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CHRISTINA RICCI as MISTY QUIGLEY in Yellowjackets (2021-), 2x1

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barbara kruger - untitled (your devotion has the look of a lunatic sport), 1981-1983

gelatin silver print

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From Girls of Kyrgyzstan project, 2011 by Aza Shadenova

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Nina Auerbach | Our Vampires, Ourselves

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Eddie Munson for M❤️

🚑 💉❤️‍🩹 health fundraiser commissions

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Kirsten Dunst photographed by Sofia Coppola on the set of The Virgin Suicides (1999)

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Get in the heart shaped locket, boy.

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just heard the term hallucinationship and i cant get over it

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Quote from Catching Fire.

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"In the Belfry"

British vintage postcard, illustrated by Henriette Willebeek le Mair

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Eartha Kitt has a cup of tea in London, photo by Ronald Dumont, November 2nd, 1958.

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Saadi Youssef, tr. by Sinan Antoon & Peter Money, from Nostalgia, My Enemy; "Cloves"

[Text ID: "she stitches together my clouds / and then scatters them together / in a sky like a sheet"]

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Satin skin, silk hair, velvet eyes, sawdust heart — all complete.

— Jean Rhys, Good Morning, Midnight

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Guinevere and Iseult: Cartoon for Stained Glass, William Morris. 1862.

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Studies of near-fatal accidents, in which people have suddenly and apparently irrevocably been confronted with death, have demonstrated that there is a capacity to experience a dissolution of or a detachment from the ego (the subject of one's personal history). The sense of ego yields to a sense of unity with the world and consequently of eternity. Such confrontations, when survived, can so drastically alter the perspective on one's former life that one is completely changed, and such experiences are rightly called experiences of rebirth. Premonitions of such experiences are abundant in life and art. One explanation of a longing for death might, then, be the instinctual sense that in confronting death one can recover from a spoiled history.

Judith Kroll, Chapters in a Mythology: The Poetry of Sylvia Plath

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YELLOWJACKETS 1.01 Pilot | 3.10 Full Circle