i've heard terrible things about you 31 | she/her | đ
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Since we keep getting "live action" CGI remakes of already perfectly adequate animated movies, and because people need to understand that animation is a medium and not a genre, I have prepared this primer about the importance of Visual Language for Conveying Information.
Can you tell what the personalities of these two mice are?
Can you tell now?
Which of these two tigers feels safer to be around?
Which of these three dogs is the funniest one?
If you can answer these questions, then you already have experience with the idea of visual language and stylistic choices being used to impart narrative meaning. If you can understand why these choices were made to impart meaning, then you can understand why animation is a medium for telling stories that has its own inherent value, and is not merely a "placeholder" for the eventual implementation of photorealistic presentation (aka "Live Action" CGI). Animation does not need to be "corrected" or "legitimized" by remaking it into the most representational simulation of observable reality.
#THANK YOU#all these 'live action' realistic cgi remakes totally erase the exact purpose/function of animation
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house martin gathering mud
(photos by m.geven)
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10 things to get to know me better! tagged by @h0ldthiscat (thanks!)
last song: fuckin, the video for ok go's 'here it goes again' (iconic) came up on instagram so i guess that. but before that it was my mÄneskin playlist on shuffle
last book: just finished 'gwen and art are not in love' by lex croucher, which was a real cosy comfort read
last movie: i think it was addam's family values - no wait! it was you've got mail
last tv show: "last" is really continuing to challenge both my sense of linear time and memory. taskmasker??
sweet/spicy/savory: sweeeeeeeet
relationship status: [*the ceaseless screeching of the void*]
last thing I googled: cotton batting
current obsession: dead boys and dreamling. also dipping back into my periodic obsession with linguistic history, old english, the thorn, and looking forward to starting a new obsession about the great vowel shift
looking forward to: a really good pastry
tagging: uhhh @agentdanascully @jimmymcgools and/or anyone who feels like it!
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charles rowland save me⊠save me charles rowlandâŠâŠ..
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one of my favourite moments in the show that doesn't get enough credit
#the fkn sincerity with which charles says this#gets me every time#edwin tries to make it sound run of the mill to cover how deeply worried he really is#but charles is worried and he doesnt want them to be splitting up and everything has been going to shit for days now#and hes gonna fkn lose it if anything happens to edwin while his only protection is goddamn *monty*#and if he makes an effort to hide that he absolutely fails#because the gravity of this line. he's so serious#and fuck. then the worst kind of DOES happen and in a matter of hours theyre fighting for their existence#and charles probably does blame himself for leaving edwin alone with the person who turned out to be a fuckin spy#WELP#cant think about this too long#charles rowland#edwin payne#dead boy detectives
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Likes to charge reblogs to FUCKING cast
#YESSSSSSSS#fucking PLEASE#oh man i love this article so much#âWhen Iâm driving itâs actually unsafe for my car to be operated in that way [via touchscreen]â EXACTLY#and the accessibility issues! yessss#and most technology currently being touchscreen is so counterproductive for an ageing population it drives me mad#i looooove the point made about buttons and tactile feedback#like. yeah! touchscreens taking away a sense of physical interaction and experience is so true#a fascinating point to think about re: creating a sense of distance/disconnect with the way we interact with these technologies#we're touching but not really getting any physical feedback. which our brains kind of crave. its FASCINATING#anyway.#bring back the button 2k24
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âCan I ask a stupid question?â There was a brief time when Edwin would respond to such queries with various affirmations about no question being stupid, and about the merits of curiosity above all else. Now he just gives a little puff of breath and glances at Charles as though he is trying, good naturedly, to not roll his eyes. Thereâs no heat in it though, and Charles knows its more of an act than anything else. Edwin is impatient with many things, but rarely ever with Charles. Not really. âAnd if you hate it just tell me and Iâll drop it.â
âVery well.âÂ
âWhat wouldâŠâ Charles glances at the ceiling, steeling himself while trying to remain casual. âWhat would being in love, what would that⊠look like? If weâŠâÂ
âCharles, you donât have to ââ
âNo, I know. But I just, um. I just, likeâŠit would â would it⊠change,â he scoffs in frustration at himself, eyes returning to the ceiling as if it has cue cards that will help him say what he wants. âThings would change, yeah? Isnât that the point?âÂ
Edwin, though still, seems far calmer than Charles had anticipated. âI⊠donât know. Charles, I didnât tell you to make you feel like you have some kind of obligation ââ
âI know.â
âIt was just important. That you knew. I donât want to keep secrets from you. And it also⊠it seemed important that you know, that you are loved. It doesnât have to be requited â that was not the point.â
âI know.â Charles whispers, trying with everything he is not to start tearing up. âBut letâs just say,â he clears his throat, âhypothetically⊠what would it be like?â
read on Ao3
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#hOLY SHIIIIIIIT#THIS IS AMAZING!!!!#oh my godddd incredible incredible work#this is stunning#everyone is captured so well#all the little expressions#far out#dead boy detectives#edwin payne#charles rowland#crystal palace#dead boy detectives fanart
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weird-ass uncles
#my whole heart squeezed đ„ș#lookit dreams face đ„ș he's trying đ„ș#i love the sort of watercolour/charcoal effect on dream#dreamling
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A Dreamling hug for you all
#this is one of my absolute favourites#which i may have said before#but iâll say it again#the motion. the colours#the textures#the klimtian embrace#you can FEEL it#man the way that patch of blue in the lower left corner sets off the warm tones. changes the whole thing#i love it so much#and their profiles are so beautiful#dreamling#sandman fanart
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Some practice dreams
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Practicing PDA
#charlesâ little smile on the right đ„č itâs perfect#charles rowland#edwin payne#payneland#dead boy detectives
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may I present, the difference in how Charles looks at Crystal and how Charles looks at Edwin, in one gif
I rest my case.
#đ¶ this guys in love with you đ¶#charles rowland#you big idiot#youâll figure it out one day#dead boy detectives
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for the @dreamlingbingo prompt: swim team
â
âWhich oneâs yours, then?â
Dream starts at the voice beside him, and turns to see a manâabout his own age, handsomeâsmiling enthusiastically at him, holding out a cup of the bright red cordial being served at the under fives swimming teamâs Halloween party. It is, Dream understands, intended to resemble blood. There are gummy eyeballs floating in it, though Dream has been spared the indignity of having to fish one out of this particular cup.
âItâs disgusting,â the man says, still smiling broadly.
Dream accepts the cup.
âThat one is mine,â he says, gesturing with his cup to Orpheus, who is currently engaged in a game of zombie tag. He is âitâ, and chasing Robyn, who as far as Dream can determine is his favourite person in the entire world.
âOh!â the man says, offering his hand. âYou must be Dream! Iâm never done hearing about you, youâre the coolest person in the world. Youâre an artist? Or an author?â
Dream blinks at him.
âSorry, Iâm Robynâs dad. Hob.â
Dream had known, logically, that Robyn must have had a father, but he has not met him. It has always been Robynâs mother who brings him to his swimming lessons. They are friends, Dream thinks, he and Eleanor, and he only realises now that she has said nothing of her husband.
In fact, he is nearly certain she had mentioned a wife.
âOh,â Dream says, shaking the offered hand. He sips the cordial, and wrinkles his nose. âOh that is disgusting.â
âI did say,â Hob says, taking a generous sip of his own. âCanât wait to take Robyn out to run around the park for about six hours after this, to work through all the sugar.â
âIndeed,â Dream responds. He had not thought that far ahead. âIâm afraid Iâve heard nothing of you.â
Hob laughs. âYeah, well, from Robynâs point of view, Iâm just Dad, arenât I? Not terribly exciting. I teach at the university. Medieval history.â
âThat will explain the viking costume,â Dream says.
âMuch to Robynâs constant disappointment, no, actually. More fourteenth century. Chaucer, Hundred Yearsâ War, Peasantsâ Revolt. That sort of thing. Iâve got a colleague waiting in the wings to pounce on him when heâs old enough to care about King Arthur, though.â
Dreamâs lips twitch at the thought. There are many things he is eagerly awaiting Orpheus to be old enough to appreciate. For now, though, he is happy to finger paint and read him stories.
âHe took me very seriously when I said they didnât have horns on their helmets though. You should have heard him giving Gwen orders about it.â
That is the name of Eleanorâs wife. Dream is certain of it.
âListen, Iâm realising Iâm absolutely going to have to confess here,â Hob says. âBecause itâll eat away at me if I donât. I knew who you were. Eleanor showed me a picture.â
âOh?â Dream asks, sipping his cordial absent-mindedly. It is still disgusting.
âMm,â Hob says. âTook me twenty minutes to work up the courage to approach you, but you havenât even bitten me so I suppose that was being silly.â
âThat I havenât seems poor guarantee that I wonât.â
Hob laughs again. âEleanor said you were funny.â
âShe is not your wife,â Dream says. He is fairly sure at this point.
âNo,â Hob says, toying with his earlobe. âNo, sheâs my best friend in the whole world. And the mother of my son, obviously. She thought Iâd like you.â
Dream raises an eyebrow. âAnd?â
The hint of a blush spreads over Hobâs cheeks. âI do, yeah. And Iâm told youâre the coolest person in the world by the number one authority on coolness, so thereâs that.â
âRobyn is four,â Dream says.
âWell, if a four-year-old thinks youâre amazing, you must be. Theyâre excellent judges of character.â
Dream snorts. Hob smiles at him again. He takes a breath to speak, but is interrupted by a tiny viking crashing into his legs.
Hob scoops Robyn up one-handed and perches him on his hip, twirling him around. The two of them laugh together, and when they come to a stop, Hob rubs their noses together affectionately. He may have gone unmentioned thus far, but he clearly adores his son.
At that moment, Dream feels a tug on his coat sleeve, and looks down into Orpheusâ irresistible brown eyes. With some measure of relief, he sets the remainder of his cordial aside, and picks Orpheus up in turn. As he looks around at the wider party, he sees it is beginning to break up.
âHave you had fun?â he asks. Orpheus nods solemnly, glances at Robynâwho has his forehead pressed to Hobâs and is whispering excitedlyâand then, with surprising force for such a small child, headbutts Dream.
Beside him, Hob giggles.
Dream settles Orpheus less precariously, breathes in the familiar scent of his baby shampoo, now mingled with the unmistakable cloying of sugar. He will not settle for some time, and Dream is never certain what to do with him like this.
âHey,â Hob says, touching Dreamâs sleeve for attention. âSorry, but someone wants to ask you something.â
Dream turns his attention to Robyn. Robyn has his fatherâs eyes, and they are no more resistable than Orpheusâ.
âDâyou wanna come to the park with us?â he asks.
Dream glances from Robyn to Hob, who shrugs, and smiles wryly. âIâm game if you are.â
Dream looks to Orpheus, wide-eyed and hopeful, and then back to Robyn. One of them must have learned the look from the other, though he is uncertain which. He suspects Orpheus has learned from Robyn, who must have learned it from his father. It is very easy to imagine Hob employing the same look.
â⊠very well,â he says, obviously outvoted.
Hobâs smile breaks into a bright grin, his eyes glittering with it.
âOff we go, then.â
Dream texts Eleanor one-handedâOrpheus holding the otherâon the walk.
Are you setting me up?
Why, Eleanor texts back. Is it working?
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oh iâm going to lie down in the street
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TOM STURRIDGE | The Sandman: Season 2: Behind the Scenes Sneak Peek [x]
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