groundpearsgarden

[groundpearsgarden]

So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)  

[groundpearsgarden]

I don't wanna @ anyone because I understand how fast things seem to move in today's landscape of streaming shows dropping entire seasons in one day, and networks pumping out new series constantly to try to attract more subscribers with no intent to actually maintain those shows over time but I just saw someone self-deprecatingly lament that they are still thinking about a show that ended almost a year ago, making fan art and playlists for it, and I want to be very clear:

you can still create fanworks when it comes to old media!! PLEASE do!! there are always going to be new fans who will appreciate it, and veteran fans who are dying for new content and new perspectives. also, less than a year is NOTHING. the original Star Trek series was on TV six decades ago and there are still people losing their minds over it, writing stories and reblogging gifsets daily, and that's only one example.

a fandom lasts as long as there are people who love a thing, even if it's only a handful of people. love what you love and write and draw and make gifs and playlists about it!

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"Sure there's an epidemic of horrible scicomm" Yes, it is. Unfortunately I lost the count of dismissive, passive-aggressive "educators" out there. And no comments on this thread are trying to discuss education, what we can do better. Paulo Freire is a good start, I really enjoy the idea of a group constructing knowledge together. (In parallel: and not to mention how the "nature is metal" crowd also anthropomorphize animals, but within the realm of their power and violence fantasies.) Educators need to do waaaay better before blaming external factors. We will not be social media stars, we can even do the bulk of our work offline and in small scale. But sure we can help to construct better communities.

Idk I have such a fascination with people who coddle and baby wild animals (or even domestic ones). Maybe it's not that deep but I think in some ways it does speak to a lack of maturity in empathy, which sounds counterintuitive but I think its not unlike some forms of unhealthy parenting. It's a cognitive disconnect that perhaps the way you'd like to be treated does not always translate to what others want or feel comfortable with. That maybe your reality is not universal, and an inability to place yourself in another's shoes. People hear low empathy and assume it means distant and unloving, but it can also look like lovebombing or over imposing oneself on others with a lack of boundaries. From the outside it can look loving and pampering and an incredible life, but do they ever really stop to try and get to know the other party, what it actually feels and wants? Are you doing what's best for it, or just what you think is best? Or worse, what you think makes you look best in front of others?

They call animal care professionals who ask for more restraint and less contact with said animals uncaring and cold because they honest to god cannot place themselves in a reality where a kindhearted hug could feel terrifying and a free donut could be horrible for one's survival. And I think information based arguments can fall short because they are primarily operating through emotions and what "feels" right to them. And I think some of these people may be drawn to animals and habituating wildlife because they won't ever tell them off in clean english. Idk it intrigues me

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I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!

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Since I’ve started using a cane, I’ve noticed a lot of actors & cartoonists aren’t sure how to depict characters with them! Here’s a simple cheat sheet to help with the basics/standard use.

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“If Dr. Bashir were to play a practical joke on Garak, what would it be?” Answered by Alexander Siddig and illustrated by me.

The audio is from here.

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Domestic colors of Dromedary Camel (Camelus dromedarius)

A herd of beautiful black camels, being led by your more standard sandy colored example. Look how intense their color seems against the light sky and sand.

Even more impressive, a white and a black individual.

A row of milky white camels against a bright blue sky and sandy orange dunes.

A “painted” camel with high white socks, white underbelly, blazed face, and blue eyes.

A close up of the same camel’s amazing eyes. One is pure blue, while the other looks to be only partially blue.

Finally, a trio of painted and spotted camels of different shades and patterns.

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everyone stfu they are sleeping

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I pat the rat. Nomi the rat. 

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Where are you @cypric-rat-hyperfixation

Felt like doing something picture book like.

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so was no one was gonna tell me that the painting saturn devouring his son was found painted directly onto the walls of the artist’s home after he died and that it may not even be depicting the greek legend, that’s just the most common interpretation??????

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Right after Julian’s parents leave the station

I tried to scan this but somehow the quality sucked big time so y'all get the photo from last night

Ko-fi

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An unknown sample

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the bean harvest is looking excellent this year

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dinovember day 8 - stegosaurus aka roof lizard

[ID: A small pixel art of a blinking stegosaurus stood on the roof of a red house against a cloudy background. End ID]