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Not exactly a resources question, but I figured that you as someone who has seen Every Asset would be the best person to ask. I got a Cricut recently and want to make a shirt. What single color image or icon do you think would be best on a shirt? Could be a combination, like I want to try putting things on the sleeves too

Hi, if you're looking for something that's only one color, the chapter icons could work, as well as other UI assets like the regional loading icons or the Vision pendants. There's also stuff in the Misc. Assets folder like the small versions of the Natlan tribe icons and the Remuria music notes.

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guess who almosf forcgot the next batch. AGAIN ‼️‼️‼️

todahy we have : TRES LECHES !!!

(unfortunately THIS IS THE LAST BATCH!!! 😭😭 but u guys are free to request me maría or maría x manolo.,... or. just anyrhing tbh !!)

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oh ok

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Look, we joke a lot, but really, "you were born evil, wretched, worse than the scum of the earth, and it took killing a god to make you salvageable, so now you'd better be grateful to that god and thank him 10,000 times a day for it and fill your thoughts with him 24/7 and abide by the letter of his every word, lest you suffer unimaginable torture for all of eternity" is a truly horrendous thing to believe about yourself and other people

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please look at this picture junji ito drew of his moms crusty white dog

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A Thought About Burning Spice Cookie

I was kind of just going about my business today when I had a sort of... revelation, I guess? About Burning Spice. Looking back, I'm not really sure why it took me so long to think of this, but I like to live by the ideal "the best time was then, the second best time is now", so here we go.

Burning Spice was once the Herald of Change (or History, in the original Korean text). He was said to have fought for and defended fledgling civilizations in the distant past, protecting people and helping them in dark times. His throne decor even says he used to let people into his palace and allow them to engage in honest discussion with him about their problems, after which he'd get up and go out and do something about those problems. He sounded like a pretty swell guy... until he got bored with everything and went insane, of course. But here's the thing.

I think I understand why he ended up this way.

To put it as vaguely as possible, I do stuff in real life that may or may not have something to do with history as a subject. And I will gladly tell you all point-blank: history is fucking horrible. History is bleak. History is dark and cruel. The more you dive into it, the more it appears to you as a joke without a punchline. History is a drama, a tragedy, and a big fucking farce all at the same time.

Of course Burning Spice got tired of it. I get tired of it sometimes. Because sometimes, all history ever seems to be is a bunch of delinquents writing "I'm a bad kid" on the chalkboard repeatedly forever and ever. Just a bunch of bad people hurting each other for reasons that'll only come across as stupid long after they've all died at each other's hands. I'm sure Burning Spice started to think "what's even the point of building anything if someone is just going to come tear it down?" And it's hard to not think that when that's what ALWAYS happens. That's what history is a lot of the time. Brutal competition. A war of all against all.

The cure to the cynicism and melancholy history can and will inflict on you, at least in my opinion, is... to stop dwelling on it, honestly. At the end of the day, you have to remember that the past is gone. What's done is done. Things happen and sometimes, you can't do anything about it. You can't go back and save Lincoln from being assassinated. You can't go back and stop the Holocaust. You can't go back and save the world from all those wars and famines and disease epidemics. History both changes constantly and is unchanging at the same time. You have to make peace with what you cannot change - the past - and move forward, because time won't wait for you. We have to remember these things, these dark times; we all have a duty to do so, for the sake of those that came before us and those that will come after. But we also have to remember to live for the sake of those around us here and now. It is the present that shapes the world the most. It is in the present that we find true happiness. Not in the yellowed pages of old textbooks about the past and not in the pie-in-the-sky fever dreams we have about the future.

I think that's what fucked Burning Spice over. He forgot to live in the present. He was so focused on bringing about change, so absorbed in giving everything he had to everyone else, so invested in preserving the past and paving the way for the future, that he started losing sight of what was already there in front of him. His friends. His people. Too much time spent on the bigger picture and not enough spent on the tiny details that don't seem important at first glance, but when you look closer, you realize are what made the whole, entire picture as big as it is in the first place. He, like many do, like I do, began to see how cyclical and futile history can really be. He just saw people looking for reasons to hurt one another and destroy anything good they'd built together. Civilizations that were once grand and prosperous falling to anarchy. Clans with close ties turning against one another. Friend groups fracturing. All this hard work, undone, over and over again. And for what? What did they do any of this for? What did HE do any of this for?

I think his descent into villainy was slow, but sure. A little piece of his soul crumbling to dust with every person he felt like he failed because whatever great change he enacted was undone and everyone else suffered for it. And no one was ever really there to help steer him back onto the right path. Not his friends, not his family, not his people at large. Whether this was because they didn't know he was hurting like this (he seems like the type to keep things close to the chest anyway), they didn't know how to help or comfort him, or they didn't care, ultimately does not matter; regardless, it boils down to Burning Spice never being reminded to find solace in those around him right now, instead of constantly fretting over those before or after.

Maybe if he did remember, if he paid more attention to what IS and not what WAS or what WILL BE, he could've been saved. If he'd let Shadow Milk tell him more about his books and the little puppets he liked to craft. If he listened to Eternal Sugar play her harp more. If he sat and played a few more rounds of Go with Mystic Flour. If he had a friendly sparring match or two extra with Silent Salt. If he ate and drank and danced with his fellow spices like he probably used to like doing. If he stopped thinking he always had to be this larger-than-life figure who lorded over and protected society, and just let himself breathe and be a normal, happy person. It wouldn't make the ultimate folly of history sting any less, but he could have at least made peace with it and continued onward in spite of it.

But he didn't. He succumbed to history's poison, like so many have and so many will. And in an ironic twist of fate, which you will also often find throughout history, the tide of change swallowed him whole and drowned him. He let the failures of yesterday color his perception of today, and tomorrow, and the day after that, and the day after that. More and more people came across to him as bad actors until the whole world was just a devil's stage play, and it was being performed at his expense. Hard work and self-sacrifice lost their flavor. He tried to keep going, tried to keep pushing. Maybe he knew what was happening to him on some level and fought desperately to save himself. Put duct tape over the cracks in a dam, because that's probably all it amounted to, because the wisdom he needed didn't exist within him at that time and he didn't/couldn't find it anywhere else. Pushed forward even when he couldn't see where he was going anymore. Until every muscle in his body hurt. Until he'd lived long enough to see everything he ever lived and worked for be taken apart for scrap, for a vendetta, for shits and giggles.

Until he started looking at those bandits and warlords and terrorists he used to help put away and thinking... "hey. Maybe they're seeing something I'm not. If nothing else at all, they sure look like they're having fun. Way more than I am right now." Until he gave in to despair and grew bitter, and thought "well, if nothing I do really matters, if destroying it all is what makes people happy, then maybe I should give it a shot."

And then he became a bandit, a warlord, a terrorist. He turned into all those people he hated and continues to hate today. He cut out the middle-man and just ended lives before they could begin. Razed civilizations to the ground because that was what was going to happen anyway, whether it be by his hand or someone else's. What does it even matter? What does anything matter? This is all history is. Pain and suffering. He's only doing what's natural. He's solving problems before they can even occur, really. He's doing everyone a REAL favor. Destruction truly is the only way.

The best way to make the world a better place is to make the lives of those around you better first. Even just helping the one person makes a difference in its own way. Think less about making history by winning a war or toppling a regime and more about making history in an old person's life by helping them up when they fall down. Or making history in a dog's life by volunteering at an animal shelter. Or making history in your friends' lives by having a fun day with them that they'll remember and cherish even on their deathbeds. Change doesn't have to be grand. It doesn't need to be an all-consuming tide that rises above the tallest buildings. It can just be gentle waves and seafoam, washing over the sand and kissing one's feet. That's enough, more often than not. More than one might realize.

Maybe if somebody made sure Burning Spice kept this in mind, he wouldn't have turned into a Beast in the end.

TL;DR: History is shit. Him losing it makes perfect sense. It probably would've happened to me, too. Somebody should've been there to keep him grounded. Everyone failed him and he failed himself. Remember to live in the present. YO SOCRATES, IT'S A FUCKING COOKIE

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The Psychology of Morally Grey Characters: What Makes Them Tick

What Makes a Character Morally Grey?

They’re not fully good or evil. Instead, they operate in the messy middle, where ethics clash with desires, survival, or flawed logic.

They’re justifiable but not excusable. Readers might understand their motives but can’t always condone their actions.

The Psychology Behind Morally Grey Characters

1. They Operate Based on Personal Morality

Grey characters don’t lack morals—they just don’t align with societal norms. They may follow their own code of ethics, which can feel justified to them but questionable to others.

Walter White (Breaking Bad): His descent into crime stems from wanting to provide for his family. His personal moral code excuses his actions, even as they spiral into destruction.

2. Their Actions Stem from Trauma or Desperation

Morally grey characters often carry scars—trauma, loss, or desperation drive them into morally ambiguous territory.

Zuko (Avatar: The Last Airbender): His quest to capture the Avatar is fueled by years of familial abuse and a desperate desire for his father’s approval. His actions are harmful, but his pain is undeniable. 

3. They Prioritize Their Goals Above Morality

A morally grey character may believe the ends justify the means. They’re willing to cross lines for what they see as a greater good—or personal ambition.

Kaz Brekker (Six of Crows): He’ll lie, steal, and kill to protect his crew and achieve his goals. 

4. They Live in Shades of Contradiction

Humans are contradictory, and morally grey characters embrace this truth. They can be kind one moment and ruthless the next, depending on their circumstances.

5. They Force Readers to Question Their Own Morality

The best morally grey characters don’t just act—they make readers uncomfortable. They challenge black-and-white thinking and force readers to empathize with the unthinkable.

Thanos (Marvel Cinematic Universe): His belief in sacrificing half the universe for survival sparks fierce debates about utilitarianism versus morality.

Tips for Writing Morally Grey Characters

1. Give Them a Relatable Core

Readers don’t need to agree with your character, but they need to understand them. Ground their actions in something universal—love, survival, revenge, or a desire for belonging.

2. Show Their Justifications

Grey characters don’t see themselves as villains. They often have strong internal logic that explains their choices, even if the world disagrees.

3. Make Them Likable in Unexpected Ways

Even the darkest characters should have moments of levity, charm, or vulnerability. These moments make readers root for them despite their flaws.

4. Give Them Moments of Humanity

Highlight their internal conflict or flashes of goodness to remind readers they’re human, not caricatures.

5. Show the Consequences of Their Actions

Grey characters rarely walk away unscathed. Their decisions should create fallout—relationships broken, guilt weighing on their conscience, or irreversible damage.

Examples of Morally Grey Characters in Fiction

1. Severus Snape (Harry Potter):

His cruelty toward Harry is undeniable, but his love for Lily adds layers of tragic complexity.

2. Victor Frankenstein (Frankenstein):

A brilliant scientist driven by ambition, Victor creates life but abandons his creature, sparking tragedy.

3. Thomas Shelby (Peaky Blinders):

A crime lord who manipulates, kills, and betrays, yet he fiercely protects his family and battles his inner demons.

4. Eleanor Shellstrop (The Good Place):

Selfish and manipulative, Eleanor starts as morally grey but evolves as she confronts her flaws and learns to do good.

Morally grey characters live in the space between right and wrong, where humanity is at its rawest and most interesting. By exploring their contradictions, vulnerabilities, and justifications, you can create characters that feel as real and complex as life itself.

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How to write a character that's bad at kissing...

clumsy, messy, sloppy

uncoordinated

easily overwhelmed

unable to keep up or stay on pace with the other person

attempting to copy the other person but failing

shoving their tongue into the other persons mouth

not connecting their lips properly and accidentally clicking their teeth with the other persons

accidentally biting the other person

being too rough or too soft

doesn't know where to put their hands

awkward, stiff, unsure

forgets to breathe

too much spit

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List of describing exercises to help you improve your descriptions.

As I try to improve my technical writing skills, I've noticed my describing skills are pretty lacking. So, here is a list of description exercises.

Setting Description

Pick a setting and describe it in a way that evokes a positive emotion, then describe the same setting negatively.

Pick a setting and try to describe it by using all of your senses.

Find a setting you've written before and write 500 words of pure description on it.

Describe a tree from the point of view of a character that's feeling a strong emotion, whether they're depressed, frustrated, or excited.

Character Description

Pick one of your characters and write a 500 word description of them.

Write a 500 word description on how your character feels about different people.

Pick 3 different characters and write 200 word descriptions for each of their voices.

Write a 500 word description about how your character looks at different people.

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How I improved my writing style... without actually writing.

Intro : It's just a clickbait title to talk about theory and side techniques - before actually practicing, of course.

LINGUISTIC ISN'T GRAMMAR - AND IT'S BETTER TO KNOW ABOUT BOTH. It's useful for writing impactful dialogue and giving your characters depth. Your characters' language should (ideally) take into account: their social position (rich or poor), the locality (local expressions?) and sometimes their age (different cultural references). And this is best transcribed with linguistic knowledge. In short: linguistics is descriptive, grammar is prescriptive.

The areas of linguistic analysis are syntax (rules governing the structure of sentences),  semantics (meaning),  morphology (structure of words), phonetics (speech sounds and equivalent gestures in sign languages), phonology (the abstract sound system of a particular language, and analogous systems of sign languages), and pragmatics (how the context of use contributes to meaning). (Linguistics, Wikipedia)

Literary theory isn't as boring as it sounds. Learn more about internal criteria of the text (figure of speech, style, aesthetic...) and external criteria of the text (the author's persona and responsability, the role of the reader and what is left to interpretation...). I refer you to the French Wikipedia page, which you can translate directly via your browser in case you need more information. (Make sure you translate the page not switch language, because the content isn't the same).

Listening to Youtube Video about the analysis of film sequences and/or scenario. Remember when I told you to read historical fiction to learn how to describe a castle properly ? Same vibe.

Novel adaptations of movies. = when the movie exists before the book, and not the other way around. e.g : The Shape of Water ; Pan's Labyrinth. In line with tip n°3, it allows us to see how emotions, scenes and descriptions have been translated into writing - and thus to better visualize concepts that may have been abstract.

Read books about authors' writing experiences. e.g : Stephen King, On Writing: A Memoir of the Craft. Everyone's different, but they can provide some insightful tips not only on the act of writing itself, but on the environment conducive to writing, planning… Comparing completely different authors' experience could also be fun (this video of King and Martin is actually one of my fav)

Ah and many thanks for your ❤ and reblogs on my latest post ! UwU

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Small fantasy worldbuilding elements you might want to think about:

A currency that isn’t gold-standard/having gold be as valuable as tin

A currency that runs entirely on a perishable resource, like cocoa beans

A clock that isn’t 24-hours

More or less than four seasons/seasons other than the ones we know

Fantastical weather patterns like irregular cloud formations, iridescent rain

Multiple moons/no moon

Planetary rings

A northern lights effect, but near the equator

Roads that aren’t brown or grey/black, like San Juan’s blue bricks

Jewelry beyond precious gems and metals

Marriage signifiers other than wedding bands

The husband taking the wife's name / newlyweds inventing a new surname upon marriage

No concept of virginity or bastardry

More than 2 genders/no concept of gender

Monotheism, but not creationism

Gods that don’t look like people

Domesticated pets that aren’t re-skinned dogs and cats

Some normalized supernatural element that has nothing to do with the plot

Magical communication that isn’t Fantasy Zoom

“Books” that aren’t bound or scrolls

A nonverbal means of communicating, like sign language

A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)

I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.

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Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

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thea shitsters ocs + old au doodles and design.

(3.13.25)

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wallpaper i made for myself but its pretty so you ppl are seeing it too

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Okay so I was just rewatching the snowbell final exam cutscene for shits and giggles [also because I'm so desperate for more holiday cookies content]

I didn't get around unlocking the other cutscenes so i just used the remaining keys I have and.

This thing in particular. We all know that TBD overseers all timelines and protect them + a secret organization of sorts(?). So imagine to my surprise that Baguette Cookie took interest of holiday village.

She mentioned that, "it is too difficult to find any information of the holiday village" like¿?? Girl?? What do you mind "too difficult to find any information"?? About ONE silly holiday village?

"I would like to find out how Holiday cookies and delivery train engineers are able to travel around the world in one day."

"that's top secret!"

"top secret", Stollen honey,, Baguette came from an organization who are full of time travellers and engineers, of course they're gonna do some digging with the Holiday cookies, engineers and their magic(?) fuckery when it comes to delivering shit in one day.

It's really interesting though, because it did give us a brief albeit tiny crumbs of lore regarding about holiday village.

Would love to hear more thoughts about this tho! :O feel free to theorized/comment on this silly tangent I just noticed haha.