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Well yes, actually, I definitely do 🔥🔥🔥

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So I haven't been on here in a looooooong time. Is this place less toxic yet? Cuz no one has time for that. I don't really play Choices anymore, but I do play Romance Club and some Otome and have a million screenshots to share...it's been years since I've been able to write literally anything, and my fingers are itching to do some fanfic for RC. I make no guarantees tho 🤷‍♀️

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Oscar Wilde, De Profundis // @i-wrotethisforme // Jorge Louis Berges // @smokeinsilence //@viridianmasquerade //Jorge Louis Berges // @honeytuesday // Kaveh Akbar // F. Scott Fitzgerald // AKR //Olivie Blake, from “Alone With You in the Ether” // Kaveh Akbar, Pilgrimage

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No wonder I love him so much. He speaks my language 😅🔥

#Eddie the banished poet

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Bitchbag is my new favorite word.

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Rage, vengeance, anger, loss, regret… they’re all tremendous motivators. They really clear the mind. So I’m good to go.

AVENGERS: INFINITY WAR (2018) dir. Anthony Russo, Joe Russo

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RYAN REYNOLDS as ANDREW PAXTON   ⤷ THE PROPOSAL (2009) dir. Anne Fletcher

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Hahahaha so true

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#which steve harrington are you today?

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Legit the best character I've seen in a long time

4.07 | The Massacre at Hawkins Lab

STRANGER THINGS 4 

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I’m not going to prison. I’ve been in a prison all my life. Last Night in Soho (2021) dir. Edgar Wright

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This scene was insanely good

“The first swap was a repeated move where we did the shot with Anya and Matt, and then just did it again with Thomasin. Even when we were doing it, I didn’t know we were going to be able to pull it off. And the reason it’s so good is because Matt Smith and Anya and Thomasin’s continuity is just so dead-on. And I was like, ‘Why don’t we just shoot all of them?’ ‘How long can we keep this going?’ Because it’s intoxicating to watch. That’s supposed to be the idea of the scene. The first dream sequence is alluring and glamorous and intoxicating, seductive. So that was how it came about. Other than that shot, you’re watching one unbroken take. Watching that is like an amazing dance in itself, because really, a shot like that is a collaboration between the three performers — and then also the fourth performer in the scene, Chris Bain, the Steadicam operator. The shot stands and falls on him being in the right place at all times. The idea was, the longer we can keep these shots going, the more immersive it will be. You feel like you’re living vicariously through her. It’s about not breaking the spell. It’s like we’re showing you a reality of something, even if what we’re showing you is very fantastical.“ - Edgar Wright

LAST NIGHT IN SOHO 2021 | dir. Edgar Wright

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Come crawling faster, obey your Master, your life burns faster, obey your Master! Master!