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small doodle

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Favourite ship dynamic: no one truly knows what exactly is going on between the two characters, including the characters themselves. But whatever it is, it's written in the fabric of the universe.

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Strange inspiration today🙈

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CAUGHT IN 4K!!

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No spoilers, but Percy, my goober, the light of my life, skrungly boy-

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This was absolutely insane

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Please hold this… thing.

It’s a cursed edit of Henry Creel from Stranger Things-

Today, Jesus is holding:

This cursed edit of Henry Creel from Stanger Things

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George: there's a thin line between being a genius and being an idiot.

George: Lockwood uses that line as a fucking jump rope.

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Crowley's angelic essence (Dominion)

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Headcanon that the reason Jessica's room is decorated in such a child-like way is that she never changed it after her parents died (which happened when she was 12, so animals on her wall would make sense at that age). In her own way, Jess did the same thing Lockwood did: tried to freeze time in the house, living in a sort of graveyard, a memory box. Maybe it runs in the family.

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I’m such a sucker for these behind the scenes clips!! Look at Michael’s little dimples!!!

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Time to reveal one of the secret illustrations I made specially for Good Omens Artbook ✨

I love to imagine Crowley and Aziraphale looking from the clouds on the city that keeps so many of their shared memories 🤍🖤

Drawing the London view from above the clouds was challenging, but so much fun! All these little lanterns and windows shining in the twilight ��

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Yet another thing I find absolutely wonderful about how Jonathan Stroud wrote Lucy Carlyle is how he betrays her with the narrative.

In The Screaming Staircase, at the start of her story, Lucy gives us an idea of how she wants to be perceived; unaffected, unbothered, unburdened by fear or particularly revelatory emotions. She drops horrifically painful realities about her childhood on us as if she were describing a dull gray rock she found on the ground. She tries very, very hard to school her emotions around Lockwood and George. And if she had been written by anyone else, she might have fallen prey to the "strong independent female character" tar pit of a stereotype.

But then along comes Annabel Ward's ghost.

And the narrative looks at Lucy and says "I know how you wish to present yourself, but that's not who you are."

And Lucy is repeatedly shown to be incredibly Sensitive in so many ways. She is under the influence of the ghost of Annie Ward, but the emotions are still partly Lucy's. And most of the time she has the emotional intelligence to differentiate which feelings are hers and which ones are Annie's, and where they overlap. She chokes up with empathy on multiple occasions in the process of uncovering what happened to Annie Ward. She becomes enflamed with the desire for justice for someone who was murdered decades before she was born. She's shown that by her very nature, her emotions are her strength and not her weakness. Because she has a narrative that loves her and isn't lazy about her. She is the narrator and she tells us who she is, but the narrative shows her and us who she really is.

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Messing around with a new art program, I liked how this turned out

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the year is 2025. michael sheen is appointed showrunner and executive producer. gets his grubby mitts on the script and every other line is changed to blatant innuendo. each scene is so sexually charged that it's like staring directly into the sun. the last 10 mins is a montage of them outright fucking on every available surface of the south downs cottage. the show is now, inexplicably, set in south wales