No one asked but here’s a brief tutorial on digital underpainting and how it can add some extra flavor to your art!
(I got asked this a couple times so just to clarify: I used “overlay” in the second slide… but the rest of these examples are JUST painted on, no effects! Try playing with the opacity on your pencil/water/brush tool to allow the base color to show through!)
This chapter has a lot of action packed into it! so if you’re interested in finally out how all of this plays out please go read it!!!!
I’ve been listening to The Platters a lot lately, I would totally recommend listening to “The Great Pretender” and “Only You”!!!
Summary: A high school greaser tries to help an alien baby after its spacecraft crashed onto Earth. They have more in common than you’d think…
If this kind of content that you’re interested in reading here’s the–> LINK
If you like this and wanna see more, it would really help if you can like, rate, and comment on the chapter!!!
I really couldn’t done it without the help of my editors!!!
My dialogue editor: Lucretius Williams he’s the same editor who really helped my on my Samurai bravo fanbook and contribute a story himself, so go check him out!
And my story editor/roomates: Lauren Levering & Angelina “Spikie” Ricardo! Both of them really gave me a hand in the story, they also do amazing art themselves so check them out also!!!
And my art assistant: Jackie Lee thank you so much for giving me a hand with the tones! Her art is also SOOOO fuckin gooodd! check her out also!
Después te llamo.
Después lo hago.
Después lo digo.
Después yo cambio.
Dejamos todo para después,
como si el después fuese lo mejor.
Porque no entendemos que…
Después el café se enfría,
después la prioridad cambia,
después el encanto se pierde,
después temprano
se convierte en tarde,
después la añoranza pasa,
después los hijos crecen,
después la gente envejece,
después el día es noche,
después la vida se acaba.
Ok maybe I'm just Stupid™ and this is just a Stupid Question™ but in your rhino painting you put down some blue lines for outlining the rhino and for the background, but then they were white! Um, how??? Can you please explain this wizardry to my poor peasant brain?
YES that’s masking fluid!
Masking fluid is, essentially, liquid rubber. It adheres to the paper and protects an area from watercolour. When the paint dries, you simply remove it. There are different types of masking fluid, like the ones you apply with a brush. But if you’re like me and want to cut the crap with RUINING BRUSHES: look no further. I exclusively use Molotow masking liquid pens now.
You don’t need sacrificial brushes. It’s tinted blue so you can see where the hell it is. The future is here.
Rolls on like a kickass pen
Let it dry, slap on your watercolour
Coax it off with an eraser
Bam look at that. Perfect for those details you want to stay white. Not recommended for application over large areas. Available on Amazon.
I made a video version of the gifs I had made!! With sound!! also if u guys wanna hear it with a specific song let me now and I’ll try to make as many as I can. Or do a compilation. We’ll see. Anyway, enjoy!
A long time ago an anon asked my thoughts about drawing backgrounds, so I finally got around to putting this together. It’s more prop-centric, but it still represents my philosophy to backgrounds.
I’ll try to do something more about drawing actual background spaces in the future! Please let me know what you think, if anything is unclear, or if you have suggestions for other tutorials you might find helpful!