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JEANMAIRE ÉDOUARD - Le Soleil

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one of the saddest things is a sweet, kind-hearted, well-meaning person who, nonetheless, i find incredibly irritating

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i have never been able to let go of the naive conviction that anything is bearable with the right soundtrack

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Ten of Wands and Wheel of Fortune

It's such an exhausting amount of work lately, just to keep things going.

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Using tarot to read on magical events in your own practice: quick theory, new card meanings, and spread ideas

this post is OC based on my personal tarot practice; the examples given are hypothetical for the sake of this post.

Well-meaning guy: "If you think that event was a bad omen, why not read tarot to clarify?"

Person who learned tarot from popular online resources and introspection-focused art decks: "I drew the 6/Cups, so I guess my ward falling off the wall is about my inner child?"

Tarot meanings change and evolve over time. Historical meanings are often not the same, or even contrary to, modern meanings. (Consider, 6/Pentacles: the French present moment was misinterpreted to mean presents, gifts).

By acknowledging that many modern meanings available for tarot cards are modern interpretations for modern concerns, many of which have fuckall to do with witchcraft, we can also acknowledge that we can apply our own sets of meanings to tarot to achieve personal interpretations in pursuit of personal goals.

I call this concept symbol sets, and you can apply your own symbol sets to certain tarot readings in order to rapidly obtain information about magical events in your life.

Symbol sets can be swapped out for each reading. You can intend to operate on your "normal meanings" for a typical reading, and then intend to operate with "magical omen meanings" for another reading.

There are no such things as universal tarot card meanings; there are some traditional meanings, some historical meanings, and many modern meanings. Adjust what each card means to you to your heart's delight.

The more symbol sets I've developed and practiced with, the more versatile and accurate my tarot reading has become. Working with custom symbol sets might be the single biggest leap in my reading ability in 16 years of practice. At least, it feels that way!

Quick n' Dirty Symbol Set for Magical Omens, Appropriate for Everyday Use

1. Apply general portents to each suit which matches your magical practice.

Here is one set that could be suitable to troubleshooting potentially magic events:

Swords, or Air: Misfortune, betrayal, malefica, ill-intent, adversity, due to harmful (even if unintentional) spirit action, pointless or wasted effort. Sometimes, banishing, binding and hexes.

Wands, or Fire: A lot of power, excessive power, due to your own actions, uncontained energy, something you did was very much overdone. Sometimes, protection and empowerment.

Pentacles, or Earth: Mundane, physical and normal reasons, an everyday occurrence, mundane but natural growth and change. Sometimes, unlocking and unblocking.

Cups, or Water: Blessings, magic working as intended (even if unexpectedly), the normal course of magical events, magical growth and change. Sometimes, cleansing and purifying.

Major Arcana: Guiding spirits and gods; their behaviors, guidance, or messages.

A spirit worker might like to add an additional layer of complexity, which modifies the prior set:

Court Cards: The actions of another being, such as a practitioner, god, or spirit, whether they acted intentionally to bring about the event or not.

(Further breakdown, as an example: Swords courts are beings intentionally acting badly; Wands courts are the most important spirits of your path; Pentacles courts are mundane folk or spirits unrelated to your path; Water courts are other practitioners, or spirits related to your path without being in your "inner court.")

Interpret any card drawn within these principles. Here are a few random examples. Let's say, a money spell has failed to produce results, and we'd like to know why.

5/Cups [disappointment, failure]: This is the normal course of magical events; the spell wasn't cast well, and so nothing is happening.

9/Wands [determination, boundaries]: A lot of energy was raised, but incorrectly targeted or released; the energy is cooped up.

Judgment [judgment]: An important spirit in your path wants you to deal with what you have been avoiding, and will interfere with your magic until you face them.

Spread Ideas

"What's going on with that thing?" | 3 cards

Card 1: The source or cause

Card 2: The current state of affairs

Card 3: Suggested action

Example; the money jar doesn't work: Card 1, King/Swords: The source of failure was the person in the discord server who promised to curse you for not feeling the same way about Destiel as they did. Card 2, Page/Pentacles: The current state of affairs is that as a symptom of the curse, an unaware person or spirit is blocking the prosperity you seek. Card 3, Queen/Cups: Ask a benevolent spirit or helpful practitioner friend to assist you in unblocking the situation.

Determining responsibility | 2 cards

Card 1: Why this thing happened

Card 2: Why it didn't happen; one thing that wasn't the cause at all

Example; the ward fell off the wall: Card 1, 10/Pentacles: This happened because of random happenstance in the home; it was not a magical event. Card 2, Ace/Swords: This action was unrelated to malefica or bad spirits or things like that.

Foresight Before Acting | 4 cards

Card 1: The current state of affairs

Card 2: The outcome of your intended plan of action

Card 3: Recommended plan of action

Card 4: The outcome of the recommended plan

Example; the spirits did not seem to appear during a spirit petition spell: Card 1, 3/Wands: Sufficient energy was raised to attract the attention of spirits, but they may not have been properly called to action. Card 2, 6/Swords: Your plan to call the spirits back and re-cast the spell is a fruitless attempt at a transition into a new plan. Card 3, Empress: Communicate with your primary goddess or powerful spirit of the earth and obtain input and guidance. Card 4, Magician: This plan will result in obtaining important magical information about this type of summoning spell you are trying to achieve.

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what I wish people would understand about fundraising for gaza is that while everyone is desperate and I would never say not to fundraise for or donate to individual families-- I currently fundraise to support multiple friends' families-- the overwhelming narrative I see on Tumblr that the best and most ethical thing you can do is send money to individuals and there is no option for anything else is so so incredibly damaging and inadvertently lends support to the marginalization and distrust of any remaining communal social infrastructure. the sameer project, which you should donate to, talks about this in a recent video they put out. the situation in gaza is unimaginable and everyone is in need of a huge level of support, and yet this fundraising discourse by well-meaning people in the west that donating money to individuals is the only moral way reproduces societal divides wherein resources are directed to people who speak English, who have relationships with people outside of gaza, and who have internet access while hundreds of thousands are left behind.

there ARE non-ngo locally based grassroots initiatives working to meet those needs however they can, and your small donation goes a lot further with them because they are able to buy food/water/supplies in bulk at a reduced price and reach more people with less money. again I'm not saying people shouldn't fundraise for individuals because these initiatives are so limited and many people cannot access them -- but as an example, the group I fundraise with is currently serving people fleeing north gaza who are starving and have nothing, and when we fundraise enough to do cash aid distribution there's so much need that our partners can only distribute 100-200 per large family. and then I go online and see people who have absolutely no understanding of this context at all exclusively working towards raising tens of thousands for just a few people when evacuations haven't been possible for months. it's good to do whatever you can but please consider how this narrative being reproduced among westerners trying to help that there are no other options has the potential to damage groups working towards equity and wider reach however is still possible

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Agnes Pelton, USA, 1881-1961, "Messengers", 1932,

oil on canvas, 28 x 20", collection of the Phoenix Art Museum.

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in the figure of “just a little guy, just a little birthday boy” is the image of 21st century ethics. everyone is constantly trying to like position themselves as uniquely non-agentic, to defer or deny what power they have or can have over others, to self-absolve by adopting an affect of ignorance or victimhood or perpetual adolescence that can be transmuted into moral righteousness

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also the funny thing about this is my kinda competitive/bitchy coworker rolled in just as ergo dude was going over his recommendations (special chair, keyboard, mouse and footrest).

and of course we’re open plan, no privacy, she hears all this. so when the guy leaves she was like “oooh you’re going to have the best set up out of all of us”. so i said “yeah, all you have to do is develop tendonitis in both arms and you can get hooked up :) :) :)”. shut her right up.

the ergonomist has diagnosed me with skinny bitch

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bog myrtle/sweet gale is interesting so far. strong dream recall with very crisp colours and convoluted plots, all feeling almost unpleasantly real. lots of waking up tired and unmoored from reality. but there’s a strange allure nonetheless.

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times, places, and practices that I want to learn from to imagine a hopeful future for humanity 🍃

the three sisters (squash, beans, maize) stock photo - alamy // anecdote by Ira Byock about Margaret Mead // art by Amanda Key // always coming home by Ursula K. Le Guin // Yup'ik basket weaver Lucille Westlock photographed by John Rowley // the left hand of darkness by Ursula K. Le Guin // photo by Jacob Klassen // the carrier bag theory of fiction by Ursula K. Le Guin // article in national geographic // the dawn of everything by David Graeber and David Wengrow // braiding sweetgrass by Robin Wall Kimmerer // the birchbark house by Louise Erdrich // photo by John Noltner

I'm looking for more content and book recs in this vein, so please send them my way!

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Les sphinx au dictionnaire   -   Francine van Hove

French b.1942-

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sometimes i want to be a silent, invisible observer

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San Sebastián by Aurelio Cabrera y Gallardo (1870-1936).

Municipal Museum of Fine Arts of Santa Cruz de Tenerife

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Michael Malm

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the ergonomist has diagnosed me with skinny bitch