you-disobedient-son

[you-disobedient-son]

Main Issues with Rosegarden vs Ones That Can Be Easily Argued Against

Main Criticisms that better describe the main concerns with Rosegarden:

-Issue 1: RWBY often relies heavily on subtext and fan interpretation to build ships rather than explicitly showing relationships develop on-screen(Pyrrha explains her reasons for liking Jaune but we don't see them onscreen as this was in only Volume 2). This creates frustration for fans who feel that certain relationships aren't explored enough or are left too vague.

-Issue 2: Some relationships receive far more screen time and development than others in RWBY, or are onyl focused for specific volumes, which can lead to certain ships feeling more like fanservice or being sidelined entirely.(Weiss and Ruby not hanging out much compared to Penny and Ruby in V7)

-Issue 3: Ruby and Oscar haven't been in the forefront resulting in conversations which other lacking banter vs conversations they have with characters who are in the forefront(Oscar being sassy with Hazel, Emerald, and Ozpin)

Criticisms that that are often contradicted:

Oscar is too old for Ruby

Other media: -Kagome (15) and Inuyasha (over 200 years old)

RWBY: Ruby being fine with being friends with Penny who was a robot

Ruby Should be with ______

Other media: -Quintessential Quintuplets(despite different shipping author gives reason as to why the MC ended up with the specific love interest compared to others)

RWBY: Will probably explain why if ends up canon, did so for Pyrrha in Volume 2

Oscar is to young for Ruby

Other media: Usagi (15) and Mamoru (17) from Sailor Moon

RWBY: Again Penny having no biological age 

Ruby will just take care of Oscar

Other media: Luz would start off causing dangerous situations Amity needed to help deal with in the Owl House before indirectly motivating her to stand up to her parents in the Owl House

RWBY: Ruby does this for literally everyone

Oscar is just a plot device of the most part

Other media: Shuichi Minamino represents Kurama's internal conflict and transformation with their merge in Yu Yu Hakusho that happened before the events of the show

CRWBY: Ruby having Silver Eyes

Ruby and Oscar don’t have enough time for romantic development in the show

Other media: Hinata and Naruto from Naruto the Last Movie 

CRWBY: Pyrrha admitting she liked Jaune in only V2 for treating her like anyone else which we only learned in that volume.

Oscar will merge with Ozpin

Other media: Ultraman Tiga-gradually merges while regaining past life relationships but still gets married to new love interest

CRWBY: Blacksmith is god and gives Ruby a choice in changing or not for her acceptance 

Ozpin being around

Other media: Asuka still loving Jaden despite his trauma and fusing with Yubel in Yugioh GX

CRWBY: Ozpin only appearing for plot stuff 

Ozpin will take over Oscar

Other media: Ultraman Tiga, Kurama(Yu Yu Hakusho) from above

CRWBY: Blacksmith gives a whole speech about balance at the end of Volume 9 rather than control 

Oscar is just discount Jaune 

Other Media: Like Edward, Alphonse is on a similar journey and reacting to new stuff, but his own struggles and quiet demeanor separate him from his more forward brother. Over time, Alphonse proves his individuality and importance to the story in Fullmetal Alchemist. 

CRWBY: 

-Jaune being in a rare position of being a foil to Ruby but even since volume 1(likely due to family legacy) would act like he has everything under control resulting him lashing out, hence him opening up in Volume 8 and 9 represents important growth

(learning to be forward-facing even in the midst of truly knowing and understanding everything that’s wrong with the situation.)

-After Oscar getting frustrated in Volume 5 he adapts as well in how he doesn’t follow Ozpin’s mindset as much as Jaune since Volume 1 which added to his repressive habits in Volume 9 partially, in how despitee struggling with becoming an immortal wizard he is capable of making more meaningful connections compared to Ozpin who even if he ignoring the Salem secret didn’t trust anyone emotionally resulting in him quickly leaving. 

[you-disobedient-son]

utena sketches!!!!

[you-disobedient-son]

and you know what? everything was fine because at least neuvilette exists 🤭🤭🤭

[you-disobedient-son]

you probably regretted it though, didn’t you?

[you-disobedient-son]

HE’S A CONSTELLATION DIPSHIT

i stare at the stars and

orion bears his shield to taurus,

sirius snapping at his heels.

i have known him for years, since i first saw—

not looked, but saw—

the night sky.

he is my friend, and

i am not unafraid to think that

my beliefs shape reality.

my concept of religion is this:

all that is believed in exists.

orion is my friend

emblazoned in the stars.

orion is the lover of the

virgin goddess hunter.

orion is a hero,

a rapist,

an ideal.

these are not exclusive of one another.

but i don’t care for men who are cruel,

to women

and to the earth. 

so orion is my friend,

and it is my belief that shapes him.

and i believe he is kind.

[you-disobedient-son]

i think i like these little parallels! these little lines i carve between my lives. i can draw from every word i’ve written, every conversation i remember. does it need to matter, whether or not someone else sees it? if someone else understands it? the tree still falls, and the sound it makes still cries out! it doesn’t matter if no one hears it! just that it screamed! i’m screaming!!!

[you-disobedient-son]

The Triple Heart

the poets love him.

like the way he loves the sky,

as the sky loves his thighs

and presses kisses on his tan lines—

they love him.

and they love him as he drowns

and the salt dries in his hair

like an unholy, bramble crown.

he is a martyr for freedom,

an elegy for love

and apollo bends for him

from his palace, far far above.

and he loves him more than

anything else in the sky—

how could he not when

he gave up everything

just for the chance to fly?

so yes, the poets love him,

and like our father, still we sing—

we press our lips onto his skin

and claw away at his wax wings:

adore us, implore us,

for we have loved you so,

you who threw away his life to

soar above and burn aglow.

position, yourself among the stars

like a idol;

prepare your wax stained limbs

for when hist’ry holds your trial.

with gilded pennon bare your power

pulled from pagan palms,

your progeny reprint the scripture

from your lips like psalms.

tell us how the ocean burned you as it filled your lungs

and we’ll tell you how our Father mourned in lyric as he sung:

“icarus, my darling boy,

who made in kléos flew,

there shall be no one this world

to shine as bright as you;

pity those of future days

who reach the sun and fail,

yours is the only glory that my lyric will regale.”

so tell us now, our shining boy,

what we poets must do?

what sacrifices must we make to shine as bright as you?

our broken bones adorn the sea that glimmers in the light

each diamond is a memory of every futile flight

we’ve held the sun in wax stained palms and watched it turn us black

we’ve fallen to poseidon’s arms and still come crawling back—

if our Father who hath made us has no love to give,

we turn to you, hubristic lover,

and ask why we should live?