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Save our life,please!! 🙏🏻🍉🥺
Hello again, I am Aseel from Gaza, I live in war, fear and destruction, we have been living for almost a year now but we do not know how long, we have been displaced from our home more than 11 times,
every time I was displaced to another place I prayed that this would be the last, but then came the idea of forced exit to search for safety where there is no safety, we got very tired and our bodies were exhausted, we no longer had the energy to continue, we lived hunger, thirst, cold and all the difficult conditions that humans cannot imagine,
we did not imagine that a day would come when we would live all of this, I lost my family and my childhood home, even my friends are no longer there, I was left alone!! I am looking for salvation from death, I fear death and I dread it, the idea is terrifying to leave your dreams, ambitions and the life you planned for and go from this world, we do not deny death but we do not want to live it now,
I had a beautiful life, suddenly I do not know how I lost my life, we live in a tent that can only accommodate 3 people, made of nylon that no human can bear, just standing in it for more than two minutes during the day is enough to melt you, in addition to insects, diseases and lack of privacy, imagine all this!! Can you live??
In addition, my father had a stroke due to the loss, and my mother also needs care due to chronic diseases and the lack of treatment, and her condition is getting worse. I am the only one who takes care of them. I really fear loss and I do not want to lose, as I lost a large part of my family, my home, my work, and my entire previous life.
Things here are more difficult than you imagined, reality is painful
We wake up every day to the smell of death, I have been surrounded by tanks and helicopters more than 4 times, each time I do not know how to survive? It seems that my death has not come yet
I do not want to die!! 🥺
Please help me save my life and get out of here, life is impossible
Your donation will save my life, it is the only way, hand in hand we can achieve the goal please
My campaing vetted by
@90-ghost
@fairuzfan
@nabulsi @appsa
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I want this to be matilda's and joe's interactions so bad
#my art#fanart#matilda reverse 1999#reverse 1999 matilda#reverse 1999 joe#joe reverse 1999#Please dont force me to draw all of the details on his design im gonna cry#doodle
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Girlies gossiping
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Made a proper sona ref sheet woooo
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Ughhhh i just got home from the cinema and it's pretty late rn so i'll keep this impression of this year's movie brief and spoiler-free. Overall, i think it is a pretty good movie. In a way, it's kind of like the 2021 movie where the plot isn't too anything outstanding or out of the ordinary but it is executed properly so it has a certain charm to it that makes it enjoyable to watch. The higlight is definitely either the worldbuilding or the animation and visuals. The worldbuilding is SO good, i haven't watched all the doraemon films but the last time we got such a fully-fleshed out worldbuilding in a doraemon movie was in 2003. The scenery, visuals and character designs (including background characters) are some of the best i have seen out of the all movies. The transitioning is a little odd for the first half of the movie but i can forgive that one. The intro goes so unbelievably hard AND FOR WHAT. I don't know the right word or phrase for this but unlike a lot of the other movies everything just feels so alive. Also, there are quite a few jokes in this movie that are just so dumb yet endearing it just makes your eyes roll. One thing i'll spoil is that the gag about shizuka being bad at playing the violin isn't here, in a movie about MUSIC, you don't know how unreasonably mad i am about this.
#speaks#doraemon#nobita's earth symphony#but yea aside from a few other minor complaints its definitely worth a watch
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Quick doodle
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On using the #Fragari_Art tag on Twitter
It seems that a few JP users on Twitter have been getting irritated by the use of the #Fragari_Art tag on Twitter by mostly fans from outside JP.
They're not against fans outside JP posting fanart, of course, but in the JP fanbase, there's generally rules that are followed when it comes to using main tags. Generally, the criteria is:
OK to use tag:
Fanart of the Fragaria Memories characters
Fanart of the knights and their lords together (as long as it isn't shipping art)
Manga/comics of the characters (as long as it isn't shipping)
Joke fanart
Duo/trio/group fanart (as long as it isn't shipping)
Not OK to use tag:
Shipping fanart (this includes both canon/canon and canon/OC, anything even hinting at shipping is generally avoided from being tagged it seems)
Fanart of OCs (including yume characters)
Fanart of girls (probably? I'm not quite sure what the tweet I'm referencing means by this, but considering it's a joseimuke at heart it's probably exactly what it says)
These rules are generally followed across each fanbase on JP Twitter, by the way, it's not just a Fragaria Memories thing. I know that artists just want their art to be seen by as many people as possible, which is completely fair. But it's just the way that JP users curate their experience in the fanbase. You see this a lot on Pixiv; shipping art won't be tagged with the series they're from.
Also notably, the #Fragari_Art tag is an official tag that was created by the company itself, so it seems like some users are worried that the company may even prohibit the creation of fan content altogether if people keep misusing the tag. I'm not sure how based in reality this worry it, but considering how trigger-happy the company is with lawsuits, I don't doubt it.
Edit: People aren't asking people to delete their art if they've used the tag or anything, it's more just a plea to be more mindful of using the tag in the future. (Nor is this aimed at anyone in particular, since there are quite a few fans outside of JP that do follow the rules.)
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Redraw of old arts i made of my friends' ocs (2024 - 2022)
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Master doc that contains different resources and support for many countries including Palestine, Congo, Haiti, Hawai’i, etc ((op is underneath the link))
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🙏🏼❤️🇵🇸
DONATE IF YOU CAN
SHARE IF YOU CAN’T
instagram
(USD)
(KR)
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Hi
Bye
#shitpost#I will post some art in like a few days i swear#Im busy atm#nobita's sky utopia#doraemon#doraemonzu#the doraemons
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Oliver Fog - The Representation of Trade Unions Post-War
When most people talk about Oliver Fog, it’s never through an analytical lens. He is mostly used for the sake of shipping and sibling headcanons. And if his backstory is ever addressed, it’s normally taken wrong. Oliver isn’t a character who just hates work. In fact it could be argued that he is a microcosm of trade union representatives in his time period.
First I must discuss the importance of trade unions on Oliver’s character especially of 1953. I say 1953 because Oliver mentions that he has not worked overtime for 211 days in his anecdote. Trade unions at the time were much more powerful than they were today, and had much heavy tight links to the UK Labour Party, which was undoubtably much more left wing than it is today. The leader of Labour at the time was Clement Attlee who, while no longer Prime Minister, was one of the most influential socialists in UK history and helped to set up the NHS. I bring this up due to Attlee’s influence on the country and left wing politics as a whole, and as a civil servant, Oliver would have been aware of him.
Let’s now take a look at Arsenal. Oliver says he was a fan of them as a child since they were a popular team, but for that we must look at Arsenal’s history to find out how old Oliver would have been. Seeing how Oliver turns 15 in 1952, he would have been born in 1937, just before the outbreak of WW2. Highbury Stadium was build in 1939 and the Football League was suspended for the duration of the wartime period, meaning that it was impossible for Oliver to have seen them at a young age. The earliest he could have seen the team by walking out on his own was at the age of 10. At this point in his life, Oliver would have lived through the death, devastation and brutality of a wartime period and how it left Britain bankrupt.
Arsenal’s red colour palette is also telling due to it being his favourite team - red is a colour that politically means left wing ideologies, and in the UK is a reference to the Labour Party, as well as its anthem The Red Flag, a socialist song about the labour movement. It’s possible that the fact Oliver’s favourite team being Arsenal was picked especially for this comparison, but at the same time it might just be me leaning in too far.
Oliver has a persistent want of an eight hour work day in reference to the social movement prevalent after the Industrial Revolution, where working hours were long and children were exploited for labour. While the UK to this day doesn’t have an eight hour limit to the work day, there have been major strides, and it was first accomplished in 1889 by the founders of the modern day GMB union. The fact Oliver specifically becomes part of this social movement is telling of his feelings about rights. There’s also his hatred of overtime, which adds onto this.
Oliver’s rant to A Knight could also be alternatively read as a rant on a predatory structure or system.
I’m not even supposed to be here! I’m just a boy, but because of your dreamed-up notions of purpose and responsibility, I was forced to become a Fogwalker. I never wanted to walk amongst the fog. I’m terrified of it… I just want to… I just want to stay alive.
Oliver is without hope at the beginning of his anecdote, lost in not knowing why he so readily took up the position of the Fogwalker. By the end of it he’s become aware of his true beliefs.
The Fogwalker is one who steps into the fog and brings light to others. Fundamentally, it’s a joke like any other, mundane as tightening screws or scooping manure. But that’s not all it is. My father once walked through the fog to bring me hope. On that day, he did the same. “This is my responsibility, and it is our responsibility.” […] On that day in 1952, he also brought hope to the people of London. The hope of survival.
Personally there are a few hints that Oliver falls along left wing ideology such as socialism. This could be especially true of his beliefs in social activism of his attitudes towards labour rights. Let’s take a look at his new garment.
Version 1.8’s location is Russia, presumably in the 1910s before the Russian Revolution that would later set up the groundworks for the Soviet Union, so already the fact the garment comes out in this version specifically is telling. This garment set as a whole is called ‘Constructivism in Concept’. Constructivism is a theory where people acquire knowledge through experience and conversations, not through just seeing things, which could be reflective of Oliver’s anecdote. The garment itself is ‘See You At The Workers Club’. Workers’ clubs were something set up in the USSR and was a place for workers and their families to relax and also a place for propaganda. It was also sponsored by trade unions. I had to use Google Translate for the writing on the sheet metal, and the text reads, roughly, “let’s protect the eight hour working day”.
It’s easy to interpret Oliver as a microcosm through what he does and what he says. As a whole, he is a complex individual, a traumatised overworked teenager.
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I just discovered foodtimeline.org, which is exactly what it sounds like: centuries worth of information about FOOD. If you are writing something historical and you want a starting point for figuring out what people should be eating, this might be a good place?
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