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Majora's Mask and what it means to be grown up

(aka my collected analysis of the Legend of Zelda Majora's Mask)

I will say that generally I don't think Termina is purgatory, or a dream, or anything like that. To me, Termina is kind of like a Silent Hill type parallel world, where you face your deepest traumas.

First, the parallels between Majora's Mask, and the child section of Ocarina of Time.

The first dungeon for both games is in a vast wooded area, there are woodland races inhabiting both areas, the Kokiri for Ocarina of Time, and the Deku for Majora's mask. The second dungeon is in a great mountain, inhabited by the Gorons. The third dungeon is in a vast body of water, inhabited by the Zora.

Then, things split. After Jabu Jabu, Link becomes an adult. After Great Bay, there's Ikana Canyon. A land of nothing but Death.

Who caused the death of Ikana? Who else but the king, Igo Du Ikana. Ikana was plunged into disrepair, after Igos started a war with a clan of Ninjas, to receive a powerful artifact, in a great and mysterious temple. Sound familiar? It should, this is exactly what Ganondorf did, after Link was sealed away for seven years. But Ganondorf was successful.

But Ikana isn't completely occupied by the dead, no. Pamela remains, with her father, turned into an undead monster. Much like Sheik, the last Sheikah, who is revealed to be Zelda. And her father? He's never seen, but I'd imagine it would be easy enough for Ganondorf to become king, if the other one was no longer around. From a man, to a corpse.

So, if Ganondorf is a parallel to Igos, and Zelda is a parallel to Pamela, what about Link? He's a little different. I believe that, along with Kafei and Tingle, all three of the transformation masks are a representation of Link, and his feelings towards being forced to grow up.

Tingle is, as we know, a 35 year old man who thinks he's a fairy boy. Similar to how link was a 10 year old boy, who thought he was a fairy boy. I believe Tingle is a reflection of what Link could have been if he never left Kokiri Forest. An adult hylian man, thinking he's a Kokiri.

On the contrary, Kafei is distraught at the idea of becoming a child again. He's weaker, he can't marry his fiancee, and everyone treats him like well, a child, despite his maturity. I believe this is how Link feels after becoming a child again. He used to be a strong adult, and even if he's not as mature as Kafei, he still went through a lot, and knows a lot more about life now. Kafei even reuses Link's model and animations.

There's a reoccurring theme in Ocarina of Time where Link just doesn't belong anywhere he goes. He's an outsider to the other races, because he's a hylian, but he's also an outsider to the hylians, because he was raised as a Kokiri. I think the transformation masks reflect that.

The Deku Butler's Son is what he could have been as a Kokiri. He could have been a happy little boy, living with his father, and his community. But Link and the Deku butler's son both left home to explore, and as far as both the Kokiri and the Deku are concerned, neither came back.

Darmani is what he could have been as a Goron. A powerful hero to the Gorons, celebrated by them for clearing Dodongo's Cavern. A close link between the goron elder, Darunia, and their sons. Both him and Link remain after death, lamenting on their histories as heros.

Mikau is what he could have been as a Zora. Maybe not a cool as hell guitarist, but a husband to Ruto, and Prince of the Zora Who would stop at nothing to keep her happy and safe, like infiltrating a fortress, or climbing inside of a whale.

Even the Fierce Deity is just Link, but back as an adult. As if so much changed so rapidly, he felt like he transformed into something less like himself, and more like a powerful god. He could have continued being strong, and powerful, the defeater of Ganon, but he had to become a child again. He has to stay as a small, and unknown child.

The ages of the masks even match the human life cycle. According to the debug menu (and if you subscribe to the theory that Link and DBS's ages were swapped), DBS is 5, Link is 12, Darmani is 30, Mikau is 78, and, Fierce Deity is 17, likely due to his model being recycled from adult Link's. Link starts the game in the body of a 5 year old, then a 12 year old, then a 30 year old, then a 72 year old, and finally, a God.

We don't exactly know how Link feels. But I can't imagine it would be easy to go from a child, with no concept of death, to be thrust into a position where he's forced to fight and kill an adult man so much stronger than he is. And then everything was just reversed. Like that. As if it never happened. And only Link remembers the impending doom he faced. All he can do is remember Ganondorf's reign. Almost like he's reliving the same few days, again, and again, and again.

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☀️

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I love the little detail of Jinx scrunching up her nose when upset only on one side of her face and how she clearly got it from Silco.

Cos Silco's likely only emoting like that cos half of his face is paralyzed and so when he does it it looks natural, he just can't move that part of his face and it's likely that without the scar Silco would be emoting with his whole face.

However when Jinx does it it looks a little awkward. She has to keep half of her face relaxed meanwhile emote with the other half. So not only did she pick up this face expression from him but also the quirk of only doing it with one side of her face even tho for her it makes no sense. And not only does she mimic his face expression but she also acts a little like a literal mirror, with Silco emoting with the right side of his face and Jinx emoting with her left side.

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in all timelines in all possibilities only you can show me this

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for your consideration: live action muppet remake

i never want to read the words "live action remake" ever AGAIN!!!!

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zooglyphs for my site

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now 2 beanie baby dragons are crossing your dash together :3

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"Nothing was more natural than that these things should be the other things that they absolutely were not."

Henry James, The Turn of the Screw

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I hc that the Bargainer Statues are early depictions of the Fierce Deity (who's true form therefore has 4 eyes), who is referred to as a Kishin in Japanese, which according to folklore, are wrathful, powerful, even scary-looking beings & vicious fighters, but are also deeply compassionate, benevolent, & protectors at there core. They're said to enact just & righteous vengeance for those who've been wronged.

Anyway, my thoughts are that he is the 3rd in the Hylian/Demise triad, being where the Hero's Spirit originates from. I also hc that he created the Sheikah much like how Hylia created the Hylians. (So, if the naming conventions follow, his true name could start with "Shei" or "Sheik.")

Anyway, he's a god of war, the moon, heroism, & death. Which is why Link is always able to see spirits. He gathered spirits & fought or soothed Poes (the enemies) either by fighting them or playing the Song of Healing.

The Dark Clumps being pieces of the pseudo-flesh that spirits form to create Poes & the Depths Set being made from this pseudo-flesh.

Also, I hc that the symbols are actually ancient Sheikah script, which the Fierce Deity taught the Sheikah. And before losing or giving up his immortality, he tasked the Sheikah with taking his place, which is who delivered the spirits to the Bargainer Statues before Link.

This is part of the reason why the Sheikah are so heavily associated with death & graveyards.

As for who the Bargainers are, they are this thing called a bushin in Japanese culture, which there deities have the ability to split pieces off of themselves & create lesser copies that rule over certain areas, but are lead by the source deity. The same is said for the Goddess Statues. Basically, Hylia & Fierce gave up their immortality, but the statues are still being run by their bushin.

Stop me, I will literally talk you ear off if you don't.

Anyway, what are your thoughts??

.................................................... OP. My guy, my gal, my non-binary pal. Why did you drop this on my inbox? This needs to be its own proper post! This is a very fascinating take on the Bargainer and the other known deities in the Zelda world.

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Ngl, I haven't thought much about the Bargainer and their role is since there's so little in their lore. Other than "guiding lost souls into the afterlife without prejudice" and exchanging materials, weapons and outfit sets in return of Poes... (Kinda like how the Goddess Statue exchanges Blessings for Hearts, Stamina and Sage's Wills).

And seeing so many Poes in the Depths in a state of purgatory, makes me think that they are akin to the Grim Reaper of sorts. On top of the Yiga notes about how those "strange statues" would rip the souls out of fellow members if they come too close to it in the Depths.

I also imagine that the name "Bargainer" is a recent title when they were (re)discovered by present-day Hyruleans. And their true name had already been lost to the looooooong passage of time. And for all we know, the "Bargainer" was the god(dess) of the long extinct Zonai people.

That's about as far as I have for the Bargainer.

As for other deities like Hylia, Demise and the Fierce Deity, I don't have much beyond what is present in the games and the popular headcanons shared within the Zelda fandom.

I do have headcanons on how each race and clans interpret these deities and their own faith systems. For example, the Sheikah view Hylia as a "two faced" deity with "light and shadow" themes in their faith. Which is in contrast to their Hylian counterparts who have more clear-cut views on Hylia as the benevolent protector-goddess of their people (And why the Horned Statue exists and is shunned and hidden away).

(Though this is all part of my BotW-TotK Family and Legacy story.)

TL;DR I don't have a lot of ideas / headcanons on who or what these deities are. BUT I do have headcanons on how they are interpreted by different peoples/races.

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But seriously though OP, if you're reading this, you need to create dedicated posts and elaborate more on these headcanon ideas. They have POTENTIAL to become some very delicious reads.

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Messy Twilight Princess screenshot redraw except I give ganon long hair for no reason

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Rise and collapse of a wave. Details of paintings by Michael Zeno Diemer (1867-1939)

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to me it's a trolley opportunity

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This was such a joy to watch. Delightful put-down of a nasty little creep.

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i don't care if monday's bleak

tuesday matches wednesday's freak

thursday mispronouncing steak

it's friday, i'm in love

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『War Paint』

A Kankuro Fancomic