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QOTSA+Trent Reznor.
Queens of the Stone Age - Kalopsia (by QOTSAmusic)
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Trent Reznor is a network of balanced contradictions – and all the richer for it. His music can be as abrasive as chain saws or as melodious as birds – often in the same four minutes. Until The Fragile, he worked almost exclusively with machines but expertly wrung earthy warmth from their chips and bits. As much as his music screams “Fuck you,” it whispers “Love me.” It can sound simple, but it is meticulously crafted and complexly programmed. Reznor uncorks chaos but has the intelligence to harness it. As industrial, distorted and thrashing as Nine Inch Nails are, there is an inherent groove to the music that can’t be learned – like Prince, like Sly Stone.
Happy 48th birthday Trent Reznor!
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Went and saw Oblivion last night. Didn’t have many expectations on it other than to be visually spectacular, but I’m happy to report that not only is it indeed visually spectacular, the plot was much better than I thought it’d be. It took some turns that weren’t completely obvious, and the filmmakers even plugged a plot hole that had been nagging at my brain for much of the movie, which is almost unheard of. It won’t go down in history as a sci-fi classic or anything, but at least it didn’t have a completely empty shell of a plot.
15-year-olds raised on a diet of Michael Bay Transformers movies looking for an all-out action movie might be a bit disappointed however because while there is plenty of exciting action sequences, it’s not a rollercoaster ride kind of action movie. I thought it balanced nicely between story and action, though, and it never felt like it dragged on for too long.
I am admittedly a sucker for many of this film’s ingredients (sci-fi? check. post-apocalyptic? check. modern “minimalist” design? check. and so on) so I’m sure I’m much more forgiving of Oblivion’s flaws than others might be, but if you think it looks interesting, by all means go check it out.
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