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Life and death, 1873

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Source : via

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Marcel Roux (1878-1922) - Humains offrant leurs coeurs à Satan (Humans offering their hearts to Satan), 1904

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“Mid-summer … when the alchemy of Nature transmutes the sylvan landscape to one vivid and almost homogeneous mass of green; when the senses are well-nigh intoxicated with the surging seas of moist verdure and the subtly indefinable odours of the soil and the vegetation. In such surroundings the mind loses its perspective; time and space become trivial and unreal, and echoes of a forgotten prehistoric past beat insistently upon the enthralled consciousness" • H.P. Lovecraft

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Mechanical Devil (1400s)

Displayed at Applied Arts Collections Museum in the Sforza Castle in Milan, Italy, this automaton is carved from wood. From the Wunderkammer of Ludovico Settala.

You could make these mechanical devils stick their tongues out, howl, and make creepy faces by turning the device.

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Seshat Egyptian goddess of writing and knowledge, patroness of libraries and librarians, Great Lady of the House of Books.13th century BC, Luxor Temple

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R. Abrahami Eleazari • detail from alchemical manuscript

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Mandrake Crucifix • "The mandrake were ascribed magical healing powers because of their mostly split root tips, which gave them a human-like appearance. It was used as a medicinal plant from the 15th century. The contemporary doctrine of signatures said that the appearance of plants indicated the healing properties - red flowers, for example, were used for blood disorders. The mandrake should have a positive influence on the entire body and was therefore also very popular as a talisman."

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By Steffi Grant

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The Typhonian Order

The Typhonian Order, a unique offshoot of the Ordo Templi Orientis (O.T.O.), has a rich and complex history that intertwines with various esoteric traditions and influences. Founded by Kenneth Grant, this order diverges from mainstream O.T.O. practices, emphasizing a more personal and mystical approach to spirituality.

Historical Context and Development

The Typhonian Order emerged in the 1960s, during a period of significant cultural and spiritual exploration. Kenneth Grant, drawing from his studies of Aleister Crowley and other occult traditions, sought to create a framework that incorporated elements of ancient Egyptian mythology, particularly the deity Typhon, who represents chaos and the primal forces of nature. This focus on Typhon reflects the order's interest in exploring the darker aspects of spirituality and the hidden potential within chaos.

Key Influences and Beliefs

Grant's work was heavily influenced by the writings of H.P. Lovecraft, particularly the themes of cosmic horror and the existence of otherworldly beings. This influence is evident in the Typhonian Order's practices, which often involve invoking extraterrestrial entities and exploring the boundaries of human consciousness. The order teaches that these beings can provide insights and guidance, facilitating a deeper understanding of the universe and one's place within it.

Practices and Rituals

While the Typhonian Order maintains some traditional O.T.O. rituals, it also incorporates unique practices that reflect its distinct beliefs. Members engage in various forms of magic, including sexual magic and the use of sigils, to connect with the energies of the cosmos. The order places significant emphasis on personal experience and self-initiation, encouraging members to develop their own practices and interpretations of the teachings.

Conclusion

The Typhonian Order represents a fascinating intersection of various occult traditions, blending elements of chaos, extraterrestrial communication, and personal exploration. Kenneth Grant's vision has allowed this order to flourish as a unique entity within the broader landscape of esoteric practices. As interest in the mysteries of the universe continues to grow, the Typhonian Order remains a compelling choice for those seeking to delve deeper into the realms of magic and consciousness.

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Gothic (1986) | dir. Ken Russell

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Arthur Dee - Fasciculus chemicus (1650).

> Engraver: Thomas Cross.

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Claes Jacobsz. van der Heck - Heksensabbat (1636). Detail.

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Claes Jacobsz. van der Heck - Heksensabbat (1635). Detail.

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Claes Jacobsz. van der Heck - Heksensabbat (1636). Detail.

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Whore of Apocalypsis. Beato de Liébana. [In Apocalipsin] ~ 970 AD