Hi! I'm a fanfic writer on AO3 (under X2WritersBlock) and FFN (under Nopes).
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tangled gave us so much, but mostly it gave us the beautiful and intense love of a horse and the man he is chasing in order to imprison
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Honestly, if you see an angel that’s all eyes and wings and wheels of fire, you should be worried. Like, not because it’s going to hurt you or anything, but because scripturally, angels invariably appear to ordinary people in human form. In general, they only show their inhuman true forms to prophets – which means if you’re seeing them like that, they come bearing responsibility.
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"kids are detransitioning"
no. actually, children now feel comfortable and accepted enough to experiment with their gender, pronouns, name, and presentation. and while some of them end up realizing they were cis the entire time, they now have a new understanding and appreciation for one of the most marginalized and abused groups of people in the world.
there, I fixed your shitty headline.
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My husband is a man who collects things he can use. A pistol, a pocket-watch, a woman's love, a wife....
I'm obsessed with That Scene(tm) between Katya and Andrei in the California Director's Cut Rerelease of Goncharov, so I did a lighting study inspired by the film's Art Deco Posters! Little details like Katya never referring to her husband by his first name really add to Andrey and Katya's tense dynamic, which is one of the most underrated parts of the movie imo.
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🐀🐀🐀
got this glittery dust from lush im abt to start my career as edward cullen
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Someone said "tornadoes aren't fucking around" and I thought, "I think all tornadoes do is fuck around."
I saw one take a garage off of two cars without moving or even damaging the cars. I saw one pick up an SUV and place it unharmed in a reasonable parking place four miles away. I've seen multiple tornadoes decide to fuck this house in particular in a dense suburban area. I've seen a tornado appear out of a blue sky. One picked up my grandparents garage and moved it six inches to the right and the next year a different tornado put it back. Neither took a shingle off the thing. They are literally just mischief.
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"a child's school lunch debt" is a string of words that should instantly radicalize anyone, burning through the fog of bullshit like a ten quadrillion-candlepower spotlight. and yet...
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Y'all ever experience Depression™️ and glue an entire pack of googly eyes to your vacuum robot?
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Sometimes facebook is hilarious
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This user supports AO3
This user is anti-censorship
This user believes in “don’t like, don’t read”
This user believes in “ship and let ship”
This user believes that fiction tastes and preferences do not dictate moral character
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...that your audience won't hate.
This is a method I started using when NFTs were on the rise - thieves would have to put actual work into getting rid of the mark - and one that I am now grateful for with the arrival of AI. Why? Because anyone who tries to train an AI on my work will end up with random, disruptive color blobs.
I can't say for sure it'll stop theft entirely, but it WILL make your images annoying for databases to incorporate, and add an extra layer of inconvenience for thieves. So as far as I'm concerned, that's a win/win.
I'll be showing the steps in CSP, but it should all be pretty easy to replicate in Photoshop.
Now: let's use the above image as our new signature file. I set mine to be 2500 x 1000 pixels when I'm just starting out.
Note that your text should not have a lot of anti-aliasing, so using a paint brush to start isn't going to work well with this method. Just use the standard G-Pen if you're doing this by hand, or, just use the text tool and whichever font you prefer.
Once that's done, take your magic wand tool, and select all the black. Here are the magic wand settings I'm using to make the selections:
All selected?
Good.
Now, find a brush with a scattering/tone scraping effect. I use one like this.
You can theoretically use any colors you want for this next part, but I'd recommend pastels as they tend to blend better.
Either way, let's add some color to the text.
Once that's finished,
You're going to want to go to Layer Property, and Border Effect
You'll be given an option of choosing color and thickness. Choose black, and go for at least a 5 in thickness. Adjust per your own preferences.
Now create a layer beneath your sig layer, and merge the sig down onto the blank layer.
This effectively 'locks in' the border effect, which is exactly what we want.
Hooray, you've finished your watermark!
Now let's place that bad boy into your finished piece.
You'll get the best mileage out of a mark if you can place it over a spot that isn't black of white, since you'll get better blending options that way. My preference is for Overlay.
From here, I'll adjust the opacity to around 20-25, depending on the image.
If you don't have a spot to use overlay, however, there's a couple other options. For white, there's Linear Burn, which imho doesn't look as good, but it still works in a pinch.
And for lots of black, you have Linear Light
Either way, you're in business!
EDIT since this has escaped my usual circles, and folks aren't as familiar with my personal usage:
An example of one of my own finished pieces, with watermark, so you can see what I mean about 'relatively unobtrusive'-- I try to at least use them as framing devices, or let them work with the image somehow (or, at the very least, not actively against it).
I know it's a bummer for some people to "ruin" their work with watermarks, which is part of the reason I developed this mark in particular. Its disruption is about as minimal as I can make it while still letting it serve its intended purpose.
There's other methods, too, of course! But this is the one I use, and the one I can speak on. Hope it helps some of you!
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They should invent healthcare that doesn’t involve phone calls
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Chimney: it’s not a murder house, it’s a murder home
Maddie and the rest of the 118: please stop
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