astuteobservations

[astuteobservations]

[astuteobservations]

[astuteobservations]

Mia Van Antwerpen | © Andrew Vowles makeup: Ammy Drammeh

[astuteobservations]

[astuteobservations]

Fons Bemelmans (*1938)

[astuteobservations]

[astuteobservations]

[astuteobservations]

[astuteobservations]

[ RECÁMARAS DEL CORAZÓN] ph. víctor m. alonso

[astuteobservations]

Sade by Jean-Claude Deutsch (1985)

[astuteobservations]

Gonzalo Suazer

[astuteobservations]

Fritz, a television celebrity bulldog, is shaved by a Californian barber April, 1961.

[astuteobservations]

The beginning of the Hollywood era Filming of the MGM screen credits, 1928.

[astuteobservations]

In Celebration of the State of Palestine/La Pena Doug Minkler

[astuteobservations]

Nervous Chairs: amusing furniture by Wilkinson & Rivera

[astuteobservations]

Inventing the Abbotts (1997) Pat O'Connor

[astuteobservations]

Specimen, Fanette Mellier Context: Pôle graphisme de Chaumont, 2009 
Printed by: Imprimerie du Petit-Cloître
 Description: 120 × 176 cm

This poster, announcing a series of “graphic design and publishing” themed shows, isn’t a conventional image. It’s more of a printed object linked to its subject. The front, fully saturated with color and technical elements related to printing (scale 1), is offset printed with a very thin raster. This space saturation, like an obsessive canvas, presents graphical tools that are a common vocabulary for books makers. The title and info are printed on the back. The fold lets the title appear: the poster becomes informative and evokes at the same time the delicate materiality of a page.