#writing community

[willtheweaver]

Ways to add horror and suspense

• Restrict what the narrator can see! First or third person limited is best. (Let the imaginations of the narrator suggest the worst)

[Character] could barely see a thing in the gloom. All in front were shadows hidden in the mist. They were going into this totally blind. For all they knew, the ground could be littered with sinkholes and pits that were not seen until it was too late.

• Short sentences create a sense of urgency. Keep paragraphs short and add exclamation points.

I ran. Faster than I ran before.

Feet hammered. Heart pounded.

Behind the door shuttered.

Crash!

It was blown clean off its hinges.

• If there is a monster, don’t over describe. Less is more. Drop information in gradually.

In the shadows were two eyes. Blood red, they glowed like a furnace. Barely visible, the outline was humanoid with long, spidery limbs.

…

The beast halted and sniffed the air. Every now and then it would turn its jagged, vulture-like head in an attempt to regain the scent.

• Atmosphere, atmosphere, atmosphere

The wind had a mournful quality about it, and every so often, the crash of the waves against the sea caves embedded in the cliffs sent off sounds that went from low moans, to cries of anguish, to eerily human mutterings.

• The uncanny valley is a great way to make characters uncomfortable!

The entity was… I wouldn’t call it human. There was a waxy quality about it. All the features were smooth and looked painted on. Their eyes were doll’s eyes; glassy and lifeless.

• Places can be uncanny too.

From the first moment he opened the door, [character] knew something was off. This place was absolutely lifeless. No evidence of ever being occupied. No dust, no abandoned furniture, no game trails or other signs of animals. The walls were smooth and seamless. No sign of degradation. It was like a computer rendition of a building interior.

• Anything can be scary. Maybe the narrator had a rare phobia.

The square always made my heart pound and sweat pour down my brows. All those people in one place. A writhing, crushing mass of humanity. A rolling tide ready to sweep away those who let their guard down for even a millisecond.

• Put character(s) in a situation where they are powerless, and the monster is in control.

Whumpee was thrown across the room. They hit the wall with a loud thud before slumping to the ground. Whatever the torturer was…it was a total monster. It had a complete mastery over the facility, and could appear when and where it pleased. There was no escape. The only way one would know the torturer was near was when it clamped down with vice-like strength, and a speed faster than any runner.

[books]

Writer Spotlight: Rose Sutherland

Rose Sutherland @rosesutherlandwrites is a Toronto-based writer who grew up a voracious reader with an overactive imagination in Nova Scotia (where she once fell off a roof trying to re-enact Anne of Green Gables!). She's been to theatre school in NYC, apprenticed at a pâtisserie in rural France, and currently moonlights as an usher and bartender—in between writing queer folktales, practicing yoga, dancing, singing, searching out amazing coffee and croissants, and making niche jokes about Victor Hugo on the internet. She's mildly obsessed with the idea of one day owning a large dog, several chickens, and maybe a goat. A Sweet Sting of Salt is her debut novel.

Keep reading for more about character arcs in A Sweet Sting of Salt, Rose's favorite fanfic tropes, and some excellent reading recs 👀

Can you tell us about A Sweet Sting of Salt and how you came to write it?

A Sweet Sting of Salt is a queer (f/f) historical reimagining of the classic folktale of the selkie wife, set in 1830’s Nova Scotia. I call it a “reimagining” because while it draws on the folktale, it’s not a retelling of that tale so much as a story playing out in relation to that mythology. I’d wanted to write something centering a love story between two women for a while, but the initial spark came from a Tumblr post! It suggested the idea of selkies testifying before the UN as victims of human trafficking, which reminded me of all the things I disliked about the original folktale and its inherent darkness that is generally glossed over, starting me down the rabbit hole toward finding my own story.

How did you approach research for A Sweet Sting of Salt, and what is a favorite historical fact you learned?

I joke that I did a lot of research by osmosis: I already had a lot of base knowledge about the location, having grown up in Nova Scotia, and then set the story in a period that I’ve been absorbing information about in a low-key way for ages—1832 is also the year of the student rebellion in Les Mis, so I’ve been gleaning tidbits about this era since I first got into the musical and book back in high school. However, I had to do more specific research into things like British divorce law, period midwifery, and animal husbandry. I also visited some small, hyper-local museums on the South Shore that gave me an invaluable glimpse into daily life. I also did some fun practical research into things like “How long does it take to walk from x to y?” and “How cold IS a plunge into this body of water in March?” (Spoiler: Very.) 

A fact that fascinated me but didn’t make it into the book was that some early European settlers in the area were granted lands by luck of the draw, pulling from a deck of playing cards: Each card was assigned to a specific 50-acre lot, and whatever you pulled, you were stuck with it.

When we meet them, Jean and Muirin are isolated for different reasons. What do you hope readers still searching for their people take away from A Sweet Sting of Salt?

That there’s always hope. It’s valuable and important to keep reaching out to the world around you, to be open, and not cut yourself off—the biggest reason for Jean’s loneliness at the beginning of this story is the way she has come to keep everyone around her at arm’s length, shutting herself away out of fear, and refusing to let anyone truly get to know her because she thinks that’s the best way to protect herself from being hurt again. Reaching out to others can take a real act of courage, especially if you’ve had bad experiences in the past, but “your people” will reach back to you.

Found family elements play a strong role throughout the novel, within supernatural and mundane settings and across species. Was this something you intended from the beginning, or did this grow out of writing the relationship between Jean and Muirin?

I always intended for Jean to have a found family of this type, which is something that a lot of queer people identify with, but those bonds also got stronger and more meaningful as I wrote, especially once Jean and Muirin began growing into their own family unit—their new relationship and the real danger that comes along with it put pressures on Jean’s other relationships that I hadn’t originally considered. Disagreements with Anneke and Laurie over Jean’s choices arise from their deep concern and love for her, and her own love and care for them, reflected in her responses, is a big part of what made them feel like a real family, for me. Jean and Laurie always having each other’s backs while also being the first to call one another out on their bullshit ended up being one of my favourite dynamics in the whole book.

The selkie myth carries an inherent element of transformation. What is a character transformation you most enjoyed writing, and why?

On a character level, the change in Jean’s worldview following a conversation with her childhood sweetheart meant a lot to me—it heals an old wound for her. I love how grounded and self-assured she is afterward, in spite of the daunting task still ahead of her. But my favourite transformation to write was the antagonist’s mask-off moment, where they directly threaten Jean for the first time. It’s so sly and coded so that only she will understand the menace behind it, a real dun-duh-dunnn moment, which was a lot of fun for me—I also enjoy the foreshadowing elements in that exchange.

This is your debut novel. Did anything surprise you about getting it from manuscript to published book?

Oh my gosh, how LONG it took! After I finished the original draft and decided it was worth attempting to publish, I spent over a year revising based on my own thoughts, input from beta readers, critique partners, and my mentor, Maureen Marshall (whom I connected with through the now defunct Author Mentor Match program, and whose book, The Paris Affair—about a young gay engineer attempting to help Gustave Eiffel secure the funding to build a certain celebrated Parisian landmark— is coming out in May). After that came a full year of querying agents and getting rejected. A lot. People loved Salty but weren’t quite sure what to do with her or where the book would fit in “the market,” which was hard to deal with at the time but is hilarious in retrospect: Salty was snapped up less than a month after she finally went out on submission! But that was back in 2022, and the book is only coming out now. Publishing can be painfully slow.

You’ve written fanfic in the past—do you have a favorite fanfic trope?

I’m not sure either of these counts as a trope, but I adore a character that’s “pure of heart, dumb of ass”, and love a truly unhinged Fanon Explanation For Canon Object. As a longtime Les Mis stan, I ship Tholomyes/Getting Punched. If you know, you know.

Do you have any favorite queer retellings of folktales you can recommend?

Right here on Tumblr, I’m a huge fan of @laurasimonsdaughter, who writes delightful riffs on classic folktales, truly inventive urban fantasy spins on old lore, and her own original folktales. 

I’m currently reading Spear, an amazing queer, gender-bent, Arthurian novella by Nicola Griffiths. Anna Burke’s books Thorn and Nottingham are up next on my TBR. Lately, I’ve been reading a lot of brilliant queer historicals that aren’t retellings (I recently loved Suzette Meyr’s The Sleeping Car Porter and Heather O’Neil’s When We Lost Our Heads) and wonderful historical retellings that aren’t queer (I highly recommend Molly Greeley’s beautiful, heartbreaking Marvelous, about the real-life couple that inspired Beauty and the Beast). Queer, historical retellings aimed at adults seem to be considered quite niche, still, and can take some digging to find! So, throwing this out to Tumblr: Do you have recommendations for me?

Do you have a writing routine? Is there a place/state of being/playlist you find most conducive to your writing practice?

My routine is chaotic at best, but I find I do my best work earlier in the day, so I usually scribble in my journal while I have breakfast, and then progress to working on my current project as I drink my second cup of coffee. I’m lucky—my day job is an evening gig, which mostly allows me to write on my preferred schedule… but I’ve also been known to have a bolt of inspiration strike at 10pm and dash home to write until well past midnight on occasion. Nothing quite like the hyperfocus zone!

What’s next for you? Are you working on anything you can tell us about?

No official news yet, but I’m currently working on a story set in 18th-century provincial France based on a true unsolved mystery of the past. It has me delving into a very specific branch of French folklore, and I hope future readers will pick up on common threads with one popular fairytale in particular. I’m really excited about where this one is headed, but keeping the details close to my chest for now!

Thank you Rose for taking the time to answer our questions! If you love queer fantasy and old folktales, grab yourself a copy of A Sweet Sting of Salt, and be sure to share your queer folktale reading recs with Rose on @rosesutherlandwrites!

[writers-potion]

What are some ways to start sentences for variation?

Hey thanks for the ask :)

In English, the natural sentence structure is to start with the subject:

John.../It.../They.../Clouds...

While this is certainly a good way to write, a paragraph where every sentences starts with the subject will tend to be monotonous.

Here are some other ways to start your sentences:

Time:

At once...

At dusk...

In the evening...

After...

At the same time...

When...

On Sunday...

Place:

Here..

Under the apple tree...

By the river...

At the house...

Next to...

Close to the road...

In her suitcase...

On the other side...

All across the nation...

In the corner...

Near the bottom of the page...

At the airport...

Present Participle:

Dodging the bullet, he...

Gasping for breath, she...

Humoring him, they...

Others:

Although...

Despite...

Against...

Luckily...

With...

If...

Nevertheless...

etc.

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! 

💎Before you ask, check out my masterpost part 1 and part 2 

💎For early access to my content,  become a Writing Wizard 

[the-golden-comet]

Lately on my dash, I have been seeing lots of wonderful mutuals get too hard on their beautiful minds.

Lovelies, your stories and art are beautiful because they are from you, and FOR you. Stats do not determine the quality of a product. Again, some of the BEST stories on the archive I have ever read were around 100 hits, and 0-10 kudos. Some of the BEST ART I’ve seen has 0 notes.

You know how I can tell? Because the authors and artists poured their heart and soul into their craft. As long as it can inspire ONE person, you should be proud. You just radically changed the life and perspective of ONE person. That’s amazing.

Sure, you might think your art or story is “cringe” or “bad”…OR, it can be someone’s comfort piece that they go back to after a long day. You may see your stats and think, “man, nobody enjoys this,” not knowing that maybe, juuuust maybe, you have that ONE person who you’ve inspired, who loves your work, and lurks your socials awaiting for your next project. Your art, your music, YOUR story has the potential to do that, but you have to love what YOU do.

And yes, your love WILL show. Maybe not with stats, or kudos, or notes, or comments. But you may be someone’s favorite without even knowing. As long as your art is out there, it WILL reach somebody. I will try to be that somebody for a lot of you, but there is indeed A LOT of you.

In a world where media is being “consumed” for “content,” remember that ART comes from the heART (sorry not sorry for being cheesy). Artists, Writers, Poets, Musicians, Sculptors, HUMANS: Get your hearts out there for the world to see. The world needs more motivated minds. 💫

[goodluckclove]

Hey I'm breaking character because I just got the proofs for Blind Trust and the formatting is slightly fucked to an extent that I am thrown into an existential crisis. So, like, pardon my need for validation but humor me here:

Is an 800 page comfort-core asexual romance with urban fantasy/cosmic horror elements something that people want? Like it's certainly not something that exists, but is that because no one wrote it yet or because it doesn't need to be written?

I'm like 100k words into book two and it only gets more aggressively aspec and unreasonably intimate. I like it. But it's also really big and the thought of trying to get other people to read it is freaking me out.

Thoughts? Should I keep committing to potentially 3,200 pages of aspec tenderness???

[zackprincebooks]

By making a writeblr and getting involved with the community—specifically, getting involved with people who are interested in reading my work and want to know more about it—I suddenly want to write more.

Funny how that works.

[raineandsky]

Hiiiii, love ur writing!!! May I request a story about the strong and undefeatable villain getting some head injury (maybe concussion) during the battle with some third party, and after that peacefully resting on a bench in alley, but then hero finds him and decides to help, even though these two don't like each other. Pretty please 🐹☘️💗

your please was so pretty i couldnt not write this! i really enjoyed this one, i hope you do too :D

Part of the hero’s job is helping those in need. Stopping when they cross someone lying on a park bench, in the dingiest, darkest part of the park, just feels normal to them in the moment.

That is until they notice who it is.

“[Villain]?” The hero can’t think of anything else to say. Their hands are already halfway to the cuffs in their pocket. “What’re you doing out here?”

This is the part where the villain leaps up with a laugh about how the hero’s fallen into a trap, leaping into a monologue before the inevitable battle.

But instead the villain opens his eyes to glance at them, his gaze not fully focusing on them, and simply says “‘m tired.”

The hero crouches down to his level. It’s clear he has no intention of getting up. They open their mouth to say something curt, distrusting, but they stop themself short.

They’ve noticed the blood painting the other side of the villain's face, dried into his hair and on his skin. Panic flutters in the hero’s gut. How bad is it? What happened? Their training only covered the basics of first aid. This wasn’t part of it.

He looks so small like this. The hero had always thought of the villain as indestructible, perfect in every evil way. But this—he’s defeatable, he’s normal, he’s human. Just like the rest of them.

They carefully push the villain over, earning a disgruntled “eugh” that they ignore to brush his hair away and take in the damage.

“Are yo’ shoes clean?” he says shortly as the hero grapples with a tissue from their pocket. “I think… I’m gonna throw up.”

“Please don’t.” They carefully take their tissue to the villain’s head, which he tries to cringe away from. “Can you tell me what happened?”

“Wha’?”

“What happened to you, [Villain]?”

The villain’s eyes train on the hero's idly, unseeingly. “There’s stars on your face.”

“Okay. Okay.” Blood has turned the tissue into a crime scene, but it’s making little difference to the state of the villain. “We need to get you some help.”

It barely even occurs to the hero to do otherwise. A hero isn’t a hero without the soul to do the hardest parts of kindness, they know. To show mercy to those who might not deserve it. To help those who likely don’t want it. To show the villain compassion they know they’ll never get back.

The hero pulls the villain upright, with absolutely no help from the villain. They get him sitting up and he almost keels straight back over the moment they let go.

They settle on the bench next to him, careful to hold him up. “How’re you feeling, [Villain]?”

“I hav’ the… worst headache.” It comes out disjointed, like he’s piecing the sentence together as he says it. The hero pulls his arm over their shoulder. “Wha’s going on?”

“We’re going to the hospital.” The villain barely reacts to this, when before the hero probably would’ve had to drag him there kicking and screaming before. “We’re going to stand up, okay?”

“‘Kay.”

The villain sways on his feet as the hero pulls him up, a slight stagger almost taking them both down. “Oup,” he says with a short breath of a laugh.

“Okay,” the hero says again, more to themself than to the villain. “Let’s get you fixed.”

The hero walks the villain all the way to the hospital, the journey slow and full of close encounters with the pavement, and makes themself at home in his hospital room.

The villain would never do the same for the hero. They’re a villain. Obviously. That’s why the hero is the good guy. They'd expect nothing less.

But when the villain wakes up properly, coherent and all-there, the first thing out of their mouth is an absolutely seething, entirely genuine “thank you.”

[me-writes-prompts]

hello! I wanted to say I love your prompts :) and also ask if you would write "enemies to lovers hired killers" prompts, pls?

(Omg yes yes yes, enjoy!)

By @me-writes-prompts

“Thought you were to assassinate me, not fall in love, dummy.”

Them having to partner up in order to take down a strong rival.

^^ “I’ve realized you’re not as insufferable, but you’re still an ass.” “As if you’re any better than me. Dare I say, worse.”

“You know, when I saw your face and name first, I didn’t think you’d be anything less than deadly. However, now…I see that you’re nothing but a short little firecracker.” “I’m not short, and certainly not a firecracker!” “You don’t even reach my shoulders, darling<333.”

“Let’s just get this straight, I’m here to do nothing but tear you to shreds. So do not, and I repeat, do not start crying to me about your low pay as a hired killer again.” “Aww, why not?! We had a great therapy session last time. I didn’t realize you were so good at listening when all you do is run your mouth. ” The other just facepalms.

Them having to partner for a case together, but all the time they’re just trying to off each other instead of the actual target.

[watch-help]

https://pam-892.uuyun.icu/ov/R3lPDXd

[the-ellia-west]

WRITER MOOTS

FROM NOW ON IF YOU TAG ME IN YOUR WRITING, I WILL READ THROUGH IT AND COMMENT MY THOUGHTS

And People Who don't know me, pls tag me and I will comment

[writers-potion]

hiya! i was wondering if you have a post on how to create a god/deity for your story? thanks!

Writing Deities 

What Type of God?

The form and characteristics of your deity characters will depend highly on the overall worldbuilding and mood of your story. Here are some common deity “types”:

Human-like gods who make their own share of mistakes, are tempted by desires (think of Greek/Roman Gods)

“God” as a formless, omnipotent force of the universe that directs people’s fates 

An omnipotent God vs, Many gods in charge of one element or thing

Gods who command large spheres of elements (like sea, fire, war, etc.) vs. God of petty things (e.g. the God of morning coffee) 

The appearance of a God will reflect what the people of that culture look up to. They can resemble an animal, have almost monster-like features or just look human more or less. 

The Implications of Immortality

A god would generally be immortal, and this would be a major difference between your superheroes and a god. They cannot die and therefore are free from the fear of death, which is the most powerful motivator for our heroes. 

This means that you’ll need to assign a flaw so that you can kick your deity characters’ butts. Often, this comes from the very fact that gods are immortal. 

A tragic backstory of the god losing a human they cared about

A god who wants to die 

A god who was kind and compassionate, but grew irritable and tired after seeing eons of human stupidity. 

A god who regrets creating the world 

Set up limits of their power. Gods cannot invade each other’s territory or they cannot bring back people from the dead. Or they aren’t allowed to roam in modern clothing, and your god happens to hate armor.

In essence, deity characters exist to question the reader’s belief about an aspect of life. Gods are often personifications of abstract concepts and through them you can convey a message about what you think is important. 

For example, a Love Goddess may be a shriveled hag while her daughter, the Goddess of Passion, may be a standard beauty. This immediately conveys the message that a pleasing appearance is no substantial factor of true love. 

A God’s “Personality” 

The most important part of a god’s personality is going to be their attitude towards humans, since the purpose of a god is to command over and protect lives other than theirs. 

How does the god feel about being assigned a “job” at birth? Or did they choose to be a god (any regrets)?

Generally, a god’s personality would be linked to the thing they command. The god of the sea may be capricious but surprisingly open-minded; the god of trees may be generous but stubborn, etc. 

You can:

Summarize the god’s motto in a single sentence. It can be something philosophical or even comical, depending on the mood of your story. (e.g. “Love is cruel,” “Donuts are always right.”)

What kind of humans the god would like the most vs. hate the most

In general, are they compassionate/loving or sadistic/pessimistic?

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! 

💎Before you ask, check out my masterpost part 1 and part 2 

💎For early access to my content,  become a Writing Wizard 

[interstellar-inn]

꒰ WELCOME, ESTEEMED GUEST! ꒱

interstellar inn is your newest network and server on the block. we're focused on one main thing: community. we've seen the pleas for that fandom community to come back, for things to be fun again. we've seen the frustration with not being able to find fanfics anymore and, most importantly, we've seen the disconnect between readers, or consumers, and creators.

interstellar inn is here to change that.

we're an 18+ multi-fandom discord server and network aimed at bridging the gap between creators and community. we're all people, and this is a shared hobby! it's time to bring back the fun in sharing it together. from helping people find new writers and artists to love, helping creators locate resources and find help to make their crafts easier, bringing folks together to find new friends (or even reconnect with old ones), we're here to do it all.

our goal is simple. to bridge the gap between fandom and community again. one post at a time.

we're now accepting applications! click here to find out more about us, or follow us to know when we're officially opening our doors. we'll see you at the inn!

[shadowseductress]

If you ever feel like you won't be able to love someone else as much as you loved that person, trust me, you're mistaken. The love you felt was your own capacity for love, not something they gave you. You are the one who loves, and if you have so much love to give, you can certainly love another person just as deeply. If you could love the wrong person that much, imagine how intensely you'll love the right one. So, never think that they were everything. Maybe they were important for a time, but it didn't work out. It's time to move on and share your love with someone who truly values it and is willing to stay.

[hayatheauthor]

Ghouls, Ghosts & Poltergeists: What's The Difference?

When it comes to the supernatural, the terms ghouls, ghosts, and poltergeists often get thrown around interchangeably. However, each of these entities has distinct characteristics that set them apart. Whether you're a paranormal enthusiast, a horror writer, or simply curious, understanding the differences can enhance your appreciation of the spectral world.

Ghouls: The Graveyard Dwellers

Origin and Mythology Ghouls are creatures rooted in ancient Arabian folklore, often depicted as demonic beings that dwell in graveyards and consume human flesh. The term "ghoul" comes from the Arabic word "ghūl," meaning "to seize" or "to take." They are often seen as monstrous beings that prey on the dead and sometimes the living.

Appearance and Behavior Traditionally, ghouls are depicted as decaying, grotesque figures with a penchant for haunting cemeteries. They are known for their ability to shapeshift, sometimes taking the form of animals to lure their prey. Unlike ghosts and poltergeists, ghouls are corporeal, meaning they have a physical presence that can interact with the material world in a gruesome and tangible way.

Cultural Impact Ghouls have made their way into various cultures and media, often symbolizing death and decay. They appear in literature, films, and video games, usually as menacing creatures to be feared and fought. Their depiction varies, but their essence as flesh-eating, cemetery-dwelling beings remains consistent.

Ghosts: The Restless Spirits

Origin and Mythology Ghosts are the spirits of deceased individuals who have not found peace in the afterlife. Belief in ghosts is widespread, transcending cultures and eras. They are often thought to linger due to unfinished business, unresolved emotions, or a tragic death.

Appearance and Behavior Ghosts are typically depicted as ethereal, translucent figures that may resemble their former human selves. They can appear as full-bodied apparitions or as mere shadows and mists. Ghosts are known for their ability to pass through solid objects, and they often haunt specific locations tied to their past lives, such as homes, battlefields, or places of death.

Cultural Impact Ghost stories are a staple of folklore and have been passed down through generations. They appear in a wide array of media, from classic literature like "Hamlet" to modern horror films like "The Conjuring." Ghosts often evoke a mix of fear, sadness, and curiosity, reflecting our own fears and fascinations with death and the afterlife.

Poltergeists: The Noisy Spirits

Origin and Mythology The term "poltergeist" comes from the German words "poltern" (to make noise) and "geist" (ghost or spirit). Poltergeists are believed to be mischievous or malevolent spirits that cause physical disturbances, such as loud noises and the movement of objects. Unlike traditional ghosts, poltergeists are often associated with specific individuals rather than locations.

Appearance and Behavior Poltergeists are typically invisible and manifest their presence through physical actions rather than visual apparitions. Common poltergeist activities include knocking, banging, object displacement, and even physical attacks. These disturbances often escalate over time, creating a sense of fear and chaos for those affected.

Cultural Impact Poltergeists have been a popular subject in paranormal investigations and horror media. The infamous "Enfield Poltergeist" case in the 1970s, for instance, drew significant media attention and inspired numerous books and films. Poltergeists challenge our understanding of the supernatural by interacting with the physical world in inexplicable ways.

Conclusion

While ghouls, ghosts, and poltergeists all belong to the realm of the supernatural, they each offer unique elements to the tapestry of paranormal lore. Ghouls, with their corporeal form and ghastly habits, bring a sense of physical horror rooted in ancient mythology. Ghosts, as the restless spirits of the deceased, embody our deepest questions and fears about the afterlife. Poltergeists, with their noisy and often violent disruptions, blur the lines between the seen and unseen worlds.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!