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March 26 2015 - A Quebec riot cop shoots a protesting student in the face with a tear gas canister from point blank range. [video]

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Banksy in Gaza

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Manuel Archain (previously) born in 1983 in Argentina is an emerging star in contemporary photography. Here is a series of his photomanipulations titled “Small world”.

Walking through thoughts, cars, books, streetlights, bikes, people, breakfast, dinner, travel landscapes, inner landscapes… So fast, so anxious we could be in the middle of a scene before we even get there. We could even go through it and be back without even noticing it. The usual, everyday dream, our out of scale perception and how each one of us is so into our personal world that we cannot see what is happening around us. The size and weight of things is so distorted, we can even manage to move into a small world. Why the size of a truck could not be the same as my personal scale of a tea cup? What is after the end of the table? Step by step, walking, dreaming or maybe awake, not being sure when and where it was. But sure, believe it or not, I saw it. I saw it with my own eyes.

Become our best friend by liking us on Facebook. We’ll bake cookies.

posted by Margaret.

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Original artworks by Invader

Seth Globepainter

Fin DAC Trust Icon

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Joachim Lehrer

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Katherine Blackwell

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Favelas of Brazil. The boundary between wealth and poverty.

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Makoto Aida ~ “AZEMICHI (a path between rice fields)”, 1991 

panel, Japanese paper, Japanese mineral pigment, acrylic 73×52cm

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Jan Pypers

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Revealed: Qatar’s World Cup ‘slaves’

by Pete Pattisson | 25 September 2013 | theguardian.com

QATAR - Dozens of Nepalese migrant labourers have died in Qatar in recent weeks and thousands more are enduring appalling labour abuses, a Guardian investigation has found, raising serious questions about Qatar’s preparations to host the 2022 World Cup.

This summer, Nepalese workers died at a rate of almost one a day in Qatar, many of them young men who had sudden heart attacks. The investigation found evidence to suggest that thousands of Nepalese, who make up the single largest group of labourers in Qatar, face exploitation and abuses that amount to modern-day slavery, as defined by the International Labour Organisation, during a building binge paving the way for 2022.

According to documents obtained from the Nepalese embassy in Doha, at least 44 workers died between 4 June and 8 August. More than half died of heart attacks, heart failure or workplace accidents.

The investigation also reveals:

Evidence of forced labour on a huge World Cup infrastructure project.

Some Nepalese men have alleged that they have not been paid for months and have had their salaries retained to stop them running away.

Some workers on other sites say employers routinely confiscate passports and refuse to issue ID cards, in effect reducing them to the status of illegal aliens.

Some labourers say they have been denied access to free drinking water in the desert heat.

About 30 Nepalese sought refuge at their embassy in Doha to escape the brutal conditions of their employment.

The allegations suggest a chain of exploitation leading from poor Nepalese villages to Qatari leaders. The overall picture is of one of the richest nations exploiting one of the poorest to get ready for the world’s most popular sporting tournament.

"We’d like to leave, but the company won’t let us," said one Nepalese migrant employed at Lusail City development, a $45bn (£28bn) city being built from scratch which will include the 90,000-seater stadium that will host the World Cup final. "I’m angry about how this company is treating us, but we’re helpless. I regret coming here, but what to do? We were compelled to come just to make a living, but we’ve had no luck."

The Guardian’s investigation also found men throughout the wider Qatari construction industry sleeping 12 to a room in places and getting sick through repulsive conditions in filthy hostels. Some say they have been forced to work without pay and left begging for food.

"We were working on an empty stomach for 24 hours; 12 hours’ work and then no food all night," said Ram Kumar Mahara, 27. "When I complained, my manager assaulted me, kicked me out of the labour camp I lived in and refused to pay me anything. I had to beg for food from other workers."

Almost all migrant workers have huge debts from Nepal, accrued in order to pay recruitment agents for their jobs. The obligation to repay these debts, combined with the non-payment of wages, confiscation of documents and inability of workers to leave their place of work, constitute forced labour, a form of modern-day slavery estimated to affect up to 21 million people across the globe. So entrenched is this exploitation that the Nepalese ambassador to Qatar, Maya Kumari Sharma, recently described the emirate as an “open jail”.

“The evidence uncovered by the Guardian is clear proof of the use of systematic forced labour in Qatar,” said Aidan McQuade, director of Anti-Slavery International, which was founded in 1839. “In fact, these working conditions and the astonishing number of deaths of vulnerable workers go beyond forced labour to the slavery of old where human beings were treated as objects. There is no longer a risk that the World Cup might be built on forced labour. It is already happening.”

Some Nepalese working at Lusail City tell desperate stories. They are saddled with huge debts they are paying back at interest rates of up to 36%, yet say they are forced to work without pay.

"The company has kept two months’ salary from each of us to stop us running away," said one man who gave his name as SBD and who works at the Lusail City marina. SBD said he was employed by a subcontractor that supplies labourers for the project. Some workers say their subcontrator has confiscated their passports and refused to issue the ID cards they are entitled to under Qatari law. “Our manager always promises he’ll issue [our cards] ‘next week’,” added a scaffolder who said he had worked in Qatar for two years without being given an ID card.

Without official documentation, migrant workers are in effect reduced to the status of illegal aliens, often unable to leave their place of work without fear of arrest and not entitled to any legal protection. Under the state-run kafala sponsorship system, workers are also unable to change jobs or leave the country without their sponsor company’s permission.

Other workers said they were forced to work long hours in temperatures of up to 50C (122F) without access to drinking water.

PHOTO 2 Dalli Kahtri and her husband, Lil Man, hold photos of their sons, both of whom died while working as migrants in Malaysia and Qatar. 

The workers’ plight makes a mockery of concerns for the 2022 footballers.

"Everyone is talking about the effect of Qatar’s extreme heat on a few hundred footballers," said Umesh Upadhyaya, general secretary of the General Federation of Nepalese Trade Unions. “But they are ignoring the hardships, blood and sweat of thousands of migrant workers, who will be building the World Cup stadiums in shifts that can last eight times the length of a football match.”

Source: http://www.theguardian.com/world/2013/sep/25/revealed-qatars-world-cup-slaves

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Aerial Photos of New York City at Night Captured From 7,500 Feet by Vincent Laforet

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“Futuristic Archeology” - Daesung Lee via Booooooom.

Lustik:  twitter | pinterest | etsy

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Artist Bob Potts builds beautiful kinetic pieces that replicate the movements of birds, fish and other animals by using a variety of metals like stainless steel, aluminium, brass, bronze and copper.

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This is a sculpture project I recently finished. The assignment was called shelter, so I decided to show how I felt in mine. I took over 1000 pill bottles and relabeled them to say things people have said to me to cause me to take these pills. I wanted people to realize what bullying does to people. Let me know what you guys think.

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We’ll ride the spiral to the end

and may just go where

no one’s been. 

Watch here in better quality.

Vortex (by David de la Mano)

Original photo (by David de la Mano)

Here more pics.

And here a video about his creations, shot by Martín Segredo.

More info about David de la Mano:

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