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in case anyone needed evidentiary justification for my choice in face claim.
#not pictured: oliver's naturally rugged american accent#a rewatch (or rather a vicarious rewatch) of hill house#[and now bly!]#inspired this
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I am the righteous hand of God! And I am the devil that you forgot! And I told you one day you will see, That I'll be back I guarantee, And that hell's comin', hell's comin' Hell, hell's comin' with me.
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Let’s get this straight
Southern Gothic: Abandoned Churches, cryptic gospel signs, don’t go near the marshes, elusive and overly religious people that are probably Up To Something but everyone is too afraid to ask what
Midwestern Gothic: Something Lives In The Corn, broken down trucks, gravel roads that lead nowhere, empty gas stations placed between tiny towns with only one attendant who makes too much eye contact but never speaks
Southwestern Gothic: Animal skulls hung from posts, shacks miles into the barren desert that still look lived in but nobody is ever seen around, They Watch From The Mountains, shapeshifting creatures hiding in the brush
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note to self:ㅤwrite a meta on dean's relationship with death,ㅤparticularly before his own ( and then his inevitable resurrection ).
#i had a rather sad epiphany#he has come in great proximity to dying or death#every season#he's on death's door in season one before a “miracle” saves him#is caught between the world of the living and dead at the start of season two#is essentially 'dying' throughout season 3 before succumbing to his demise#every season death has been right there#waiting for him#[and since i borrow from other sources#death is more akin to death from sandman. a kind face there at the end]
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Oliver Jackson-Cohen as Damon Going the Distance (2010) dir. Nanette Burstein
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supernatural + faceless
2x22 "All Hell Breaks Loose, Part II"
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