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bringing my crush cups of tea to help him get through the Horrors (he's also my boss)

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martin, minding his own business and humming a little song: *reaches up to put something away on the top shelf in the archives*

jon, glimpsing two (2) inches of bare midriff: dear lord— *knees nearly give out*

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mindless painterly doodling for the soul

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WINNER WILL ADVANCE TO ROUND 2

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Art masterpost

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PROPAGANDA UNDER THE CUT: [SPOILERS AHEAD]

FIVE PEBBLES:

MIKE WALTERS:

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y'know what's something that ISN'T a trope, but should be?

oracle: listen to me carefully, for thy son hunts thee now

hero: oracle, you speak nonsense, for i have no son, only a daughter fallen to barbarians

the daughter fallen to barbarians:

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Aro!Martin take: he's in love with the concept of romance but hates the idea of being in an actual romantic relationship. He has a tendency to have crushes on people who he deems unattainable because it feels safer. He would confess his love and be like "phew, glad I got that out of my system :) anyway bye" and just casually move on.

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Concept: Jon just being full creepo mode and watching Martin using his Eye powers vs Martin can sense when Jon is watching him so he purposely makes everything he do 10x sexier almost to comedic levels

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I love scrawny hypermasculine Jon. He reminds me of a chihuahua

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2 of many more to come, using meme redraws as warmup

(context: martin, jon, and basira taking a snack break on their way to kill basira’s partner on the left. martin gave mini!jon a dollhouse chair and teacup after he read the wrong leitner on the right)

part 2

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[ID: two digital greyscale drawings of Jonathan Sims and Martin Blackwood from The Magnus Archives. Jon is depicted as a short, thin British-Pakistani man with many scars, and Martin is depicted as a tall, fat Vietnamese-Polish man with glasses.

Image 1 depicts Jon rescuing Martin from the Lonely in episode 159. Against a cloudy grey background, Martin, washed out, stands with his arms limp at his sides, looking vacantly aside. He is wearing a blazer. Jon wears an overlarge cardigan that fans out behind him as he reaches for Martin’s face with both hands. Many tendrils of negative space curl around Martin, and a few break over Jon’s legs and flow between his fingers.

Image 2 depicts the final moments of episode 200. Jon, unraveling into magnetic tape, floats in mid-air while Martin, standing on the ground, begins to drive a knife into Jon’s chest, cutting the tape. Blood rises from the wound, floating upward, the only color in the drawing. Jon gently touches Martin’s face and supports the arm holding the knife, while Martin sobs through gritted teeth and holds onto Jon’s wrist. The dark backdrop is lit by a beam of light behind Jon, which highlights the negative space between the ribbons of tape that compose Jon’s body. End ID.]

these drawings ended up being parallels of a sort so thought i would share them together for. maximum pain :,) if anyone’s wondering i’m still inconsolable about Them

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THEM

(@veggyjuice is my Twitter BTW, Im not stealing this fkenfkwbqj)

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perpetual babyface + looks 20x their actual age

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@a-mag-a-day had to do a little doodle for today i love this episode

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folks this was only supposed to take like 2/3 days at most to draw, but I’ve been wrestling with it on-and-off for the past two weeks shdjdhd

I like to imagine Tim’s doing this for martin and martin alone - he might not approve of his spooky loser boss, but it’s hell of a lot better than David

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