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Text
2023 Japan Grant ProgramÂ
Application Form for Individual FellowshipÂ
2023åš´åēĻ ACCæĨæŦã°ãŠãŗãããã°ãŠã Â
åäēēãã§ããŧãˇããįŗčĢæ¸Â
æ¨åš´ãŽåēããACCåäēēãã§ããŧãŽãããŽįŗčĢæ¸ãããã¤ããŽé
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Ŧéããžããįˇ ãåãã¯äģéąæĢãčĒ°ããŽäŊããŽåŊšãĢįĢãĻãĻããæŦæã§ãīŧ
ãģãģãģãģãģãģãģãģãģãģãģãģãģãģãģãģãģãģãģãģãģãģãģãģ
Biography įĩæ´:Â
Using complete sentences, provide a brief biography summarizing your work, education, awards, and any notable professional achievements. Do not copy and paste your resume/CV or include website links. Â
[200 words limit]Â
[ Kan FukuharaÂ
Born in Kanagawa Prefecture, Japan. Agent: PrissimaÂ
After graduating Meiji University, he started his career as an actor.Â
In 2014, he became a member of theater collective HANCHU-YUEI. Since then, he has appeared in domestic and international performance.Â
In 2015, he started his own theater project SANPIN. Based on the keyword "A fragment of your life is the main part of someone's life", he creates works that âdescribes the place through people".Â
Since 2016, he has been producing rehearsals for actors and dancers (known as SESSION UNTITLED). He handles a wide range of works from domestic and foreign classics to contemporary plays, and operate a place to think about words and the body.Â
Since 2020, as a workshop facilitator, he has been actively conducting theater workshops and communication classes at schools and theaters.Â
Major appearances: plays "Cyrano de Bergeracâ at Tokyo Metropolitan Theater Playhouse, "Human History" at Kanagawa Art Theater, "Greeks" at Kanagawa Art Theater, "HAMLETâ at Tokyo Globe Theatre, "ZOO" by Chiharu Shinoda, "Kurozuka" by Kinoshita Kabuki, "Yorube Nighter" by FUKAIPRODUCE Hagoromo, "Nevermindâ by Nuthmique, "Un-balancedâ. by Baobab etc.Â
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ąåčŖŊäŊKUNIO15ãã°ãĒãŧã¯ãšããæąäēŦã°ããŧãåē§/ãˇãŧã¨ã¤ããŖããããĨãŧãšãHAMLET -ãã ãŦãã-ããį¯ į°åæãZOOããæ¨ãä¸æčäŧãéģåĄããFUKAIPRODUCEįžŊčĄŖããããšãã¤ãŋãŧããããããã¯ããããŧãã¤ãŗãããBaobabããĸãŗããŠãŗãšããÂ
TVCM ãšãŋãããĩãŧããšãæčéĢãįŗģįˇ¨ããNHK EããŦ ã ã¸ãĢãģ ãããŗãĒãŧããåĨ补ãŽäēäēēããįŠēæ°ãŽãããĢãããŦãæąäēŦã´ãããŋãŗããã¸čåą
é¸æ樊ãããšãã¤ãã¯æč¨įããĒãŠã ]
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Please provide your current professional position/title:Â
čĒčēĢãŽįžå¨ãŽčŠæ¸ãæåąæŠéĸãããå ´åã¯åŊščˇãč¨å
Ĩä¸ããīŧÂ
Title (čŠæ¸/åŊščˇ):
Actor īŊåŊšč
Â
Company member īŊååŖåĄÂ
Workshop facilitator īŊã¯ãŧã¯ãˇã§ããããĄãˇãĒããŧãŋãŧ Â
company leader īŊååŖä¸ģ厰Â
Administrator īŊéåļč
Organization (åŖäŊãįĩįšå):
PRISSIMA īŊããĒããˇã Â
Theater collective HANCHU-YUEI īŊį¯åŽéæŗŗ Â
SANPIN īŊããã´ãÂ
SESSION UNTITLED īŊįĄéĄãŽį¨Ŋå¤äŧ
Artist StatementãĸãŧããŖãšããģãšããŧããĄãŗã:Â
If you have an artist statement, please enter it here [200 words limit]ãÂ
[ As an actor and the activity of SANPIN:Â
If acting can portray a person, its essence lies within oneself and in encounters with people. I want to do activities that speak for the lives of people I've met, and people I might meet someday. Worry for others, get angry for others, laugh and cry for others. Because people can't live with their emotions.Â
About the activities of SESSION UNTITLED:Â
I think that actors might need a rehearsal room just as much as they do in their daily lives. It's not a place to create for the show, but a place where you can face yourself, share your troubles and conflicts with others, and try and fail as much as you can. I would like to propose a space where you can keep a distance from "win" and "lose" and continue to express yourself tomorrow. Expression should also be something that is nurtured while running side by side with life. ]
ãĸãŧããŖãšããģãšããŧããĄãŗãããæãĄãŽæšã¯ãããĄããĢč¨å
ĨããĻãã ãããÂ
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Summary įŗčĢæĻčĻ:Â
Provide a brief summary of your proposal [in 3 sentences or less]:Â
A survey of what kind of creations, workshops, lessons, and classes are being held at various "rehearsal space" in NY, and the attitude of actors and dancers in rehearsals.Â
įŗčĢå
厚ãŽæĻčĻãį°ĄæŊãĢčĒŦæãã ããã[čąæ3ãģãŗããŗãšäģĨå
į¸åŊãčąčĒã¨æĨæŦčĒã¯åå
厚ãĢããĻãã ããã]Â
NYãĢããæ§ã
ãĒãį¨Ŋå¤å ´ããĢãããĻãŠãŽãããĒåĩäŊãã¯ãŧã¯ãˇã§ããããŦããšãŗãææĨãčĄãããĻãããŽããį¨Ŋå¤ãĢãããäŋŗåĒã¨ããŗãĩãŧãŽããæšãĢã¤ããĻãŽčĒŋæģãÂ
[ My collaborator, dancer Shunpei Mitsuhashi, and I, an actor, would like to stay in New York and participate in workshops, rehearsals, and lessons held at theaters, studios, and schools to find out how it works. And I would also like to investigate how these rehearsal places function in society and how they are connected to society. And also like to find out how actors and dancers work on rehearsals, and what they do for continuation and training.Â
I chose New York because there are far more rehearsals, not just for creative work, than there are in Japan or other countries. There are people with diverse roots and lifestyles in New York, and I would like to expand my horizons by gaining diverse values through sharing spaces with them.Â
I have a goal that came through my own activities. It is the mindset of the performer and the creation of the audience. I believe that now is the time to travel since my goals have been clarified. The language is probably the highest wall. However, after staying in the UK in 2021 and experiencing residencies in India and Singapore, in my career, I have known the importance of language, and Iâve continued to learn ever since. Once I get adopted, I have a plan to increase opportunities for output, like speaking, and prepare as much as possible.Â
During my stay, I would like to participate in and observe workshops and rehearsals, mainly physical theater. I plan to attend classes for ordinary people as well as for professionals. As for dance, Shumpei mainly participates in contemporary dance and contact improvisation. He and I will actively communicate with workshop participants, facilitators, and company members, conduct research, and gather information. If we meet someone who wants to continue learning and improve each other, communicate with them with a view to inviting them in the future. Regularly report each other's activities and leave them into notebooks.Â
Visit as many places as possible in the first half of our stay. I especially want to go to HB Studio, Jordan Rosin, Emotions Physical Theater, Movement Theater Studio, PUSH Physical Theater, SITI Company, T. Schreiber Studio, Bated Breath Theater Company, Alvin Ailey American Dance Theater, Stella Adler Studio, Anthony Meindl's Actor Workshop, Mark Morris Dance Group and others.Â
From the latter half, I would like to narrow down my research subjects, get opportunities to session with artists we meet at there, and participate in improvisational venues such as the Brooklyn Contact Jam. And I want to hone my sensibility and get the seeds of inspiration by the stage, music, and art as much as possible. Also, if possible, we would like to hold workshops and rehearsals at there so that we can share our thoughts with the people and get their feedback.Â
 After returning to Japan, I will open up opportunities to share the experiences and specific works or exercises I experienced during my stay. ]
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[ When you are active as an actor, of course, there is time with no production, so to speak, blank time. At that time, I often have the question, "Can I really call myself an actor if I'm not acting?" Of course, no actor has a constant supply for acting. Blank time always comes to everyone. In 2016, I was in a long void. Some might say that your daily life should be taken care of. There is a hint of expression in living daily life carefully. That's certainly true. However, I struggled and suffered in the face of an endless void that seemed to last forever. I was almost overwhelmed by the obsession that I was worthless when I didn't do anything.Â
So, what kind of daily life should I send? I sought the answer by "practicing." But I don't know how to practice. Looking back of it, it's because I've never rehasaled for nothing but for the actual production. I called out to my friend and started practicing by fumbling around. That was the beginning of the âSESSION UNTITLEDâ, where you can continue to practice without a real performance. In a rehearsal room where there is no actual performance, we nurture an âIntroduction of the playâ. There is no winning or losing, there is only time to face yourself. Theater and dance are all different, so you will make it clear what do you like and what are you interested in? Also, put into words where you want to go, what you want to get, and what actions are necessary to achieve that. I still have managed this rehearsal room as a place to share troubles and help each other.Â
Now, I have a goal. It is the mindset of the performer and the making of the audience numbers more through the operation of the rehearsal room.Â
About the mindset of the artist. It's just a feeling, but in Tokyo, I think there are too many actors who get tired of the battle of whether they success or not, and quit. In a sense, it can't be helped, and it may be possible to think of it as the norm in the world of showbiz. But is expression always about winning or losing? Theater and dance are the culture. Culture does not refer to the activities of a certain group of people, but rather should be something that each person nurtures while running side-by-side with their daily lives. Therefore, I would like to share the mindset that "Even if I can't make a living as an actor, I still like to express myself. That's why I won't give up." I want to increase the number of people who continue their hobbies in the same way as sports and music. Acting and dancing is a joy, a release. It's just like any other culture or art.Â
About increasing an audience number. Through workshops, I will share the âIntroductionâ exercises and specific work that are nurtured in our rehearsal room with people who donât usually express themselves. In the same way that knowing the rules of sports makes watching a game more fun, I would like to lower the hurdles to watching a play by actually experiencing what creators think about and what processes are used to create production. Also, in the future, I would like to have a rehearsal room as a physical space somewhere in Tokyo or other prefectures. It is a creative space open to both professionals and amateurs, a place for maintenance, and a place for training. By doing so, I would like to create a flow of not only "people gathering in people" but also "people gathering in places".Â
Art has saved me. So I want to do what I can for someone. By doing what I like and Iâm good at. Someone's smile increases through acting, workshops, and management of the rehearsal space. There is no greater joy than when someoneâs breathing becomes deeper and when you gain courage. ]
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I would like you to introduce a theater company, dance company, or theater in New York where I and Shumpei can participate in rehearsals and workshops. Also, I would like you to introduce actors and dancers at there. Because I imagine that the studios and companies, I listed above are just the tip of the iceberg.Â
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įžå¨11æ15æĨååīŧæīŧåãããŠã¤ããŗæåžãŽæĨææĨãĢæ¸ããĻããžãã
10/18 å¤æšãããŗããŗã¸ãããŗãšīŧã¤ãŗããããŧãŧãˇã§ãŗīŧãŽã¯ãŧã¯ãˇã§ãããĢåå ãããäŧå ´ã¯Siobhan Davies StudiosãåããĻãŽå ´æãåããĻãŽã¯ãŧã¯ãˇã§ãããĢįˇåŧĩãããŽã1æéäģĨä¸åãĢäŧå ´ãĢįããĻããžãŖããæéãã¤ãļããããĒå ´æãæĸããšãå¨čžēãããããæŠããããããæãĢéãŖãĻåĢčļåēãĒãŠã¯įžããĒããããããå§ãžãæĒįĨãŽäŊé¨ãåãĢå¤ãĢį˛ããããĒãããã§ãããã¨ãĒããĒããšãããšããĒãŗãŗããŖãˇã§ãŗã§čŋãããã¨ããæãŖãĻãããŽãĢãæŠããĒããčãäēãæĸãžãããæ°ãĨãã°é ããžã§ããĻããžããå°įããæãĢã¯éå§æéãŽãĒãŽãĒã ãŖããããããæããŗãčĒåãåĢãĢãĒããã
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10/21 æå¸ŗãĢã¯ãĒãĢãæ¸ããĻãĒããææĨãåããīŋŊīŋŊãŧããå
ŦåãĢčĄãŖãĻãŧãããããããããčĄãæŠããã ãããæŦãčĒãã ãæĨéąäģĨéãŽäēåŽãįĩãã ããããã¯ãã
10/22ãããŽæĨãã¨ããĢäŊãæ¸ãããĻããããå¤ãHOPE & RUINSã¨ããDJããŧã§ãˇããŖããããŽãããããŧããŖãŧãããã¨ãããŽã§čĄãŖããŽã¯ããããããŽæĨã ããˇããŖããããã¤ãŋãããŖãšãŗããã¤ã¨ãã¸ãŧãããĻãšã¨æéããããĻ渊ããĒããã¸ãŖãŗãĢãæ¨ĒæããĻãããDJãŖãĻããŖãąããããĒã¨æãããĻãããæéã ãŖããããããéŖ˛ãã§ããããč¸ãŖãĻãããã芹ããĻ帰åŽ
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10/24ããŗã¤ãŗãŠãŗããĒãŧã§æ´æŋ¯ãããčŋæãŽåĢčļåēãĢå
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10/11 æããææĨãåŽļããåĻæ Ąãžã§ã¯æŠããĻ40åãé
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10/12 ã¨ããå°čĒŦãčĒãŋé˛ãããæéãŽãããčĒæ¸ãĢãĒããčĒŋãšãĻãŋãã¨ã¤ãŽãĒãšãŽäŊč
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10/13 æããææĨãã´ãĒã´ãĒåããĻå¤ã¯ã¤ãŋãĒãĸæįãéŖãšãĢãŦãšããŠãŗã¸ããšãĻã§ãŧããŗããããŧããšã¨ããŗãŠãéåŊãããããæĨæŦãŽãĒãŽããģãŋãããģãˇãĒãĢãããŠãŗãšããã¯ãŠãĒãšãį´ æ´ãããããããļã¨ã¯ã¤ãŗããããĻã¨ãšããŦããŊãåŽį§ãĒå¤ã¯æãįŽã ãäŊã芹ãããããŠããĒããã¨ããããŖãããäģã¨ãĒãŖãĻã¯æãåēããĒããããã§ã渊ããæč§ĻãŽãããĒããŽã¯æļåããããĢčãŽä¸ãĢæŽãŖãĻããã
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10/15 ææĨãĢ寞ããĻæĨãĢæĨãĢåãããŠããããããŽæŖäŊãĢäģŽčĒŦãįĢãĻããŽãããŽæĨã ãŖããæŽéãŽåĻæ Ąã¨éãæ厤ãĢã¯åš´éŊĸãåēčĒãããŠããŠãĒäēēããĄãéãžããããããããããããŽãšãŋã¤ãĢããšãŋãŗãšã§č¨ãã§ããĻãäģãžã§æĨæŦã§įĩé¨ããĻããããã¨ã¯æ¯ãšããŽãĢãĒããĒããģãŠã¯ã¤ãĢããæåã¯ãããæĨŊãããŖãããããã ãã ãã¨æ¯ã芰ãžããããĒæčĻãčĻããĻããŖããŽã¯éåŖæčãŽãããĒããŽãĢæ°ãã¤ããããã ãããŖããæ
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9/30 ææĨãĢįããĻãããåšããææĨã¨ææĨãŽåéãĢåããããĸãŽééĸãĄãŗããŧãæŦĄįŦŦãĢåģä¸ã§čŠąããããĢãĒãŖãĻãããŽã¯ããŽæĨããããããã¤ãŋãĒãĸäēēãŽããã¨ãŦãéåŊãŽãããããĒãŽãŗäēããĩãĻã¸ãĸãŠããĸãŽãĸãŧãã¯ã¤ããĄã¤ãŽãŗãŗããŖãˇã§ãŗãé常ãĢæĒããįĩåąåģä¸ã§éĸã¨åããŖãĻ芹ãããŖãĻãĒããããééĸã¨ã¯ãĒããĒãŽããåŋ
ã芹ããŽã大ååŠãŋãããĒãéŖ¯ãĢã¤ããĻã ããĒããĻãããįēæŗã大čãĒãã ãæŽããįžåŗããéŖãšãããŠããææ
ĸã§ãããĻãŧããŧã¤ãŧãã§ããŗããŧãŦãŧãé ŧãããĄããŖã¨įãčŋãŖãã
10/1 æå¤ãŽåēã§ããåįã ããå¯ä¸ãŽæĨŊããŋãčĻä¸ããįŠēã¯åēããåĄãŽãããĒé˛ã¯ããããã¨æĩããĢãĸãĄã¯ããããã¨įŠēãæŗŗãã§ãããæãããĻããã¯ãŠãã§čĒåã¯ä¸äŊäŊãããĢãããŽãããããĒæããæēãžãįļããã
ããŽæĨãŽå¤ã¯ããŗããŧãŦãŧã§ã¯éŖŊãčļŗãããŋãĒã§ããļããĄããŖãĻãŗãŧãŠãéŖ˛ãã ããĩãĻã¸ãã¯ã¨ãŧããããĒãéåŊãæĨæŦãŽįˇåĨŗãããŽæãããĻč¤éãĒåŗãããĢãã°ãããŽããã æ˛éģããããĻįŦãŋãããŧããã
10/2 ããŽæĨã¯ããŖã¨é¨ã ãŖããčĻå ąåēãĻãããããĒããã¨ãããŦããĢãŽčąĒé¨ãææĨãŽåžãĢæŦãčĒãã ãäŊãåãããããããĢãŗãããŧãåå ´ãĢãĄãŧãĢãåēãããããĻãããčĒåãŽé¨åąã¯æ°ãĨãã°å¸¸æč¤æ°äēēãåēå
Ĩãããæēãžãå ´ãŽãããĢãĒãã¤ã¤ãããå¤ã¯ãĄããˇãŗããæĨãããĄããããšãããĄããĒãŧį¨ãĢæãŖãĻãããããŧãŠãæ¯ãčããæŽéãĢéŖ˛ãŋäŧãŋãããĢãĒãŖãĻãããééĸããããĻãĒããããŖãĢãŗãĒãŗãēãŽãŋãŧãļãŗãŽæããŋããĒã§æãŖãã¨ããĢã¯å¤ä¸ãŽ3æé ã ãŖããããããããžããšãŗããã¨æãæšãžã§čŠąãå¯ããŽã¯ãã¯ãæã§ãé¨ã¯ããŖãããããŖãĻããã
10/3 é°æ§č¨ŧæãåēãĻãäēēã¯ããŽæĨãããããå¤ãĢåēããããĻãããčĒåã¯ä¸åãĢįĩæãåēãããããã§ãĒããã¨ãĢã¯ééĸãč§ŖããĒããäģæšãĒããĢãĄãŧãĢãåēãããæŦãčĒãã ãäŊãåããããã
æŧéãĢããã´ããŽäŧč°ããĒãŗãŠã¤ãŗã§ãæĨåš´ãĢčĄããŋã¤ããĢãæąēãžãŖãããŋããĒã´ãĒã´ãĒã¨åãĢåããŖãĻãããčĒåã¯ãŠãããããĄããčĒ°ãĢč¨ãããããã§ããĒãčĒããŽé¸æã§ãããĢæĨããčĄåįã§ã¯ããŖãããŠããŖã¨åããæąēããĻãããã¨ã ãæãããĻčĒåã¯éãŗãĢæĨããŽãåĻãŗãĢæĨããŽãææĻããĢæĨããŽããããã¨ãåãĒãééŋčĄãĒãŽããåå ´ããĢãŗãããŧãããŽčŋäēã¯ã¯ãããĻæĨããŽãæĨãĒããŽããé¸æããå
ãĢįĢãĄä¸Ļãļããã¤ããŽé¸æčĸãåãĢįŽįãčĻå¤ąããããĢãĒãŖãã¨ããã§ä¸éąįŽãįĩããã
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ããããããŖãĻãããããĒããĒãŖãĻãčĒåãŽä¸ã§å¤ãįĩããŖããä¸åæãĢč´ããĻãéŗæĨŊãŽãã¨ããĸããã°įˇ¨ã¯ãžãæŦĄãŽæŠäŧãĢã
 Origami AngelãâSomewhere CityâÂ
ããŗãããŖãŗãã§įēčĻãããŽå¤éä¸įĒč´ãããäģãčããĻããããĄãšã&ã°ãŠã¤ãŗãããããŠã¨ãĸãæåžãŽæ˛ã§ããĄãããĄãæåããĻããžãŖãããĻãŧããĨãŧããããŽãŠã¤ãåįģã°ããčĻãĻãžãããŽãŋãŧãŗããŧããĻãŋãžãããŋãããĒåįģããããčĻãĻãã
 toeã"For Long Tomorrow"Â
Baobabį¨Ŋå¤åžãĢį°8æ˛ŋãããã¯ãĒãã§åŗ財ãããŠã¤ãåįģčĻãããĻéŗæēæãŖãĻãĒããŽãĢæ˛ãããįĨãŖãĻããŋãããĒįļæ
ã§ããããããå¤ãããčãããĒãããããžãã¨ãŠããĒããã ããããˇãŗãŦããŗã°ãããããã¸ãŖãąããŖãããã
 LUNA SEA "A WILL"Â
į¨Ŋå¤åžãŽä¸čģčļåąčĻč°ˇã§įēčĻããããããããããšãŦã¤ã´ã§ãããŽã§įēåŖ˛ãããĻããĒãã¨ãĒãčãããĢãããã§ããããããĒãĢããĻããã ãŖãĻããããļãŖéŖã°ãããžãããžããããããĒãĢãããžããŖããžãžįĒãŖčĩ°ããĸãĢãã ã¯éåģããŖãã ããããå
¨åĄãããŗãããŗãSUGIZOãããŽãŠã¸ãĒããŦããĢã ã¸ãŧã¯ãæ¯éąč´ããĻãžããčĒåãŽåēãĻããčå°ãŽéŗæĨŊãSUGIZOãããææããĻããã¨ããåĻæŗãäŊåš´ãããĻãžãã
 a tribe called quest "A LOVE MOVEMENT"Â
財ãŖããŽã¯æ¨ĒæĩãŽããã¯ãĒãã§ãããã¯ããžįžå¨č´ããĻãžããä¸åēĻãããæŦåŊãĢä¸åēĻãããæįããĻãĻããšããŦããããĻãĻãæŦã¨ãčĒãã§ãĻããã¤ã§ãåãããããŽã¤ãŗãšãããŖããįĩļå¯žč˛ˇããčŋŊããããĻãããĄãŗãŽäēēã¯ããŽãĸãĢãã ã§åŋéĸããĄããŖãäēēå¤ããŋããã§ãããæįŗģåæ°ãĢããĒãį§ãĢã¯ããžããä¸åēĻããã§ããããĄã¤ããã
 Viva BelgradoãâBellavistaâÂ
ããŗãããŖãŗããããäģåš´ä¸įĒč´ããĻããã¨ãããåģåš´ããããŖã¨čããĻããæŋæ
ãÂ
 JoeãâGet CentredâÂ
ãããããŗãããŖãŗãããããĒãēã ããããããããééããããŽããããããããŧã¯ãŗããŧããããŖããããŽããĻãšãĒãŠãåĨŊãã§ããããæĸããĻãžãã
 Terrence ParkerãâUnconditional (Crackazat Rework)âÂ
ããŗãããŖãŗããAsh Laurynã¨ããäēēãŽDJãããŗãēãã ãŖããã§ãããããŽæ˛ãããĻãžãããäģãĢãã¤ãæ˛å¤æ°ããããŠčĒåããããã¨ãã¯č¸ãŖãĻãã ããã
 Trio TernuraãâA Gira (Frohlocker Edit)âÂ
ããã¯ãĩãĻãŗãã¯ãŠãĻãã§ããĒīŧcosmosãŦãŗãŧãã¨ãããŦãŗåąãããŽã¤ãŗãšãŋã°ãŠã ã§ãããŽãĸããã°įãčĻã¤ããĻčļ
ããŖããããŖããã ããŠč˛ˇãããæãããĻããããčĻãĻãããããĢããŠãįããžããããã¤ããĢã¯åŋãŽãĻãŠãŗããĒãšããĢããžãŖãĻãã°ããã¯ããã§ææ
ĸããžããÂ
 Young PulseãâBaby, This Love I Have (Young Pulse Rework)âÂ
ããããååãã¤ãã¤č˛ˇãŖãĻãžããåģåš´ããåãŗãããŧãĒããŧããŗããŧã ãį´°æŗĸãŽãããĢããĻããžããããžãĢãĒã¨ããŖããããŽæããããĒãã¨ããããããã
 Hi-STANDARDãâANGRY FISTâ
ä¸åãĻããĒãŗã ãŖãã¨æããžããæšããĻãŽåēäŧãį´ããã¯ããŧãšããĨãŧããŧããĄãããĄããããĒããå
æ°ã§ãã
  å¤ãŽįĩãããĢDJããã¯ãšã§ããžããã ãŗããįĻãĢãĒãŖãĻããã¸ãŖãēããŠããŗãŽãŦãŗãŧãããã財ããããĢãĒãŖãĻãããŽé大æįãĒäģä¸ããã§ããåããĻãŽãĒãŧãĢãã¤ããĢãģããã æĨãæŽãå§ãããčããĻãã ããã
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7/25 BaobabããĸīŋŊīŋŊããŠãŗãšãåį§æĨŊãčĩ°ãŖãĻéŖãã§åãŖãĻåĢãŗãéãã§įŦãŖãĻč¸ãŋįˇ ããĻæ¯ãįĩãŖã100åéãããšãĻãįĩããŖãĻãŋããĒã§ãã°ãããåįæŽãŖããããåžãįæŋããæ¸ãžããĻæĨŊåąã§ããŧãĢãéŖ˛ãããããŽãã¨ã¯čãããĢãã¤ãŖã¨éŖ˛ãããŽæéãããžããĒãåĨŊãã ããĒããĒãåå ´ã¨ããå ´æãĢãčĒãããĨããææãįļããĻããä¸ãããããĻããã ããįæ§ãĢã¯æŦåŊãĢæčŦãããããã¨ãããããžãããäēēã¯čĒåãŽäēēįããįããããĒããã ããããčå°ã¯åŋ
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7/27 ããŽæĨããã¤ãã¨ããĻããĻäŊãã§ããčĻããã¨æãŖãĻããæ įģãčĢĻãããå¤ãčãã¨ãžãŖããžãžãŽæ´æŋ¯įŠãåãčžŧãã§ããžããããããįžåŽãĢ帰éã
7/28 æãžã§čĒãŋéä¸ã ãŖãæŦãĒãŠããŖãĻããĻčĩˇãããæŧéããããŽæĨãæ įģãĢéãĢåããã
7/29 æŖŽããæŧåēãŽãããŧãŋãŧããŗããįŽéģããŧãˇãĸãŗããŧãĢã§ãããŧãŋãŧããŗãŽįŠčĒãåäžããĄã¨ä¸įˇãĢãããŧãŠãŗããĢčĄããããã¯čšéˇã¨éãããããŽãã¨ããčĻããĻããããčĻãĻããĻããŖã¨æ°éŽŽã ãŖããã¨ãããããĄãããĄãéĸįŊããŖãããæĨŊãããĻå¤ĸãããŖãĻæ˛ãããĻãĒããĻãããåŽå
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7/30 å
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7/31 LUNA SEAãA WILLããããããčãããĄããŖãŖã¨åž
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8/1 ãããŽåã¯č˛´æãã¨ãæãŽåããįŽéģãˇããã§ããŠãĄãããˇãŗããĢãĢããŧéĸįŊããŖãã§ã¯įĩãããĒãč¤éãĒč˛åããããĻããĻãčĻãĒããããŖã¨ããããčãããäģãčããĻããįĩããŖãĻãããæŽãããããããŖãąãããã
8/2 ããã´ããŽãããããŽãã¨ãé˛ãããčããããããããįĒãæããããäŊããĢåēäŧããæ°ãããĻããããĸãŗããŠãŗãšãįĩããŖãĻãã°ããã¯äŊãããã˛ããããĢįæ´ģãåšãéããĻãįļãäēēįãäēēįãįĩããŖãĻãæŽãããŽããããåŧˇãäŋĄããĻããã
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11/16 æ˛ŗåŖæšã¸ãããšããå¯åŖĢåąąãčĻããĻãæããåŖ°ãåēããäģãžã§įããĻããĻå¯åŖĢåąąãĢįšåĨäŊããæãŖããæããããããĒããĻãã¨ã¯ãĒããŖãããŠãäģãŽåąąã¨ã¯éãŖãĻčæ¯ãĢãĒãĢãčč˛ ãããæ įļã¨ãããĢããå§ŋãĢã¯ãĒãã ãæãæããããæčĻčã¯čĻåŊããããããšã§éãŖããŽã¯19æé ã§ãå¯åŖĢåąąãčĻãĻã¯ãããã§ããŽã¯čĒåããããĒããã§ãäģãĢäšãåãããå°å
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