#dont worry about it though

[nova-rpv]

the eepies!!!

[gemharvest]

I think I will give Beef a habit of thinking he's had weird dreams/ nightmares, but in reality the "dreams" were real and he's just in such extreme denial. This has already happened.

[messenger-of-stupidity]

Hhahahahahahahaha if someone wants to be my murderer, the spot is open. It's either that or I hire a hitman on myself 😤

[milkyway-arting]

uhhh woe more dnd guys be upon ye!

Lawrence is unsurprisingly very easy to carry. His jock friend, Chad, tends to take advantage of this. Chad is like... the jock ever too. Full of heart and dumb of ass.

[abstractfrog]

The spider's web

[faunandfloraas]

daengnyangs <3<3

[airoarts]

Leader and deputy

[Image description: a digital painting of Squirrelstar and Ivypool from Warriors. Squirrelstar is a small dark red cat with green eyes, standing in front of the much taller Ivypool, a gray tabby-and-white cat with blue eyes and many battle scars. The background is dark blue. end ID]

[kndrules]

:D

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[littleplantfreak]

Inmate Togame? Inmate Togame

So inmate Togame Jo who's well mannered to a point. He doesn't do much harm, and is always polite to you as a nurse to the prisoners. Sure he has a bad habit of calling you pet names, but that's the least offensive thing you've been called while working.

When he does get into fights, he waits patiently as you tend to the other people first, saying he's good with being the last one out. He likes to watch you work, thinking even if it's one sided that it's time well spent with you, and it's hard to mind those pretty green eyes being on you the whole time.

And when he has to take his shirt off to let you look at some bruised ribs, he can tell you're staring at more than just the bruises. He won't say anything, but when he leaves later he brushes his knuckles across your lower back to watch your reaction, pleased to see you arching from it.

Things go back and forth a weird push and pull of you both trying not to get too close but also soaking up the other's presence until he gets in a nasty fight. One that somehow lands him in solitary, though they've thrown him in there without bringing him to get checked up first, leaving you demanding the guards let you in. Against their concerns, you insist he'll be nothing but civil with you.

He's bloody and still heaving from the fight as he sits on the floor slumped over, but most of the blood actually isn't his, which is a relief you guess. When he kisses you as you get a closer look at his face, suddenly all bets are off and you're both starved for one another. Needless to say once the guards knock to check in, you request more time with the patient due to extent of injuries.

[kirk]

here is the announcement on gmb of robron winning "most iconic dingle moment" (18 OCT 2024)

[wanderingibon]

a flock of birds, a crow family — everything aside, despite viago's frosty, stern demeanor I think both he and teia care about rook like family, in a way that goes past the pretenses of being a crow or just part of house de riva, they're literally found family to meeeeee

and while you have time, please consider finding a family on op. olive branch 🍉 and supporting / sharing their campaigns, especially the ones with low funding <3

[sadie-wolfdawn]

not sso positive, not sso negative, but a secret third thing (adult w a job)

[menlove]

[amihyperfixatingagain]

I painted this a long while ago when the party first split cause I knew I wouldn’t have to time paint anything when the Hells finally reunited cause of my current job. I obviously thought it’d probably be Imogen in a really dark place and Laudna being full of joy etc, when they reunited, but based on last week's episode, it’s definitely going to be the opposite. Makes me want to redo this now and switch them around. Someday when I have time, maybe.

Here have some close-ups too.

Also it’s based on this still from “Portrait of a Lady on Fire”

[hyacynthii]

Not pictured: Ratchet in another corner of the bar, sighing “not again.”