blackout during Matarael's attack was deliberately caused by Kaji and Seele.

Furthermore, it explains how Seele had attained information regarding Iruel's existence and its attack on the Nerv facility, even when Nerv/Gendou tried to hide this fact.

The memo above seems to be the observation of Nerv and the angels made by Kaji. While Kaji officially belongs under the Japanese government's command, as we have covered in Chapter 17, the Japanese government is unaware of Lilith's existence. It, therefore, has a different numbering system from Nerv and Seele.

Adding on to this point, the public in the world of Evangelion is unaware of the existence of Lilith. High-ranking Nerv officials such as Misato are aware of Lilith only as of the cause of the First impact and no more. Thus we can deduce that Kaji made the memo while he was on Seele's side, considering that he knew about Lilith in detail. But Kaji never once wholly and permanently sided with any organization. Like how his main character trait is a "flirt," he is never loyal to any organization, just like how he is perceived to be with women; two, perhaps three-timing.

Kaji: You've lost weight

Ritsuko: Are you flirting with me? Stop. A scary-looking friend is watching.

However, it is wrong to say that Kaji was a cheater by any means. His heart belonged only to Misato, and she was the one he trusted the most. His flirting with Ritsuko and Maya made others view him as a superficial person and did not take him too seriously. This got some eyes off his back. This would have given him more freedom to act in achieving his goals (but also, it might have been fun to get Misato jealous in a playful way).

Kaji: Not like you are going to repay that. I added some dummy information in case.

Now, let's take a closer look at Kaji's actions throughout the series. He makes his first appearance in episode 7, having a phone call with Gendou discussing the Jet Alone (JA) program. Because JA was developed as a competition to the Evangelion projects, its implementation would have caused Nerv's authority to weaken and jeopardize the HIP. Making it a top priority to prevent its further development. Minus the actions taken by Misato, the proceedings of JA going berserk and being miraculously fixed were likely a scenario manufactured by Gendou.

Kaji: it has been restored up to this point. It is frozen in a thick layer of bayclade, but it is alive.

The key to the HIP

We first see his face in episode 8 on a new mission: Transporting Adam and Unit – 02 to Nerv headquarters. He likely attained Adam's body in Germany, stealing it under the nose of our dear old friend Keel. The question is, how did he do it? We will never know the details, but we know that Seele's projects that required Adam were complete at this point (Creation of Evas and Tabris). They may not have had much use or concern for the leftovers. Since Adam's fetal form is small, it would have been easy to swap the original for a copy before he left. Of course, this would not have gone unnoticed for long, and it did not.

In episode 10, we see Kaji talking to an unknown woman about the initiation of protocol A-17. It appears to be a measure that limits and shrinks Nerv's authority and freeze their funds. Just like the JA plan, it shows the hostility of the Japanese government towards Nerv. Because Nerv and Seele are still on agreeable terms, Kaji is seen as a double spy between Nerv and the Japanese government. But in episode 11, the Nerv blackout happens. With clues spread over the episode pointing to Kaji as the culprit with Seele's support, we begin to see him in action as a triple spy.

The reason why Kaji undertook such a dangerous role is to get closer to the "Truth." Upon realizing the Japanese government's imbecility, he begins to walk the rope between Nerv and Seele to seek the truth.

Kaji: Is that an angel? This is not the time to be doing my job

We first see him in action in episode 13 while the HQ was distracted defending against Ireul. Here we see him collecting information around the central dogma. While doing so, Kaji notices the angel while passing through the passage in level 28 and hears the announcement that the "Sigma unit (the Eva simulation chamber) will be shut off in 60 seconds. Bearing in mind that Magi is located in level 40 and that a lower number refers to a deeper level, we can see that Kaji has already infiltrated deep into the complex. As central dogma and Lilith were information that Nerv and Seele wanted to keep secret, this infiltration was likely Kaji's initiative. With the same logic, we can also say that the information he gathered regarding the Marduk institution in episode 15 was his individual action as well.

Later in the episode, he is found by Misato as he was trying to infiltrate the central dogma. But Kaji does not seem surprised by this fact and opens the door without hesitation. What they see on the other side was the white giant Lilith. However, we hear Kaji refer to it as Adam. Why? There are two possible explanations for this. First is that Kaji knew that it was Lilith but deliberately lied to Misato.

This explanation is weak at best. It contradicts the characterization of Misato being the only woman Kaji trusts. Further, it contradicts the portrayal of their relationship in the following episodes. It is also difficult to explain why Kaji would distinguish between Adam and Lilith in his explanation to Misato.

The other possible explanation is that Kaji believed this to be Adam, and I am personally more convinced of this explanation. As we have seen in an earlier episode, Kaji passed on the Adam sample to Gendou. Both were fully aware of what he has gotten into his hands (puns perhaps intended). Then why did Kaji believe that it was Adam in central dogma? He likely at this moment believed that the white giant was the manifestation of the Adam sample that he stole. Although it looked different, Kaji, who saw Sandalphon transforming at an unbelievable speed, would have drawn parallels.

Kaji's misunderstanding is also supported by the secretiveness of the existence of Lilith. The information being top-secret accessible only to the Gendou and Seele. Even when Gendou referred to Adam as "The first man," it could be him trying to misdirect Kaji on the identity of the white giants. Although the reason for this secretiveness is not apparent, we know that Seele was ashamed of their status as the descendent of Lilith, this being the reason for conducting the ritual of atonement.

The HIP Seele type is, in essence, based on the feeling of perceived inferiority against the Adam-based angels. Thus it can explain away why Seele would want to keep the project a secret from the public. Even without such reasons, Lilith's identity as a being in the same caliber of existence as Adam might have created a need to keep her locked away and kept secret. This to minimize unnecessary friction and interference in their plans by other organizations.

To add on, let's touch on the strange phrase written on the container of Adam's sample that Kaji brought over. "Who is you? He is living. Why?". There are no explanations given regarding this phrase. It is likely written by one of the researchers in the german facility that was studying this sample. Being the only remaining Adam sample that seemed alive with the absence of a soul, it would have been baffling to look at it.

This lie about the identity of Adam and Lilith is a recurring motif. In the earlier chapters discussing the angels' identity, I have mentioned that due to the enemies being the "Angels," Evangelion fundamentally rejects the narrative of Good triumphing over Evil. During one of the sequences in the opening song, there is a frame reading "ADAM," and it is unique as it is the only one that is black words with a white background. This likely foreshadows the fact that information regarding Adam that we receive is different, thus, at some level, inaccurate or lies.

Either way, the truth of the White giant's identity is revealed near the end of the series. The audiences are made aware of it through the exposition of Tabris. For Miasto, she receives this truth from Kaji along with all the information and data he collected by himself. Through this 'Truth,' we can infer what Kaji wanted to protect and what his 'will' was. This 'will' to live is passed on from Kaji to Misato, from Misato to Shinji, and influences his decision during the end of Evangelion.

Kaji: Shinji, the only thing that I can do right now is to water these plants. And as much, there are things that only you are capable of accomplishing right now. No one is going to force you to do anything. Think for yourself. Decide for yourself. Determined what it is that you need to do right now.

So that you will not end up in regrets.

The alliance between Gendou and Seele began to show signs of schisms in episode 19 after Unit – 01 consumed Zeruel's S2 engine and became a being as though god. This was more in line with the plan of Gendou, who sought for the creation of a new god, the material conditions misaligning from Seele's plans of atoning for the sin of Lilith. Kaji was very much likely to have been aware of all this. When the schisms showed, Kaji had to choose the side he had to stand with. He seemed to have concluded that Nerv is closer to the truth that he wanted. Therefore he ended up helping Gendou achieve his version of the HIP.

I say this as Kaji played a crucial role in convincing Shinji to return and pilot Unit – 01 during the battle against Zeruel. Afterward, Kaji released Fuyutsuki, who was kidnapped by Seele, and began his pro-Nerv strategies. This leads up to his assassination by Seele's orders. To borrow Seele's words, "The bell around Gendou's neck lost its will to ring."

Fuyutsuki: Is that you Kaji?

Kaji: It's been a while.

Fuyutsuki: You will lose your life if you do this.

Kaji: I am just heading towards the truth that I believe in.

Let me talk a little more about his death. In episode 21 of the renewal version, an additional line was spoken: "They found out that I handed over Adam's sample to Gendou." This draws a line connecting the importance of Adam's Sample in Kaji's death and its role in the HIP.

Regarding the Assassin identity, due to the scene of Misato's grief being placed right after Kaji's death in "Death and Rebirth," some believed that it was Misato killed Kaji. One of the rare things that Anno came forward and cleared up was that Kaji's assassin was an unnamed individual that we do not see ever on screen. An additional argument made by those suspecting Misato as the culprit claims the evidence of interlaying of Misato's apartment door label right after the gunshot. This was later removed in the renewal version.

Kaji: No one can understand another person to a full extend. They can't even understand themselves.

But that is why people try their best to understand the other.

And that is what makes life such a fun experience.

Many of what Kaji says touches on the critical messages of Evangelion. It is also why I am starting off this section, the analysis of characters with Kaji; understanding Kaji is integral to understanding the series as a whole. He loved Misato but could not tell her his true feelings during the happiness of reunion after eight years. This was likely the greatest form of love that he could have given her, knowing that he is close to his death. The reason for Kaji's obsession with the truth and the sufferings he experienced in the past is fleshed out in detail in the comics version. He was orphaned as a consequence of the Second impact. After a failed attempt at stealing food from the military base, all of his friends were killed, leaving him alive and questioning the reason for their suffering and death. Kaji sought to avenge his friends by understanding why the Second impact happened.

But even without going into the details, we can try and understand the pain and suffering he went through as the generation living after the Second impact. Yet, his general attitude towards life and his ability to call living to be fun is his unique charm. He even managed to have a smile on his face while looking at the face of his death. His smile was not a forced fake that he made to mask his fear of death; he has probably smiled from the bottom of his heart.

Yo. You're late

Because he would have already reached the truth that he worked so part to attain.

TBC Chapter 22: Katsuragi Misato Part 1 With a cross in hand

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Arkham’s razor my friend

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"How To Explain To Your Parents That Antifa Isn't An Organization But If It Was You'd Be In It"

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It’s all about who you want to eat pizza with at 2am.

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Excerpts for a 1920's newspaper during the Spanish Flu

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hot flaming take i’m abt to slap you with: it’s not acceptable to punish children for their grades, no matter the circumstances.

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ok but if bruce wayne somehow came upon zuko fresh out of banishment he would lose his mind.

black hair? check. bad parent(s)? check. trauma? double check.

bruce: how’d you get your scar?

zuko: my dad got mad at me for saying that killing people is wrong so he lit my face on fire and banished me.

bruce, vibrating with excitement, already pulling adoption papers from his utilility: that’s terrible. how do you feel about capes.

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Ursula Goff on Instagram

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Neon Genesis Evangelion analysis chapter 20: Libido and Destrudo

Professor Fuyutsuki Metaphysical biology laboratory.

In attempting to understand the story of Neon Genesis Evangelion, the concept of a soul and how it plays into the wider narrative is an essential point where various story threads converge, but due to the idea of souls being abstract at best in our world, many glosses over this as an unexplainable Novum used as a set-piece. Yet, many symbolisms and set-pieces of this series require an understanding of the role of such Novum, thus we will touch on some of them here. (By Novums, I refer to Darko Suvin’s description of ‘Scientifically plausible innovations used by SF narratives’).

In NGE, the concept of ‘Soul’ is explained to lie under the branch of ‘metaphysical biology’ and was Fuyutsuki's field of academic studies. It is mentioned only in passing when we get a glimpse of his past thus making it easy to gloss over, but it is an integral part of the world-building. Side note, in our world, ‘metaphysical biology’ is a branch of the ‘philosophical biology’ but in the world of Evangelion, it is used to explain how the lived experience and emotions of a person come to take form and is a field of scientific study.

In simpler words, it is a belief that the thoughts and feelings of an individual can take material form through the use of ‘certain’ kinds of energy. It is how we can explain the maintaining of an individual’s body in a certain shape using AT field (In a shape that is imagined by the soul [ego]).

Without the AT field, there is no form

All living things consist of its soul and have a body to ‘contain’ it, this soul originating from the room of Guf. In Lilin’s case, their souls have merged with LCL and it is the AT field that keeps the fluid in the shape required to function as a living thing. This is why in the absence of an AT field (such as when it is neutralized by the Anti AT filed waves), the bodies lose its form and revert into LCL as we see during the End of Evangelion.

What does pattern Blue mean?

Unlike the Lilins, Adam, Lilith, and the angels' bodies are not made up of the LCL but what is referred to as the wave-particle matters, allowing their bodies to exists even in the absence of a soul. This is used to explain how the White giant in the central dogma (Lilith) was able to maintain its form when the soul was split and placed in unit – 00 and Rei, and how she changed into a gigantic Rei once the Soul was returned.

Not solid, nor liquid, nor gas

wave-particle matters, according to Ritsuko, refers to a unique matter that exists as both wave and particle materializing at the same moment, this is different in our world where the wave-particle duality problem still exists and we can rightfully believe that Anno simply burrowed the term without the complexities of it. Yet it is still useful to think of this matter as a form of “light” and it is best exemplifies when we see the Rei + Adam + Lilith’s (Rei + AL) hand passing through Maya without any harm, and due to it not requiring an active AT-field to maintain its shape, we can observe the Evas and Rei + AL not reverting to LCL during the End of Evangelion's "Come Sweet Death" scene.

Rei and Humans are biological different

In chapter 10, I have posited that Lilith’s DNA is present in Rei and presented the hair of Unit – 01 and Rei being the same color as a piece of evidence, I can now state this more accurately and say that part of Lilith’s wave-particle material likely has entered Rei during her body construction process. That is the reason why the cloned bodies of Rei we see in episode 23 were able to maintain their form in the absence of a soul inside them. We will be touching upon this topic again in the future.

Libido and Destrudo

Now let us talk about Libido and Destrudo. In our world, these are terms used in philosophy and psychology and tends to refer to a similar concept (refer to Herbert Marcuse's "Eros and civilization" but also many of Freud's works). However, in the world of Evangelion, they are both “Quantifiable mental energy” and are intrinsically linked to the role of souls in producing AT field.

Since the souls’ are vulnerable to having its existence interfered by another soul, resulting in it being forcefully re-shaped, AT fields are set up to maintain physical form and prevent such mishaps. However, an AT field that is too strong can also have harmful effects.

Simply put, there is an amount of AT-field required by each living thing to maintain their selfhood, this requiring a certain amount of energy to maintain this territory of self. This energy is the combination of two types of energy that are Libido and Destrudo.

Libido: the will to life

Libido is similar in concept as eros; a form of mental energy held by all living things. Destrudo is the necessary precondition for the existence of the creation of something from nothing. While Libido is often conceptualized with sexual urges, its original scope is much larger, enveloping all forms of productive energies that includes love. Libido is sub-constituted by the instincts of Id and Ego and is represented in the Evangelion series as AT-field. Libido = AT field.

REI 00N: DESTRUDO RELEASE

The result

On the surface level, Destrudo is the antithetical concept to Libido and is more often referred to as Thanatos in the Freudian concept. It can be described as the “Attraction to death”, and “Instinct to destroy”. While it might seem like a negative concept, it is integral mental energy that works alongside Libido for the continued existence of all living things. When Libido stimulates the stress for the “continued existence” of living things, Destrudo (Thanatos) is also released to maintain the delicate balance necessary for a healthy existence and mental state. In the Evangelion series, this is referred to as the Anti-AT field. We can see that Destrudo = Anti-AT field hypothesis being supported in episode 23 when Ritsuko releases destrudo waves as she initiates the breakdown of Cloned Reis’ bodies.

Let us not forget that Libido and Destrudo are concepts used to explain the existence of a soul in Evangelion. One narrative conflict in Evangelion lies in the choice between the maintenance of the individualized and atomized existence or the achievement of the unified being like those of Angels through Instrumentalization; they are fighting over the size and number of Lilins’ ego (subjecthood) that should be in existence, the existence of souls is a question that supersedes all of this viewpoints. It is the soul that is used for the creation of a connection between the pilot and their Evas. What supports this statement is the production of Libido and Destrudo when they are piloting it, and the strength and balance of this energy are what is being measured during the synchronization test. We can observe this in Asuka where her ability to pilot Unit - 02 correlates with her will to live throughout the series, and we can also say that the role of the dummy plug is the imitation of the mental (thus of Libido and Destrudo) patterns of a specific individual.

Ritsuko: Salvage start!

Maya: Roger, Sending the first wave

Maya: Eva received the waves. No rejection sequence detected

Continue with the second and third wave

No rejection was detected. No Destrudo observed.

We can see these two energies being used in episode 20 when Shinji's soul was absorbed into the Unit – 01’s core and his body reverting into LCL. The salvage operation that was performed to retrieve him explicitly showed us the graph of Libido and Destrudo meter reflected on the operators' screens. Let me pose you a question here, to bring back Shinji from his current formless shape, which of the two energy should be used to bring him back? The answer is Libido, the AT field energy. It is most likely that they inserted Libido energy into the entry plug and this can be seen in the erotic sequence that we observe from Shinji's perspective.

There are two instances of the salvage operation that we are aware of. First is Yui’s case, second Shinji’s. Both instances failed, however, this was not due to the hypothesis of the Libido-AT field being inaccurate. It is because the individual did not wish to return to individual selfhood. Although for Shinji, he managed to wake up on is own accord afterward, foreshadowing his return from the primordial ocean at the end of Evangelion.

The Shinji’s Libido is depicted often and in focus throughout the series. It starts in episode 10 with Shinji’s innocent reaction to Asuka’s filtration, the young boy’s fantasy during the Onsen sequence while overhearing Misato and Asuka’s conversation, and the touching of Rei’s breast. All these instances gave Shinji a boost in his Libido level and this can be linked to his gradual increase of Synchronisation rate. This observation can also be used to help explain the reason why fourteen-year-olds are chosen to be pilots.

The hot-blooded face of Shinji

When we look at Shinji’s face during the fight with Zeruel, at the moment his synchronization rate reached 400%, we can see the effects of Destrudo energy manifesting. In this sequence, we see Shinji smiling with what can only be explained as ecstasy that is too far off from his usual self. The high synchronization rate can be explained with the rise of the Destrudo level here. Destrudo being released due to Shinji’s desire for the destruction of Zeruel means that there is also high Libido that presents to balance out the destrudo level. 

Shinji is not okay in this scene.

The metaphysical materialization of Destrudo; circa start of instrumentalization

And the result….?

The concept of Libido and Destrudo plays an integral role in our understanding of the End of Evangelion as well. At the beginning of the movie, we see Shinji having set up a strong barrier against other people (AT field), which means that his current stress for living, the Libido level is at an incredibly and irregularly high level. The sequence where he is seen masturbating to Asuka’s breast shows this dichotomy between the desire for sex against the desire to shield self from others (both being the manifestation of Libido) and it makes the viewing experience extremely uncomfortable.

Later, during the beginning phase of the instrumentalization, as the AT fields are being eroded by the Anti-AT field waves, we observe scenes that epitomizes the destructive instincts of Destrudo. The scene of Shinji choking Asuka is overlayed with the sinister smile during his battle against Zeruel and is followed by multiple bizarre and violent, yet childlike drawings (Libido and Destrudo often reach their peak during childhood and this can be observed in their drawings as well).

Unit – 01 with the Dummy plug choking Unit – 03 (Bardiel)

I will wrap up the discussion on the Dummy system here as well. The requirement for the activation of the Evangelions is the Libido and Destrudo energies, which means that the Dummy system that only imitates the mental patterns of Libido and Destrudo production does not have emotions nor logic. Therefore we can observe the animal-like fighting style of the Dummy system against Bardiel; this shows that even if the system is based on Rei's mental patterns, it has no logic nor emotions and fights on an instinctual level. Thus the dummy system is not a perfect representation of the original.

Skipping over the details here

The progressed version of the Dummy system, one based on Kaworu and implanted into the mass production models takes this further and shows us both of the actions lead by Libido and Destrudo, this was shown in graphic and explicit detail that the movie's R-18 rating allowed. The scene that caused quite a stir, when the mass production models are sexually petting and licking Unit – 02 was led by Libido. Many chucked it up to and accused Anno being a pervert, however, I see this as an important scene that serves mainly to further explain the role of these two energies released by the dummy system. There is a question often brought up regarding the grotesque design of the Mass production models, and the answer is that it was done to visually depict the unfiltered, and uncontrolled desire for Lust (Libido) and destruction (Destrudo).

The desire for life and love and the desire for destruction and instrumentalization are hidden set pieces of this series and are easy to overlook and ignore. But we must not forget that it is depicted in canon and plays a significant role in the ongoing narrative, yet there tends to be very little discussion of this set piece. I hope that this chapter has been useful in aiding your understanding of the series further.

This chapter ends the section on the organizations and angels. Starting from next, we will dive into the discussion of each character and the roles they play in the narrative. The first batter is Kaji Ryoji.

  TBC Chapter 21: Kaji Ryoji Lies and Silence

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Iconic.