en el camino, de cuando en cuando, vislumbré breves momentos de belleza en el cine
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Has Anybody Seen My Gal? (Douglas Sirk, 1952)
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Level Five (Chris Marker, 1997)
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Winter ‘64-‘66 (David Brooks, 1967)
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Nightspring Daystar (David Brooks, 1964)
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The Shepherd of the Hills (Henry Hathaway, 1941)
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The Shepherd of the Hills (Henry Hathaway, 1941)
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The Shepherd of the Hills (Henry Hathaway, 1941)
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The Tall T (Budd Boetticher, 1957)
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For Ever Mozart (Jean-Luc Godard, 1996) 3/3
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For Ever Mozart (Jean-Luc Godard, 1996) 2/3
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For Ever Mozart (Jean-Luc Godard, 1996) 1/3
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Puissance de la parole (Jean-Luc Godard, 1988)
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The Perils of Priscilla (Carroll Ballard, 1969)
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Les Aventures de Rosette (Éric Rohmer, 1983)
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Six fois deux/Sur et sous la communication 5b (Anne-Marie Miéville y Jean-Luc Godard, 1976)
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Cuadecuc, Vampir (Pere Portabella, 1971)
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“No vi El acorazado Potemkin cuando salió, era muy pequeña, pero recuerdo los gusanos en la carne”
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“;…Un marino que grita una palabra escrita con letras enormes en la pantalla: ¡Hermanos!”
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