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Text: decoupling pregnancy from femininity means accurate and more inclusive language and treatment, but it also allows cis women to refuse motherhood without refusing womanhood, which is great for feminism and terrifying for misogyny.

–THIIIIIIIIIIIIIIIIIIIIIIIS. As a sterile cis woman who doesn’t want to have children anyway I feel this is every ounce of my being. “Define woman” types tend to do so in a way that excludes me too, so I got to stand with my trans sisters.

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PSA: there is anti-Korean, historical revisionist dogwhistle in Ousama Ranking/Ranking of Kings that suggests that the author of the manga is a Japanese nationalist

I understand that this may fly over many people's heads, especially those who are not from Japan, but I'm from there and unfortunately I have spent enough time on the internet and around IRL nationalists to recognize their beliefs and talking points. I'll explain my reasoning below.

In episode 18 of Ousama Ranking/Ranking of Kings, we get introduced to the story of Houma and Gyakuza. Houma is depicted as a country full of good people - skilled wizards fighting against the tyrannical gods and helping the people of Gyakuza. Meanwhile, the people of Gyakuza are depicted as wholly negative - conniving, weak, and self-centered.

The show explains that the people of Gyakuza are like this because they have a long history of being ruled and exploited by others. They're depicted as "primitive" people who live in shacks, and they're poorer and dirtier than the people of Houma.

Houma comes to aid them and to teach them magic so that they may fight the gods together, but Gyakuza ends up betraying Houma in cold blood. History is then written in a way that depicts Houma as the aggressor and Gyakuza as the victim.

The part I want to talk about next is in the manga and hasn't been animated yet, but I'm sure you'll see it in the next episode.

When the gods come to Gyakuza, the Gyakuza people tell them of all the horrible things the Houma did to them - how exploited they were and how abused they were. One god takes a look at the state of Gyakuza and says "But if the Houma were so awful to you, and took everything from you like you claim, then why did they build hospitals and schools here? You guys look prosperous to me", to which the Gyakuza people can't find anything to say and they just stand there awkwardly.

So... does that remind you of anything? If your answer is no, well, that's okay. I called it a dogwhistle for a reason. But anyone familiar with the history of Japan and the arguments of Japanese right-wing nationalists will recognize that this is how they talk about Korean people and Japan's colonization of Korea.

According to the logic of Japanese right-wingers, the story of Houma and Gyakuza is an allegory about the history of Japan and Korea, in which

Gyakuza = a poor and primitive country full of deceitful people = Korea

The "outsiders" that kept Gyakuza under its rule for most of history = China

Houma = country full of good, upstanding people who only wanted to help the poor Gyakuza and fight a against gods = Japan

Gods = powerful western nations that were colonizing many parts of the world

They love to deny history by framing the colonization as a good thing - that we never exploited the Koreans, that we built schools and hospitals, that we "civilized" them. In the mind of a nationalist, Koreans are liars who are ungrateful to the Japanese, and Koreans play the victim when they in fact benefitted from the colonization. All of that is disgusting BS of course, but it's what they believe.

I hope I'm not coming across as someone who's reading too much into a story. I'm certainly not the only person who clocked the dogwhistle. Back when the manga chapters were being released, some Japanese readers immediately took notice. Just do a quick Twitter search and you'll encounter two types of people: people who recognize the anti-Korean message and condemn it, and people who recognize the anti-Korean message and agree with it. Either way, like I wrote, it's fairly obvious to anyone who's familiar with the beliefs of Japanese right-wingers.

Translation - I wasn't interested in Ousama Ranking at all but I heard that it got flamed so I read the problematic chapters, and it's awful. A lazy manga that makes up a fictional group of people just to use them as an analogue of Korean people that exist in the mind of a internet right-winger. It's very clear to see the ignorance of the author.

Translation - First Tweet: Saw episode 18 of Ousama Ranking. Gyakuza is literally the peninsula.

Second Tweet: I can't be the only person who thinks Gyakuza in Ousama Ranking is the mirror image of North Korea and South Korea. #OusamaRanking #Gyakuza #Korea

I totally understand why people like Ousama Ranking. It has well-written characters, the animation looks great, Bojj is precious, and I was a fan of it too right up to the moment I read the manga chapters about Houma and Gyakuza. I just wanted people to be aware of its message and the author's beliefs. It's really shameful how much history-revisionist right-wing ideas have permeated in the minds of Japanese people, and by extension, popular culture.

English isn't my first language but I hope I made this article clear enough. Feel free to send me asks if you need clarifications, and also I encourage you to reblog this and even cross-post it to other social medias!

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Last night I rewatched Nightmare Before Christmas and had a realization. Christmas town fired missiles at Jack when he flew in the sky. They didn’t have to make artillery. What happened in Christmas town before Jack tried to hijack Christmas? Did the Easter Bunny try to take over? I want the backstory. Why did Christmas town already have artillery?

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JoJo D&D Alignments

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what i love the most about classic doctor group shots is that they’re always this group of funny old men and then suddenly BAM PAUL MCGANN

i mean

one of those things is not like the others

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saw someone share this on their ig stories and i am obsessed

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Mark Hamill is like the Tony Hawk of cartoon voice actors; in spite of the fact that he’s been doing it for decades and has played some of the most well known characters in some of the most popular shows around, everybody is still absolutely flummoxed to learn that their favourite character was voiced by Mark Hamill.

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I think like, the death of Vine and Rabbit, Wikipedia constantly needing to beg for money, Discord depending so heavily on venture capital, Facebook turning towards spying on users to generate a return on all the venture capital that got them started, Adobe creative suite turning into a subscription rather than a single product you buy, the strangulation of streaming entertainment as every company pulls their content and makes it exclusive to their service, are all great examples of how like, it really doesn't matter if something is legitimately useful, efficient, or beloved, it is next to impossible for a service to exist if it doesn't make shareholders increasing amounts of money year after year. Which may seem like a "no duh" type of statement, but it's a very simple window into how the profit motive makes products and services worse, not better. And how that's not just a matter of certain companies or ceos being bad and greedy on an individual level, but is an inescapable factor of an economy where existence is dependent on generating capital.

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Watch: Can video games be a spiritual experience?

Follow @the-future-now

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still not over how much I love this

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Today on Hozier liked

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Mysteries of Love in Space #1 - “Glasses” (2019)

written by Jeff Loveness art by Tom Grummett & Cam Smith

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I just watched The Room (2003) for the first time with some friends and I. I cannot. this broke me

the pizza? the one that Lisa orders? the half-hawaiian, half pesto-and-artichoke?

that’s my favorite pizza

that’s the pizza I order every. single. time.

what does this mean?

like, have all of the pizza places I’ve ordered from for the past decade thought I was referencing The Room? have I been getting silent judgement from the local Dominos without my knowledge?? is this why that guy at Mod Pizza laughed at me that one time??

how did I, a person who had never seen The Room, choose this as my favorite pizza? is this fate? happenstance? 

what does this say about me?

I’m having like. an existential breakdown over this

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Yang: How's the sexiest person here?

Blake: I don't know, how are you?

Yang, flustered: I-

Emerald, from across the room: I'm doing great, thanks!