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trapped,

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Googling: so i thought I was Into men but am I really? Do I only like women. or people who r aligned with women. women who r women or people who r like “I’m kind of a woman“ or am I just traumatized. tell me google

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A scene from my wip illustrated novel, 1000 Words Unframed~ Dante is one of the four artists featured in the story; seen here chilling in his eccentric mansion lol You can follow the development of this novel on my Discord https://discord.gg/e9rtznJG

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you cant win me, I cant be beat

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Growing up with your starters

Artist:  esasi8794 / Twitter

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bits of my botw mecha au im kinda doing

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キャラクターデザインらくがき

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🌟🍑🌼🎙

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You order a package off Amazon. When the Amazon delivery guy shows up to your door, instead of giving you the package you bought, he beats the shit out of you. Then, when he sees that you are not dead yet, he calls all of the Amazon delivery people in the area and they all proceed to beat the shit out of you. Miraculously, you survive. Another miracle: a friend in your neighborhood caught the assault on video. After a month of recovery and extensive hospital bills that you have no idea what to do with, the video has gone viral. You read the comments below. “This is what happens to people who fuck with Amazon!!!” Someone says. “I’ve never been beaten up by Amazon employees, and I’ve been using them all my life!” Someone else comments. Later, you start to see articles popping up about your story. They all mention that when you were 17, your license was revoked for reckless driving. In a Facebook post on your mom’s feed, someone is going on a rant about how not all Amazon delivery guys are bad, and that if you look really close, the “bad” ones are just stressed out. Your name is trending on Twitter. Jeff Bezos films a response to your attack, denouncing the video of you getting beaten to within an inch of your life by his employees as becoming “a symbol of hate towards Amazon.” The people who attacked you still deliver packages around your neighborhood. You saw one of them just yesterday as you were watering your plants. You still can’t pay your hospital bills. Your phone dings- Twitter again. “Maybe if you didn’t order from Amazon,” someone pipes up, “this wouldn’t have happened!”

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“For some time, Hollywood has marketed family entertainment according to a two-pronged strategy, with cute stuff and kinetic motion for the kids and sly pop-cultural references and tame double entendres for mom and dad. Miyazaki has no interest in such trickery, or in the alternative method, most successfully deployed in Pixar features like Finding Nemo, Toy Story 3 and Inside/Out, of blending silliness with sentimentality.”

“Most films made for children are flashy adventure-comedies. Structurally and tonally, they feel almost exactly like blockbusters made for adults, scrubbed of any potentially offensive material. They aren’t so much made for children as they’re made to be not not for children. It’s perhaps telling that the genre is generally called “Family,” rather than “Children’s.” The films are designed to be pleasing to a broad, age-diverse audience, but they’re not necessarily specially made for young minds.”

“My Neighbor Totoro, on the other hand, is a genuine children’s film, attuned to child psychology. Satsuki and Mei move and speak like children: they run and romp, giggle and yell. The sibling dynamic is sensitively rendered: Satsuki is eager to impress her parents but sometimes succumbs to silliness, while Mei is Satsuki’s shadow and echo (with an independent streak). But perhaps most uniquely, My Neighbor Totoro follows children’s goals and concerns. Its protagonists aren’t given a mission or a call to adventure - in the absence of a larger drama, they create their own, as children in stable environments do. They play.”

“Consider the sequence just before Mei first encounters Totoro. Satsuki has left for school, and Dad is working from home, so Mei dons a hat and a shoulder bag and tells her father that she’s “off to run some errands” - The film is hers for the next ten minutes, with very little dialogue. She’s seized by ideas, and then abandons them; her goals switch from moment to moment. First she wants to play “flower shop” with her dad, but then she becomes distracted by a pool full of tadpoles. Then, of course, she needs a bucket to catch tadpoles in - but the bucket has a hole in it. And on it goes, but we’re never bored, because Mei is never bored.”

“[…] You can only ride a ride so many times before the thrill wears off. But a child can never exhaust the possibilities of a park or a neighborhood or a forest, and Totoro exists in this mode. The film is made up of travel and transit and exploration, set against lush, evocative landscapes that seem to extend far beyond the frame. We enter the film driving along a dirt road past houses and rice paddies; we follow Mei as she clambers through a thicket and into the forest; we walk home from school with the girls, ducking into a shrine to take shelter from the rain; we run past endless green fields with Satsuki as she searches for Mei. The psychic center of Totoro’s world is an impossibly giant camphor tree covered in moss. The girls climb over it, bow to it as a forest-guardian, and at one point fly high above it, with the help of Totoro. Much like Totoro himself, the tree is enormous and initially intimidating, but ultimately a source of shelter and inspiration.”

“My Neighbor Totoro has a story, but it’s the kind of story that a child might make up, or that a parent might tell as a bedtime story, prodded along by the refrain, “And then what happened?” This kind of whimsicality is actually baked into Miyazaki’s process: he begins animating his films before they’re fully written. Totoro has chase scenes and fantastical creatures, but these are flights of fancy rooted in a familiar world. A big part of being a kid is watching and waiting, and Miyazaki understands this. When Mei catches a glimpse of a small Totoro running under her house, she crouches down and stares into the gap, waiting. Miyazaki holds on this image: we wait with her. Magical things happen, but most of life happens in between those things—and there is a kind of gentle magic, for a child, in seeing those in-betweens brought to life truthfully on screen.”

A.O. Scott and Lauren Wilford on “My Neighbor Totoro”, 2017.  

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the kids aren’t alright

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Inside Siberia’s isolated community of forgotten women. Photographed by Oded Wagenstein.

“In the remote village of Yar-Sale in Northern Siberia, live a group of elderly women. They were once part of a nomadic community of reindeer herders. However, in their old age, they spend most of their days in seclusion, isolated from the world they loved and their community. While men are usually encouraged to remain within the migrating community and maintain their social roles, the women often face the struggles of old age alone.It took a flight, a sixty-hour train ride from Moscow, and a seven-hour bone-breaking drive across a frozen river to meet them. I immersed myself in their closed community, and for days, over many cups of tea, they shared their stories, lullabies, and longings with me.On this series, the memories of the past, represented by the images of the outside world, are combined with the portraits of current reality.

By doing so, I tried to give their stories a visual representation. One that could last after they are already gone.  

(*Like Last Year’s Snow is a Yiddish expression – referring to something which is not relevant anymore)”

- Oded Wagenstein

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i made a gif of good ol tom

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Stop calling shit goblincore I'm literally begging you

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My beloved father, with this sword in my hands I swear I will avenge your death

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Hi yeah can i get a uhhh extremely self indulgent sasunaru roadtrip snapchat story