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Living for these Yellowjackets character introductions in the scripts:
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Lottie the “tightly wound,” “lonely,” and “statuesque” girl.
Nat and Travis being secretly soft and sensitive both trying their hardest to appear like they don’t care.
Van being the “boisterous,” “terminally cheerful” comedic relief.
Taissa and Shauna being “quietly” intense and discontent.
Laura Lee being so pure but also getting on everyone’s last nerve (and nibbling on gummy bears🥹)
I love them all your honor.
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There I go again. Too friendly. It always happens. I meet somebody who I like and admire and I open my mouth too much.
Strangers on a Train (1951) - dir. Alfred Hitchcock
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Red Rooms (2023) and “The Lady of the House of Love” by Angela Carter
#some major differences in that the Countess is RELUCTANT to be this way but I couldn't resist what with the Lady of Shalott connection#and motifs like the dark room and cards#red rooms#les chambres rouges#pascal plante#angela carter#the lady of the house of love#comparatives#*#horror
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There's no way for them to understand. You and I know who killed Madeleine.
VERTIGO (1958) dir. Alfred Hitchcock
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the french women and the swans by louis icart (1940) 🦢
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Portrait of Anastasia Mikhailovna de Torby, Philip de László. 1913.
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My favorite pieces in the museum today <3 1949 Dior Venus gown and 1930s spiderweb heels
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📷 sophie thatcher photographed by cass bird for heroine magazine ss25 (3/?)
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i love when you read/watch an influential piece of storytelling and you're like ohhhhhh ok i see. so everyone else was copying this guy's homework
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And Frodo when he saw her come glimmering in the evening, with stars on her brow and a sweet fragrance about her, was moved with great wonder, and he said to Gandalf: 'At last I understand why we have waited! This is the ending. Now not day only shall be beloved, but night too shall be beautiful and blessed and all its fear pass away!'
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Joe being like my daughter is a freak for having emotions, my sister is a freak for having a hobby...
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Angel Heart 1987 | dir. Alan Parker
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