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this was funnier in my head

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I think one of the reasons drag kings aren’t as popular as drag queens, aside from the fact that straight women don’t like us, is that people are uncomfortable acknowledging masculinity as a performance. Like we as a society know that femininity is a performance, with its own costumes and rules. Masculinity is also a performance, and nothing makes that more clear than someone making an exaggeration of it

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Hug your local doctor

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Shoutout to the pretty girl in my humanities class who always smiles at me whenever we pass each other in the hallway.

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Uk peeps!! Let’s get this going! 🏳️‍⚧️🇬🇧

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last happy summer

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I'm refreshing my crust jacket, and I made a new patch

Based on the Deserter's monologue

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• Dinner Dress.

Date: 1890-1895

Place of origin: Great Britain or France

Medium: Jacquard-woven silk dress with black ground and pattern of oranges, and black machine-made lace and silk ribbon panels in front.

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Detroit: Become Human would've been so much better as a critique of capitalism. All the groundwork is there.

All these points are interweaved, but I'll try to address them in parts

1: Automation, the unemployment crisis, and abuse of workers

Todd, Alice's "father", was a taxi driver before cars were automated. Other blue and pink-collar jobs (sanitation, desk-work, etc.) have also employed the use of androids as a cheaper alternative to maintaining a human employees. The people at fault are clearly the corporation owners, who only care about profits and cheap labor. This mirrors how companies will outsource labor to poor countries, paying employees pennies. This is also reminiscent of hostilities toward immigrants and how they "take our jobs". The way androids are abused could also serve as critique of how employers want cheap, exploitable workers who'll do what you want without complaint, not matter how poorly you treat them.

2: The childcare crisis

In-game, android owners are demonized for owning androids. Yes, there are people who mistreat their androids, but there are other who have them for a good reason. (to preface this next part, I have no clue why Todd is the way he is. Buying two androids to live a facade of a family life while also, presumably, not getting a job and abusing the and damaging the machines they bought is perplexing, but I'll overlook it) Kara is a model designed as a homemaker, she cooks, cleans, does childcare. As a symptom of capitalism, many parents struggle to take care of their kids. Daycare is expensive and hard to access, so why wouldn't you get a nanny android if you can afford one? It's a one-time purchase, round the clock care, so you don't need to worry whether or not your child is safe while you provide for your family. This existence of androids is purely based on capitalist necessity, how it isn't possible to balance aspects of your life as culture shifts more and more towards making money.

3: Systems of authority upholding corporate interests

Connor's character could be great commentary on how the police uphold corporate interests. His whole purpose is to essentially stop the workers from striking by rooting out the problem. Him being an android could also incorporate the issue of tokenization, how those from disadvantaged backgrounds/marginalized groups are told that if they work hard and keep their head down, they can be successful. Connor, in his various endings, either upholds the status quo to (presumably) preserve his own place in world, which ends in him being replaced by a more advanced RK model, representing how licking boots and sucking up to oppressors doesn't help you. (Blaire White, for example) While him deciding to deviate is a great opportunity to show a character working within the system to bolster change. Also, the detective parts are really cool, but the narrative kinda separates the audience from how emotionally taxing that kind of work is. Don't want to overload the story, but the fact that the only reason given for Hank's depression, alcoholism, and suicidality is because his son died is bullshit considering he deals with homicides on a regular basis. It's similar to cop dramas, how the crimes are shown but at the end of the day, the officers go home and have their own interpersonal drama, completely divorced from the things they see on the daily. (This bit isn't as fully-baked as the other takes since I'm not super learned on the ins and outs of how corporations affect law)

4: Conflict within the working class

As mentioned briefly in part 1, there's a lot of talk about people on welfare and immigrants taking away opportunities from other workers. This, of course, is not true. It's a manufactured conflict that distracts the working class from the true issue: the mass exploitation of the 99% to fund the 1%. People lose their jobs due to aforementioned greedy business practices and protest against androids, mistreating them instead of turning their attention to system itself because they're so ingrained in it they don't even think to question why this could even happen in the first place. They take their emotions out, suppressing the symptom rather than treating the problem.

5: Commodification

Along with employees, Cyberlife has companion androids, again, like Kara, who are advertised as a partner who'll be whatever you want whenever. There are child androids, too. And the thing with machines is that they (presumably) have no feelings and feel no pain, so you can beat them, rip them apart, and kill them with no legal repercussions. The company is selling you a family, a partner, or a victim. They strip away emotional connections, making aspects of life that make us truly human into something shallow you can buy or sell. This is similar to the real-life image of the American dream. You look happy in your big house with your wife and kids, but it's only a facade. The only thing you end up caring about is the validation you get for having stuff, and when you aren't the best man in the neighborhood, with the biggest house, the prettiest wife, and the best paying job, you resent those around you, including your own family because in your eyes, they aren't good enough. You could assume people attack and abuse androids because they are dissatisfied by where their is at and are angry at the android for not making it better, but there's none of that. I wanna know why Carlos Ortiz got high and beat his android (who doesn't get a name). In a lot of the confessions and interrogations from androids, you just get a scared description of how they were abused, nothing about the lead up. We get basically nothing about Rupert. But anyway, there's an obvious implication that people are growing less emotionally stable due to the incorporation of androids into daily life, since they see these machines with human faces as people who they can do anything to so they end up having messed up morals and seeing people as disposable.

6: Conclusion

Okay, not a full-on well-researched essay, but y'all see what I'm getting at. So much of the allegory was so poorly established. We only get a taste of certain social issues and not really a solid lens besides vaguely civil-rights related. I need more android-human relations. I'd like to see Markus as a big socialist leader, I want a subset of "scab" androids that deviate and actually like their lives, refusing to join the revolution. I HATE the march and store break-in chapters because you see all these androids joining Jericho but they don't have an identity. Many of them die unceremoniously. They go from machines performing their function to suddenly sentient beings with emotions coerced into whatever cause Markus wants, which is arguably worse because it's basically cult indoctrination.

I'm not sure what I would do about the narrative androids' sentience, since the argument that they should be given rights is weak considering it's implied that the reason for deviance is a sudden, traumatic event. I feel there should be an argument in there about how human emotions are just chemicals when you boil it down, but still, it's perplexing. I really like the way the webtoon Lovebot approaches the bot's sentience. Spoilers, but the androids in that series aren't nearly as widespread. They were invented as romantic, sexual companions. All of them are sentient from the outset, they just have a chip in their brains that keep them from exercising free will. They are inherently free-thinking beings, just trapped in their own heads by hardware. I think DBH just didn't give enough thought to the logistics of deviancy. It doesn't have to be overexplained to oblivion, but there needs to be a solid reason as to why it isn't a computer virus caused by mistreatment.

All that said, I still love this game. Loved it pretty much since it came out, I remember watching Jacksepticeye play it. I was obsessed with the characters, thought the aesthetic was super cool and was affected by the heartfelt aspects of the story. The music is also really good. David Cage just isn't a very good writer. I also straight up don't like him as a person. But still, the artists and actors did a stellar job- Bryan Dechart and Clancy Brown have great chemistry as Connor and Hank, the futuristic style paired with some of the older architecture is interesting and, again, I'm a slut for a great soundtrack.

Tbh, I'm a bit neurotic picking apart a 7-year-old game, but it got me really into sci/fi. I was like, 12, when I first got into it and hyperfixated HARD. I'm realizing that some of my biggest hyperfixations have been detective fiction (current favorite thing is Disco Elysium), so I wonder what that's about. So I guess it was nice to combine something old I really like, Detroit: Become Human, with my current interest in socialism.

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dungeon nights was already such a funny edition - but imagine if it went full generic anime dating sim and they had uniform skins or something

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AU where everything is the same but Scar wears Adidas sweatpants

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Harry and Kim (and Lena!), I made these at the beginning of my fascination with Disco Elysium, and I still love them, so I'm sharing :D

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Trans Visibility Day activities

(image id in alt, i hope!)

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Oh, to be a non-sapient creature that doesn’t have to drive or pay taxes or reply to emails

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Drawing for a humanities assignment

"Theban Tragedy" | Ink and Digital | 2025

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this got Numbers on twitter so i’m posting here cause i literally have nothing else going on but working on my webcomic which you can read here and support here