daemonvision

[daemonvision]

On April 16th 2025 the US federal government has proposed to change the interpretation of the endangered species act so that it no longer protects habitat.

This is open for public comment until the end of May 19th. Please comment and make your voice heard.

Wildlife need their habitat. If the ESA redefines harm so that habitat is no longer protected, the implications for wildlife would be catastrophic.

[daemonvision]

You want to call your House rep now and tell them Trump needs to be impeached immediately for defying a Supreme Court order (re: Kilmar Abrego Garcia), which functionally voids our constitution and means no one in America has rights anymore.

I am not exaggerating.

As of now, anybody can be disappeared, no due process, no recourse. Trump is openly disregarding a Supreme Court order and says he’ll send US citizens to El Salvador.

This is not a drill.

Call your House rep and tell them they must impeach. Tell them if they cannot bring themselves to impeach, they must resign. A more open and shut case to impeach is not possible. Trump and his administration are saying openly, in public, that anybody can be kidnapped by ICE, even in error, and disappeared permanently.

Call your senators, too, and tell them to support impeachment (it goes to them once it passes a majority House vote).

[daemonvision]

[daemonvision]

unknown forces compelled me to draw this

[daemonvision]

Source

[daemonvision]

They should make an isekai anime where its like rodger rabbit and they have a real japanese man acting with anime characters around him

[daemonvision]

princess luna angst in 2025??

[daemonvision]

THERES A BOMBBBBBBBB

[daemonvision]

Shes fujoing out

[daemonvision]

it'd be really cool if everyone put their money where their mouths are and went and saw the new fully 2d animated looney tunes movie that's in theaters RIGHT NOW instead of continuing to scream about the snow white and lilo and stitch remakes

[daemonvision]

This is in theaters right now and is bewilderingly enough the very first theatrical loony tunes movie to not be a live action hybrid?? It's also one of only a couple 2d animated films to come to u.s. theaters since the 2000s.

Warner Brothers being the money laundering scheme they now are, they dumped it off on a small distribution company with no budget for advertising or merchandise. There sure was a time that a movie like this would be pushed as a "big event" like space jam once was and you'd see big stuffed daffy ducks in every store.

There's no hope of it not bombing in theaters but maybe when it's digitally available it'll do better? It could be the last feature length non-anime animated drawings for a good while

[daemonvision]

SISYPHUS GETS A 9 TO 5

[spoilers for all of severance season 1. words by northernlion, brain worms by me]

[daemonvision]

your faves can hang out if you want them to

[daemonvision]

Do you think were any kind of specific aspects of the culture, industry, economy, etc that made making cartoons in 90s / 2000s better or worse than trying to make them today?

They're literally different worlds.

As a 22 year old neurodivergent, I was able to pitch show ideas directly to executives. Part of that was because TV Animation wasn't a glamorous profession (quite yet), so the higher-ups were genuinely passionate about the medium. I earned good money for the time and was generally trusted to run my show and tend to the crew. I would periodically be handed portfolios, which I would personally review and pass on to other show runners. For the networks it was always corporate, cutthroat, and ultimately about the money, but as an artist you could still have a voice and make art while being paid a living wage.

The pay for a freelance storyboard in 2005 is almost exactly what it is today, but now you're likely to have less time and be required to do an animatic on top of it. Portfolios are online, and (beyond metrics) you'll probably never know if anyone looks at it or not.

Animation got big. Too big. The executives got "glamorous", then the talent got "glamorous". By then you probably wouldn't get a pitch meeting unless you were a celebrity or knew one willing to be connected to your project. Animation eventually got so big that it popped. And that's where we are now.

Most of the people I know from Kid's TV Animation are currently unemployed. I have been off Jellystone for over a year, and I'm starting to get genuinely worried. Like, "move away to save money" worried. Most of the employed artists I do know are on long-running legacy series, and they're concerned about their futures when/if those series end. Right now is not a fantastic time for "animation as a money-making profession". The "glamorous" part popped years ago.

That being said, there are still opportunities out there. If you're just starting out, apparently there's a planned surge in adult and pre-school animation. It's also a great time (as long as YouTube remains sane) to be crafting your own content. But I think that the time of Big Studio Patronage is over for most of the industry. It's up to the individual artist now more than ever, not only to make but to promote their own content.

Back at the height of Billy & Mandy, we mostly pulled fours and fives in the Neilsen ratings, but we occasionally got a seven. For reference, E.R. consistently got eights. It's difficult to say exactly how many people that actually was due to how those ratings work, but it was a big deal for the time. Millions. Enough people that if I had a dollar for each person that just watched that one episode, I would have been set for life. Now, nobody gets a seven. A four is huge. Back then there were maybe fifteen or twenty channels of programmed content as opposed to the streaming smorgasbord we were all just enjoying (and which now also seems to have popped). Point being, even though I wasn't paid-per-view, I was able to use those views as justification for an eventual raise. In modern times, streaming numbers are seemingly deliberately kept secret. You'll never really know how well your show was doing until it's over. Or maybe never.

In modern times, a million views on YouTube is enough to get you noticed online. It's a lower bar for entry in a way, but you've got to get there all by yourself. Once you're there (hello Hazbin) a network may indeed come and scoop you up. Even if they don't, you can probably make a decent living with numbers like that if you're savvy and willing to take the time.

I feel like I could go on all day, shaking my fist at the sky, gray-ass beard blowing in the wind. Was it better or easier making cartoons in the past? It seemed that way to me, but that was a world I knew. There was no AI to sell you out to, and the media was more of a "Wild West" than it is today. I do think that AI is going to continue to displace artists (and soon others), making it even more difficult to get anyone's eyes on anything at all.

Culturally, we lack the common cultural touchpoints that bonded our society in the 20th Century. I suspect that the media landscape will continue to become more "bubbly" and disjointed unless some powerful force swoops in to mandate a common viewpoint. Those are two very divergent, uniquely tiring futures, each presenting a different challenge for an artist's survival.

Outside of whatever our modern world is, animation was made for a century by photographing drawings. If Émile Cohl could do it in 1908, you can do it now. It's a lot of labor, but maybe that's part of what makes it special.

[daemonvision]

[daemonvision]

PUBLIC COMMENTS ARE OPEN FOR GENDER IDENTIFIERS ON US PASSPORTS

Right now, you can submit a comment for consideration on the proposed changes to US Passport law that will include requiring a change from "Gender" to "Sex" on all passports and require that people identify with their sex assigned at birth.

THIS IS THE LAW THAT WOULD BAN TRANS PEOPLE FROM UPDATING THEIR IDENTIFICATION

Please take a moment to click through and submit a comment. This kind of thing is fast, easy, and is one of the many ways to show your support of the trans community to the people that need to know how many of us there are.