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Good stuff.

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Credits to @Hakusi_Katei from X/Twitter

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oooh have you ever done a post about the ridiculous mandatory twist endings in old sci-fi and horror comics? Like when the guy at the end would be like "I saved the Earth from Martians because I am in fact a Vensuvian who has sworn to protect our sister planet!" with no build up whatsoever.

Yeah, that is a good question - why do some scifi twist endings fail?

As a teenager obsessed with Rod Serling and the Twilight Zone, I bought every single one of Rod Serling’s guides to writing. I wanted to know what he knew.

The reason that Rod Serling’s twist endings work is because they “answer the question” that the story raised in the first place. They are connected to the very clear reason to even tell the story at all. Rod’s story structures were all about starting off with a question, the way he did in his script for Planet of the Apes (yes, Rod Serling wrote the script for Planet of the Apes, which makes sense, since it feels like a Twilight Zone episode): “is mankind inherently violent and self-destructive?” The plot of Planet of the Apes argues the point back and forth, and finally, we get an answer to the question: the Planet of the Apes was earth, after we destroyed ourselves. The reason the ending has “oomph” is because it answers the question that the story asked. 

My friend and fellow Rod Serling fan Brian McDonald wrote an article about this where he explains everything beautifully. Check it out. His articles are all worth reading and he’s one of the most intelligent guys I’ve run into if you want to know how to be a better writer.

According to Rod Serling, every story has three parts: proposal, argument, and conclusion. Proposal is where you express the idea the story will go over, like, “are humans violent and self destructive?” Argument is where the characters go back and forth on this, and conclusion is where you answer the question the story raised in a definitive and clear fashion. 

The reason that a lot of twist endings like those of M. Night Shyamalan’s and a lot of the 1950s horror comics fail is that they’re just a thing that happens instead of being connected to the theme of the story. 

One of the most effective and memorable “final panels” in old scifi comics is EC Comics’ “Judgment Day,” where an astronaut from an enlightened earth visits a backward planet divided between orange and blue robots, where one group has more rights than the other. The point of the story is “is prejudice permanent, and will things ever get better?” And in the final panel, the astronaut from earth takes his helmet off and reveals he is a black man, answering the question the story raised. 

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this guy at work keeps sniffing me when he walks past (closed office environment) and i think that there's something to be said about entitlement towards foreign bodies expressed by white ppl in the midwest, and also that anybody who tries to get away with shit on purpose should be sent to the coliseum for public quartering via lion

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i love when a cat looks up and its head is a funny shape

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i am about to bestow upon you the secret butter technique. i am sorry, but it is french. i am sorry again, this only works with cow butter. i am certain plant based butters wouldn’t work, and alternative animal butters may or may not work

has this ever been you: you have a nicely steamed vegetable, or maybe you want to make the best butter noodles, but you know that if you put butter on those it’ll just melt and you end with kind of greasy noodles or vegetables? don’t you wish it was instead a luscious buttery glaze?

introducing: beurre monté

you will take a small sauce pan, and begin heating it with 1-2 tablespoons of water (use very little water) and bring it to a hard simmer or boil

turn the heat down slightly, and add Butter. how much? however much you dare. (start with 3-4 tablespoons and go from there)

you are going to either whisk Aggressively or you can pick up the saucepan, still holding it over the heat, and swirl aggressively so the butter is skating around the sides of the pan

done correctly, you will have liquid butter that is still emulsified. you have made Butter Sauce. season it with a little salt, and toss whatever you want in it.

if you’re butter splits, i’m sorry. you didn’t agitate it enough to maintain the emulsion, and now you have melted butter.

you can use this knowledge to make other sauces by swapping out the water for another liquid. white wine becomes beurre blanc. red wine is beurre rogue.

you want to CUM? sweat minced shallot in a tiny bit of butter, add white wine and cook it out until it’s reduced by about half. then whisk butter in hard. a few flecks of minced thyme or fennel frond stirred thru, and you eat that with a nice seared fish? or scallop? or even shrimp? wow. you will Nut

your boxed mac and cheese game can also be elevated by cooking your pasta and making a beurre monté first, tossing your pasta in that and adding the cheese packet. wow. hey; you’ll cum

go forth now with this butter secret

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your occasional references to old hollywood romances have wormed deeply into my brain and now i'm kind of dying to watch some but i have. no clue where to start, any recs?

Brief Encounter, a 1945 romantic tragedy. Really, really visually gorgeous film and one of the most romantic spark-of-love scenes ever. The tragedy of two ships (or trains) passing in the night.

Honestly? I've always really loved the romance in The Sound of Music. When the Captain and Maria are waltzing. When the Captain turns his back in the dance with a flash of doubt, only to smile when he feels Maria's hand find his. When they come to a stop and stare into each other's eyes and realize in horror that they're in love, and the vaseline on the lens is working double-time to make it one of the most glowy, schmaltzy shots in film history (Literally the inspiration for that one moment in my Rarijack fic).

And obviously all the classics. Casa Blanca, Roman Holiday, The Apartment (one of the best subtle twists in film history),

Feel free to drop reccs in the replies too.

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OK Tumblr Geriatric Ward, let’s talk about your posture-

there are things you should be doing now to prevent yourself from starting to look like 🥀

Why does it matter? Future you would like to avoid the pain, limited motion, and fall risk that goes along with worsening posture.

What’s the focus?

1. Keep the flexibility in your spine

2. Stretch the muscles in the front

3. Strengthen the muscle in the back

Here are some simple things you can do daily while sitting and when you get up to go into the bathroom or the kitchen

Keep the flexibility by doing these repeated movements: 10 repetitions several times a day

The goal is to give yourself a double or triple chin. Keep your nose pointing forward, don’t let it tip up or down

Thoracic extension- use a chair with a seat back that comes up to the level of your shoulder blades. Try to bend back over the top of the chair without arching away from the seat back and without extending your neck. If the pressure from the top of the chair is uncomfortable you can place a towel there

Stretch the muscles in the front by using a door frame. This one will feel good afterwards

If this isn’t enough of a stretch you can do one side at a time. If you have the right arm up step forward with the right foot and turn slightly to the left. Then do it on the other side.

Strengthen the muscles in the back by squeezing your shoulder blades together for a count of 10 and then repeating 10 times. You can do this several times a day Hint: Don’t lift your shoulder blades up

There are lots more exercises for strengthening your back muscles but this is a good starting point and easy to do. I like doing it while driving

Tips:

Do the best you can

If it hurts stop

Envision future you saying thank you each time you do one of the exercises

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truly not to sound defeatist or cynical but it really does blow my mind how little love people choose to extend to black people lmao

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Do you think cavemen ever got humiliated and had the kms urge? Like "Grug so embarrassed, Grug jump into tar pit" and then Glarg is like "Noooo everyone forget soon" and Grug is like "Grug going to do it for real"

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Mitski for Pitchfork // Richard Siken for TinHouse

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WEIRDLY SPECIFIC BUT HELPFUL CHARACTER BUILDING QUESTIONS

What’s the lie your character says most often?

How loosely or strictly do they use the word ‘friend’?

How often do they show their genuine emotions to others versus just the audience knowing?

What’s a hobby they used to have that they miss?

Can they cry on command? If so, what do they think about to make it happen?

What’s their favorite [insert anything] that they’ve never recommended to anyone before?

What would you (mun) yell in the middle of a crowd to find them? What would their best friend and/or romantic partner yell?

How loose is their use of the phrase ‘I love you’?

Do they give tough love or gentle love most often? Which do they prefer to receive?

What fact do they excitedly tell everyone about at every opportunity?

If someone was impersonating them, what would friends / family ask or do to tell the difference?

What’s something that makes them laugh every single time? Be specific!

When do they fake a smile? How often?

How do they put out a candle?

What’s the most obvious difference between their behavior at home, at work, at school, with friends, and when they’re alone?

What kinds of people do they have arguments with in their head?

What do they notice first in the mirror versus what most people first notice looking at them?

Who do they love truly, 100% unconditionally (if anyone)?

What would they do if stuck in a room with the person they’ve been avoiding?

Who do they like as a person but hate their work? Vice versa, whose work do they like but don’t like the person?

What common etiquette do they disagree with? Do they still follow it?

What simple activity that most people do / can do scares your character?

What do they feel guilty for that the other person(s) doesn’t / don’t even remember?

Did they take a cookie from the cookie jar? What kind of cookie was it?

What subject / topic do they know a lot about that’s completely useless to the direct plot?

How would they respond to being fired by a good boss?

What’s the worst gift they ever received? How did they respond?

What do they tell people they want? What do they actually want?

How do they respond when someone doesn’t believe them?

When they make a mistake and feel bad, does the guilt differ when it’s personal versus when it’s professional?

When do they feel the most guilt? How do they respond to it?

If they committed one petty crime / misdemeanor, what would it be? Why?

How do they greet someone they dislike / hate?

How do they greet someone they like / love?

What is the smallest, morally questionable choice they’ve made?

Who do they keep in their life for professional gain? Is it for malicious intent?

What’s a secret they haven’t told serious romantic partners and don’t plan to tell?

What hobby are they good at in private, but bad at in front of others? Why?

Would they rather be invited to an event to feel included or be excluded from an event if they were not genuinely wanted there?

How do they respond to a loose handshake? What goes through their head?

What phrases, pronunciations, or mannerisms did they pick up from someone / somewhere else?

If invited to a TED Talk, what topic would they present on? What would the title of their presentation be?

What do they commonly misinterpret because of their own upbringing / environment / biases? How do they respond when realizing the misunderstanding?

What language would be easiest for them to learn? Why?

What’s something unimportant / frivolous that they hate passionately?

Are they a listener or a talker? If they’re a listener, what makes them talk? If they’re a talker, what makes them listen?

Who have they forgotten about that remembers them very well?

Who would they say ‘yes’ to if invited to do something they abhorred / strongly didn’t want to do?

Would they eat something they find gross to be polite?

What belief / moral / personality trait do they stand by that you (mun) personally don’t agree with?

What’s a phrase they say a lot?

Do they act on their immediate emotions, or do they wait for the facts before acting?

Who would / do they believe without question?

What’s their instinct in a fight / flight / freeze / fawn situation?

What’s something they’re expected to enjoy based on their hobbies / profession that they actually dislike / hate?

If they’re scared, who do they want comfort from? Does this answer change depending on the type of fear?

What’s a simple daily activity / motion that they mess up often?

How many hobbies have they attempted to have over their lifetime? Is there a common theme?

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Andrew Robinson on playing Garak for the first time. 

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