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Bill Hicks on the elite republican guard. (Relentless, 1992)
Remember how it started?
They kept talking about the elite republican guard in these hushed tones. Remember that? Like they were the boogeyman. Yeah, we’re doing well but we have yet to face the elite republican guard. Like these guys are 10 feet tall, desert warriors. "Never lost a battle, we shit bullets".
WELL, after two and a half months of continuous carpet bombing and not ONE reaction at all from these fuckers, they became simply, the republican guard, not nearly as elite as we may have led to you believe.
And after another month of continuous bombing and not one reaction AT ALL, they went from the elite republican guard to the republican guard to the republicans made this shit up about there being guards out there. We hope you enjoy your firework show.
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At the Window - Ilya Pyankov
Russian , b. 1972 -
Oil on canvas , 110 x 65 cm.
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...and I found myself amidst this wondrous warmth I thought to be untrue!
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Landscape - Amelie Helga Lundahl , 1881.
Finnish, 1850 - 1914
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mesmerized by this blazing light, as if being torched into a new sensation, one completely unknown to me… thawed is the ice that once caged this cold rank core and I am thrust into a void anew
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i'm unsure if it's more unpleasant than it is satisfying to understand the true desire beneath the exterior desire. ignorance is bliss but it also drives me mad.
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Tumblr needs more of these mini-skirt pictures.
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i was gonna say alphabet leg but ok
girls only want one thing
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gilmore girls: to live and let diorama paris geller + rory gilmore
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red wax seals png. made by me. credit not necessary!
theluzvre.
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How do they choose which sand to be the glass and which sand to be the sand in an hourglass... Imagine you and your best friend were two grains of sand and you had to be in the hourglass and your bestie had to be the glass. Ur together but youve never been more apart. A Sick and twisted practice hourglassery is...
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The Blue-Walled Kitchen - Kaoru Yamada
Japanese , b. 1975 -
silkscreen print , 17 x 17 in.
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A shot from The Sorrows of Satan (1926). This shot would go on to be the cover of Bauhaus’s “Bela Lugosi’s Dead.”
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