beyondthedreamline

[beyondthedreamline]

sometimes a theme recurs in your work without your permission. and sometimes it reaches a threshold where you're like. well now i think this is saying something about me against my will. don't know what though

[beyondthedreamline]

perhaps some will disagree, but i think the world got worse when we changed the colour of the night

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Kaedi Hospital in Mauritania, Africa !!! 

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Nature And Animals The Running Tree.... Maui, Hawaii.

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by Denny Bitte

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Warmth and Mystery Emanate from Illustrations by Myriam Wares

[beyondthedreamline]

no i don't want to use your ai assistant. no i don't want your ai search results. no i don't want your ai summary of reviews. no i don't want your ai feature in my social media search bar (???). no i don't want ai to do my work for me in adobe. no i don't want ai to write my paper. no i don't want ai to make my art. no i don't want ai to edit my pictures. no i don't want ai to learn my shopping habits. no i don't want ai to analyze my data. i don't want it i don't want it i don't want it i don't fucking want it i am going to go feral and eat my own teeth stop itttt

[beyondthedreamline]

'fairies dont exist' WRONG❗❗cyerce elegans

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Dead Boy Detectives + Shmoopy Text Posts Part 2

[beyondthedreamline]

Edwin: I do not know what I would do if I lost you. Charles: Really? Charles: I know exactly what I'd do. Edwin: What? Charles: Find you.

[beyondthedreamline]

So what this paint company does is take iron pollution from abandoned mines that are polluting soils and rivers and makes iron based red pigment paints out of it.

Basically they realized hey no one's cleaning this shit up, it's polluting the streams, killing all the fish, making the water undrinkable and there's a huge market for it so why not make money by cleaning it the fuck up?

They remove this stuff by the industrial bucket load from the rivers. The idea is if it's in a painting, if it's in your home, it's not poisoning wildlife.

anyway its cool as shit, please support tf out of these people https://gamblinstore.com/reclaimed-earth-colors-set/

[beyondthedreamline]

Despite Sparta’s reputation for superior fighting, Spartan armies were as likely to lose battles as to win them, especially against peer opponents such as other Greek city-states. Sparta defeated Athens in the Peloponnesian War—but only by accepting Persian money to do it, reopening the door to Persian influence in the Aegean, which Greek victories at Plataea and Salamis nearly a century early had closed. Famous Spartan victories at Plataea and Mantinea were matched by consequential defeats at Pylos, Arginusae, and ultimately Leuctra. That last defeat at Leuctra, delivered by Thebes a mere 33 years after Sparta’s triumph over Athens, broke the back of Spartan power permanently, reducing Sparta to the status of a second-class power from which it never recovered. Sparta was one of the largest Greek city-states in the classical period, yet it struggled to achieve meaningful political objectives; the result of Spartan arms abroad was mostly failure. Sparta was particularly poor at logistics; while Athens could maintain armies across the Eastern Mediterranean, Sparta repeatedly struggled to keep an army in the field even within Greece. Indeed, Sparta spent the entirety of the initial phase of the Peloponnesian War, the Archidamian War (431-421 B.C.), failing to solve the basic logistical problem of operating long term in Attica, less than 150 miles overland from Sparta and just a few days on foot from the nearest friendly major port and market, Corinth. The Spartans were at best tactically and strategically uncreative. Tactically, Sparta employed the phalanx, a close-order shield and spear formation. But while elements of the hoplite phalanx are often presented in popular culture as uniquely Spartan, the formation and its equipment were common among the Greeks from at least the early fifth century, if not earlier. And beyond the phalanx, the Spartans were not innovators, slow to experiment with new tactics, combined arms, and naval operations. Instead, Spartan leaders consistently tried to solve their military problems with pitched hoplite battles. Spartan efforts to compel friendship by hoplite battle were particularly unsuccessful, as with the failed Spartan efforts to compel Corinth to rejoin the Spartan-led Peloponnesian League by force during the Corinthian War. Sparta’s military mediocrity seems inexplicable given the city-state’s popular reputation as a highly militarized society, but modern scholarship has shown that this, too, is mostly a mirage. The agoge, Sparta’s rearing system for citizen boys, frequently represented in popular culture as akin to an intense military bootcamp, in fact included no arms training or military drills and was primarily designed to instill obedience and conformity rather than skill at arms or tactics. In order to instill that obedience, the older boys were encouraged to police the younger boys with violence, with the result that even in adulthood Spartan citizens were liable to settle disputes with their fists, a tendency that predictably made them poor diplomats. But while Sparta’s military performance was merely mediocre, no better or worse than its Greek neighbors, Spartan politics makes it an exceptionally bad example for citizens or soldiers in a modern free society. Modern scholars continue to debate the degree to which ancient Sparta exercised a unique tyranny of the state over the lives of individual Spartan citizens. However, the Spartan citizenry represented only a tiny minority of people in Sparta, likely never more than 15 percent, including women of citizen status (who could not vote or hold office). Instead, the vast majority of people in Sparta, between 65 and 85 percent, were enslaved helots. (The remainder of the population was confined to Sparta’s bewildering array of noncitizen underclasses.) The figure is staggering, far higher than any other ancient Mediterranean state or, for instance, the antebellum American South, rightly termed a slave society with a third of its people enslaved.

[beyondthedreamline]

One massive, legitimate way to improve as a writer or artist or in any creative endeavor really, is to become absolutely obsessed with something and to allow yourself to be weird about it. Genuinely mean this btw.

[beyondthedreamline]

[beyondthedreamline]

not doomed by the narrative but saved by the narrative. yeah i know you'd rather die than keep suffering but the story doesn't actually care what you want. you have to keep going, even when it hurts. even being erased from existence won't stop you from being salvaged from the wreckage of un-being. get up. keep pushing. keep bleeding. keep living.

[beyondthedreamline]

Omg , i love voids so much

[beyondthedreamline]

I don’t know what writer needs to hear this

but you can write something very plain. 

You don’t have to write some genre-redefining masterpiece. You can write a story about two people very simply falling in love. You can just write a story about a person going to the store. You could, if you were so inclined, just re-write Star Wars but like, make all the names start with M.

Don’t let the fear of not-writing something transcendent stop you from just writing.