My name is Taylor. I'm an aspiring filmmaker, screenwriter, and author. My main is memoriesbecomestories. Support me on Ko-fi.
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Appreciation for WHITE fashion in TV & Film: The Mask (1994) | Wild Wild West (1999) | The Seven Year Itch (1955) | Marie Antoinette (2006) | The Cutting Edge (1992) | Crossroads (2002) | Black Swan (2010) | The Prince and the Showgirl (1957) | Breakfast at Tiffany's (1961) | Kill Bill (2003) | Passion Play (2010) | Gossip Girl (2007) | The Legend of Tarzan (2016) | Roman Holiday (1953) | The Little Mermaid (1989) | Miss Congeniality (2000) | Paradise Hills (2019) | The Godfather (1972) | Beyond the Valley of the Dolls (1970) | Edward Scissorhands (1990) | War and Peace (1956) | I, Tonya (2017) | Mary Poppins (1964) | Dracula (2013) | Cinderella (1950) | The Invitation (2022) | The Girl Next Door (2004) | Gone with the Wind (1939) | Scarface (1983) | Legally Blonde (2001)
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Freaky Friday (2003) dir. Mark Waters
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The music ended, and Nancy dropped into a curtsy. But Robert wasn’t watching. Or breathing. His eyes were fixed on the top of the staircase.
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Luke. You do not yet realize your importance. You have only begun to discover your power. Join me, and I will complete your training. With our combined strength, we can end this destructive conflict and bring order to the galaxy.
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All right. I’m flexible.
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THE WIZARD OF OZ (1939) — dir. Victor Fleming
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he didn't need to look at her like that
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Psychologically, I'm very confused, but personally... I feel just wonderful.
IN THE GOOD OLD SUMMERTIME (1949) dir. Robert Z. Leonard
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was looking for some scenes to gif and I'm far too lazy to actually open photoshop rn but this is really cracking me up
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sorry, having yet another certified Enchanted moment, but something I think about literally 24/7 is when they're at the ball, and Edward is introducing Giselle, right as he says "my heart's true desire", her gaze shifts to Robert, and god.. god I wanna explode
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Cinderella (1950) dir. Wilfred Jackson, Hamilton Luske and Clyde Geronimi
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All the party guests go home, except for one...
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SOME LIKE IT HOT 1959 | Billy Wilder
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