hunterhenderson

[hunterhenderson]

@averygaye​

Five minutes or two years may have passed. Everything as always looks the same and feels different. Hunter’s cheek rests against a cushion and he looks out onto Glitch’s apartment. There’s Glitch’s knees slotting into the back of Hunter’s, there’s a chance neither of them will have been truly asleep. He woke himself up with the sensation of falling and finds he’s on the very edge of the couch, there was no real danger. One of Glitch’s hands rests under his shirt, rests over the scar that remains across his stomach.

Hunter was out for a little while, as the flickering colour behind his closed eyelids subsided. Ever so carefully, he shifts to lay on his back, looking over at Glitch and catching him just as his eyes open. 

[hunterhenderson]

[hunterhenderson]

Koyaanisqatsi. Dir. Godfrey Reggio. 1983.

[hunterhenderson]

Made of stone, eternal and animalistic, beautiful and cold, soulless, and yet filled with a hidden, terrifying life. He was surrounded by the aura of a tranquil emptiness, with air and stars, with this desolate death.

Hermann Hesse, from ‘Demian’ (via sempiternele)

[hunterhenderson]

If Saint Pepsi was a saint, I’d definitely pay my respects to him. Thankfully, I can do that anyway, by listening to this track constantly. “Private Caller” has a distinctly ‘80s touch to it, reformed through the genre of vaporwave. The plodding beat is something you can groove to, and the vocals are cheery enough to sing along with. 

Recommendation: Pick out your cutest shower cap, prepare a warm, luxurious bath for yourself, and grab your phone. Then *67 your lover and leave a sexy, mysterious message.

[hunterhenderson]

Ryan Gosling in La La Land (2016) dir. Damien Chazelle

[hunterhenderson]

It’s okay if you don’t wanna talk, you know. I don’t wanna talk either sometimes. I just like to stay silent. — Paris, Texas (1984, dir. Wim Wenders)

[hunterhenderson]

Louis Fratino - painting - “ Nightdriver “

[hunterhenderson]

foulmouthpiece‌:

     with no pomp or flourish, millie sets up a line of three shot glasses in front of him, each filled with a dollop of guava mousse. from the middle glass, an orange ( and almost definitely twice used ) candle sticks out.

     she pulls a lighter with the wrong zodiac on it from her apron pocket and ignites the wick.

     “ if they’re gross, just remember i didn’t make them. ”

He intends not to drink them, a little cream transfers onto his thumb and he has to put his mouth on it. He watches the flame and her hands, didn’t make them, and wonders how she knows and if he showed her his license one time. What could that have said?

It would be impossible to forget Millie, he’d recognise her first if she was lost in a crowd.

It’s his birthday. It was. It’s after midnight now and the candle is burning low quickly. He smiles his thanks and gestures for her to take what she wants.

[hunterhenderson]

Crossing the line from romance to violence, the scene starts off with the Driver and Irene tenderly kissing. What they share is really a goodbye kiss, as he then becomes a “werewolf,” violently stomping the hitman’s head in. Subsequently, Irene sees the Driver in a new light. “Every movie has to have a heart—a place where it defines itself—and in every movie I’ve made there’s always a scene that does that. On Drive, it was hard for me to wrap my head around it. I realized I needed to show in one situation that driver is the hopelessly romantic knight, but he’s also completely psychotic and is willing to use any kind of violence to protect innocence.” – Drive (2011) directed by Nicolas Winding Refn

[hunterhenderson]

[hunterhenderson]

[hunterhenderson]

averygaye‌:

Why’d he pat himself like fucking Tarzan? She wants to point at herself and say ‘me jane’ if it wouldn’t be such a dick move, but it’s funny in her head at least. River draws in her lips and nods. “River. I’d take Bonnie.”

‘You an outlaw?’ That’s what Bonnie was, wasn’t she? It wouldn’t be surprising or unusual if River was, she certainly wouldn’t be the first of them in Hunter’s car.

[hunterhenderson]

I thought I recognized your voice for a minute. — Paris, Texas (1984, dir. Wim Wenders)

[hunterhenderson]

Drive (2011) dir. Nicolas Winding Refn