yougottabeblitzenmyhearthstone
You Gotta be Blitzen my Hearthstone
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Ash | 30 | USA | They/Them | 100% BlitzStone trash | Fic Prompts Closed | Icon by @livestock-and-bibles
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you may even project all of these but some things get reused more than others... for me it's being aspec, giving the blorbos a cat, and headcanoning them as being good at singing lmao.
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absolutely disgusting that i have to create the the things i want to create
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academic who writes a paper and just puts "credit to original author :)" for all their citations
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chronically on tumblr because something’s not wired right inside of me
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the fanfiction in my head is soooo good wish you guys could see this
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*sweating, whole body shaking while I stare at a google doc* would he fucking say that????
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thinking about creatures.
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rejoice! a hairy baby has blessed you with a very good little dance
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“Nameless flowers”, by Ono Tako. Artist states this should be first piece from a serie (that’s so great!)
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Hollywood archaeology: Secret treasure! Hidden maps! Ancient tombs!
Actual archaeology:
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when the objectively bad person has traumatic and honestly reasonable reasons for why theyre like that but it doesnt excuse their actions and only serves to make them more tragic as a character
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Whatever the result is, I will attempt to recreate it as a drawing!
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Since we keep getting "live action" CGI remakes of already perfectly adequate animated movies, and because people need to understand that animation is a medium and not a genre, I have prepared this primer about the importance of Visual Language for Conveying Information.
Can you tell what the personalities of these two mice are?
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Can you tell now?
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Which of these two tigers feels safer to be around?
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Which of these three dogs is the funniest one?
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If you can answer these questions, then you already have experience with the idea of visual language and stylistic choices being used to impart narrative meaning. If you can understand why these choices were made to impart meaning, then you can understand why animation is a medium for telling stories that has its own inherent value, and is not merely a "placeholder" for the eventual implementation of photorealistic presentation (aka "Live Action" CGI). Animation does not need to be "corrected" or "legitimized" by remaking it into the most representational simulation of observable reality.
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