descarted

[descarted]

Made by Arty with Mid*journey!

[descarted]

Polly Mellen and Richard Avedon 

[descarted]

Paul Pfeiffer, The Playroom, 2012

[descarted]

You are so sexy can I do your taxes for you

[descarted]

tarot quiz: restriction  is  not  so  terrible  a  thing  as  you  think  it  is.  one  must  not  always  be  shackled  to  be  prudent.  you  could  use  a  set  of  handcuffs  in  your  life,  my  love.  shall  i  forge  them  for  you?  we  could  be  tied  together,  you  and  i.  maybe  then  you  would  not  want  for  so  many  things.  maybe  if  you  were  drip  fed  what  you  wanted,  you  would  only  focus  on  the  next  drip,  instead  of  the  wide  world  of  things  there  are  to  want.  you  consume  what  you  love,  you  terrify  the  things  you  want.  you  have  chewed  your  way  through  your  life  and  you  are  still  hungry.  the  old  woman  holds  out  a  key.  the  iron  around  your  wrist  is  so  very  heavy.

[descarted]

[descarted]

Seagram Building, New York, 1958, Ezra Stoller

[descarted]

1990s Eddie Kaspbrak appreciation post

[descarted]

For the meme: Mary and Sam Dougan?

If they had a kid killed someone meme

I will try my best with these I hope it’s not too far off ajgakfga 

Send ⚰️ + a ship and I’ll tell you who I think:

is more likely to kill someone

I am quite frankly not sure. Because while Mary is Sabbat she doesn’t have a path that would allow for senseless killing. So while she enjoys torture, chases, games and other rather brutal activities killing is not one of them. Because if it’s not difficult, aka a cainite etc, there is no point. So she isn’t keen on going around killing random humans. 

And I feel that while Sam would definitely kill someone if a specific someone asked him to, he doesn’t seem like the guy to seek it out either. 

only threatens to kill someone but won’t actually go that far

Sam probably. Mary, bein around cainites, is fully aware of how serious the beast sees on threats against ones unlife. And the implications of what that can lead to in Sabbat circles. 

freaks out and who stays perfectly calm and collected

I think out of the two Sam would freak out in situations Mary would handle without a problem. Like all the Sabbat things haha

provides the utensils to help get rid of the body

Sam. Mary would be oddly creeped out. 

comes up with the hiding place for the body

Mary. She knows her way around cities and the nooks and crannies of places. If there is someone that would know a place no one would look it’s her.

watches out that nobody witnesses them getting rid of the body

Sam, because Mary wouldn’t care. So what if the police show up? Then they can have a quick game of ‘help!’ ( … “ Ifthe cops come, try to get into his car and the get his shotgun andshoot him with it. “ )

hides the body and murder weapon

Sam. But I think it depends on the situation a lot, because while Mary is bold she is fully aware that sometimes there is a need to hide your tracks. 

knows the right people to deal with this

Mary. Tzimiscesaywhaaa

isn’t doing this for the first time

Both? I think? 

will cave in and eventually call the police

In typical Sabbat fashion Mary isn’t big on human contacts, so maybe Sam? But I think it would be entirely situational. Perhaps to cause a distraction should he want to save someone from terrible terrible sabbat games. 

puts the blame on themself to save the other

Mary has a soft spot for ghoulies. Especially if they fall into the conditions that appeal to her animalistic social traits ( ‘must takes care of those that are sick’ )

is the better liar

Sam, no questions. 

[descarted]

Trick or Treat!  🎃 !!!!!

MEME // @descarted

Here’s your treat!! 👻👻 

[descarted]

[descarted]

*META                    /                   🍓 CHARACTER FACTS !

*A:                  🍓  SAM GIB FACTS           /         @cemeterygrotesque​ !

IF YOU KNOW WHAT TO LOOK FOR YOU CAN FIND SAM ON YOUTUBE.                        when sam moved from    cinncinnati,   ohio,   to   san francisco,   california,   he struggled to establish himself in the working world.   failing to find appropriate employment,   sam quickly learned that if he wanted to advance,   the truth,   on paper,   wasn’t much more than a formality,   and one that was hardly ever welcomed.   lacking the experience and credentials to meet the skyrocketing demands of an unforgiving job market,   background,   family and education all became matters of design,   omitted or embellished to win over future employers.

when the chance arose to begin working as a stage hand and assistant at a   PAYTV  STATION  at one of the bay area’s production and marketing companies,   sam seized it,   feeling stunted in his growth by the confines of his current situation.   with his background in finance, marketing came naturally to him,   and it wasn’t long until sam’s conventionally good looks,   talent for presentation and right ideas on how to pitch a product moved sam from behind the camera into the spotlight.   selling the image of a young and hip upstart executive,   a family man,   or the guy next door,   sam’s versatility became synonymous with success,   soon catapulting him from the aggressive and ever-changing nature of one minute spots to long form infomercials   -  and more importantly,   from assistant to host.

as a host,   sam’s career took a leap and opened up a pathway to new and colorful opportunities along with a remarkable   increase in salary. with new funds and connections,   the call for independence grew and sam chose to heed it.

purchasing a share of the rights to a product sam had,   time and time again,   promoted,   sam’s performance as a seller no longer was simply performative,   but of personal interest.   the   DO LIL’   was a common household and cleaning item targeted at housewives,   stay-at-home moms   (and the,   at the time,   much rarer stay-at-home dads),   DIY household artisans and gardeners and even small businesses.   advertised as a one-of-a-kind cleaning remedy,   DO LIL’   became notorious as an easy to use every day helper for a fair price.

.  .  . but few good things come without a downside,   and the  DO LIL’s   was notable:   with maintenance costs that far exceeded the sponge-like  object’s price, the   DO LIL’   eventually began to fade back to obscurity,   becoming  a product of the past and another failed pitch among dozens.   with a marketing strategy built upon the self-preservative nature of customers recruiting customers,   a lack of sales equaled a product’s death and would soon wipe the  DO LIL’   from the collective customer’s mind.

equally so,   sam’s success and funds began to dwindle.

had the upsides of marketing exceeded its downsides for the longest time,   sam eventually began to feel irked by the reputation that accompanied the memory of his face on screen:  sneered at at best and at worst ridiculed.   when kenneth,   sam’s estranged older brother,   suggested to know what the world seemed to be thinking   –  that sam had been playing nothing but a cheap hustle,   and even failed at it  –   sam decided,   once again,   that it was time for a change.   Sam collected the last of his funds and took off to start anew in   new york city,    where,   at last,   his career would proper.

today,   sam still owns part of the rights to  DO LIL’   but his only memory of it exists in the form of a few old production stills.   the only places someone would nowadays come across anything related to the   DO LIL’   would be in the dark and dusty corners of an attic or the depth of the internet.   thankfully,   sam’s current employment started long before platforms such as   YT   became notorious for preserving aspects of the past which would otherwise remain forgotten:   were one to look up the term   DO LIL’,   they’d uncover excerpts of sam’s past life as a  TV TELEMARKETER,   going all out to make a sale.

and if you’re wondering what type of video i’m talking about,   consider  this and this.

[descarted]

Give me a: 🍓 and one of my OCs, and i’ll tell you some random facts about said OC !!

[descarted]

[UNKNOWN USER]:

guess you could call it that? but that makes it sounds like I’m a 90s car salesman or something. “come on down to volt’s auto shop! i’ll jump your engine free of charge!”

if you think scissors from a dollar store are gonna cut this primo military grade plastic,  I wanna know what dollar store you’re shopping at. this needs like… at least home depot wire cutter level.

HEY DON’T BE FREAKIN RUDE I don’t DO drugs!! you don’t believe in my zappy zaps, that’s on YOU, this ain’t the FORCE where it needs the power of your belief to make it go. you’re a doubting han solo and half as cool, that’s what you are. but yeah obviously I’ve seen breaking bad and obviously zapping them off was the first thing I tried! not everything’s like you see on tv, he probAbly had access to more juice than I can do on my own, he had… live… wires…

o^o

hahahahahaHAHAHAHAHAHHAHAHAHAHAHAHAHA I’M A SPACE CADET ALRIGHT holy SHIT!! thank you, doubting solo, for reminding me of the big old power grid literally every city is hooked into 8) 8) 8)

brb

i firmly believe that there has never been a salesman who has                   ever done something free of charge.   free of charge is a fancy description for the type of costs that come back to bite you in the ass.   and since we’re already talking about the type of trouble that has a nasty habit of coming back to haunt you,   i feel like i’ll be thinking back to this conversation when the DA asks me to pinpoint the moment that i got involved in                     whatever i am getting involved in right now.

so,   what exactly am i getting involved in?

because it sounds like you’re talking about playing party crasher at a power plant and i feel like i’m obliged to tell you that                     insurance does not cover damages like pulling the plug on a high security power plant.

.  .  . are you back,   because i feel like you haven’t responded in a while and if i wasn’t clear before i don’t think you should be doing whatever you’re thinking of doing.

[descarted]

[descarted]

Hue & Cry - Labour of Love

Hue and Cry is a pop duo formed in 1983 in Coatbridge, Scotland by the brothers Pat Kane and Greg Kane 

[descarted]