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Whimsigoth on runway
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#GoldenYunhoDay Happy Birthday to our resident sunshine may you have a wonderful full of successes years ahead 💖
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★ Have you read the Witchlands series?
I still need to read Witchshadow, but Witchlands is one of my favorite fantasy series! The worldbuilding, characterization, backstories, mythology, magic system, and romance all hit the mark for me.
I read Bloodwitch last year, but I am tempted to reread the whole series before diving into Witchshadow!
★ HASHTAGS // #susandennard #truthwitch #witchlands #bloodwitch #fantasybooks #bookstack #bookbabe #readfantasy #bookstagram #bookworm #bookphotography #bibliophile #booklover #bookaddict #bookobsessed #readersofinstagram #bookish #booksbooksbooks #beautifulbooks #booktag #prettybooks #torteen https://www.instagram.com/p/CYDm2WhrqV3/?utm_medium=tumblr
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op has no clue what happened after this scene
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WE WILL FIGHT. WE WILL SACRIFICE. WE WILL FIND A WAY.
Happy N7 Day! (insp)
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not sure what should happen next in your story?
Embarrass your protagonist. Make them seem weak and vulnerable in some way.
Shoot someone. That always takes the reader by surprise. 
In relation, kidnap someone. Or, rather, make it seem to your protagonist like someone has been kidnapped. 
Have one of your side characters disappear or become unavailable for some reason. This will frustrate your protagonist.
Have someone kiss the wrong girl, boy, or person, especially if you’ve been setting up a romance angle. It’s annoying.
If this story involves parents, have them argue. Push the threat of divorce, even if you know it won’t ever happen. It’ll make your readers nervous.
Have someone frame your protagonist for a crime they didn’t commit. This could range from a dispute to a minor crime to a full-blown felony.
If this is a fantasy story involving magic or witchcraft, create a terrible accident that’s a direct result of their spell-casting. 
Injure your protagonist in some way, or push them into a treacherous scenario where they might not make it out alive. 
Have two side characters who are both close to the protagonist get into a literal fist-fight. This creates tension for the reader, especially if these characters are well-developed, because they won’t know who to root for.
Make your protagonist get lost somewhere (at night in the middle of town, in the woods, in someone else’s house, etc.) 
Involve a murder. It can be as in-depth and as important as you want it to be. 
Introduce a new character that seems to prey on your protagonist’s flaws and bring them out to light.
If it’s in-character, have one of your characters get drunk or take drugs. Show the fallout of that decision through your protagonist. 
Spread a rumor about your protagonist. 
If your protagonist is in high-school, create drama in the school atmosphere. A death of a student, even if your protagonist didn’t know them personally, changes the vibe. 
If your story involves children, have one of them do something dangerous (touch a hot stove, run out into the road, etc.) and show how the protagonist responds to this, even if the child isn’t related to them. 
In a fantasy story, toss out the idea of a rebellion or war between clans or villages (or whatever units you are working with). 
Add a scenario where your protagonist has to make a choice. We all have watched movies where we have screamed don’t go in there! at the top of our lungs at the main character. Make them go in there. 
Have your protagonist find something, even if they don’t understand the importance of it yet. A key, a document, an old stuffed animal, etc. 
Foreshadow later events in some way. (Need help? Ask me!)
Have your protagonist get involved in some sort of verbal altercation with someone else, even if they weren’t the one who started it. 
Let your protagonist get sick. No, but really, this happens in real life all the time and it’s rarely ever talked about in literature, unless it’s at its extremes. It could range from a common cold to pneumonia. Maybe they end up in the hospital because of it. Maybe they are unable to do that one thing (whatever that may be) because of it.
Have someone unexpected knock on your protagonist’s door. 
Introduce a character that takes immediate interest in your protagonist’s past, which might trigger a flashback.
Have your protagonist try to hide something from someone else and fail.
Formulate some sort of argument or dispute between your protagonist and their love interest to push them apart. 
Have your protagonist lose something of great value in their house and show their struggle to find it. This will frustrate the reader just as much as the protagonist.
Create a situation where your protagonist needs to sneak out in the middle of the night for some reason.
Prevent your character from getting home or to an important destination in some way (a car accident, a bad storm, flat tire, running out of gas, etc.)
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Can I just say she keeps killing me with this?
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“I KNOW YOU GET DEJA VU.”
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MiddleEarth by  LastStudio
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happy birthday to ATEEZ’s ♡ CHOI SAN ♡ 990710
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strawberry seonghwa 🍓
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running a tumblr blog is really just being like I’ve become obsessed with this new thing and now I’m going to make it everyone else’s problem
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granted i havent read lotr since i was 13 but the way legolas joins the fellowship always cracks me up, like hes literally a prince but they sent him as a messenger to basically tell the council like "whoopsiedoodles we fucked up and gollum is gone, that's what you get for entrusting him to the party elves of mirkwood you know how we get" and he feels SO bad he joins this super deadly quest like imagine you're thranduil and you're like "hey son can you go to elrond's house and tell him we fucked up royally" and your son is like sure pops can do but then you don't hear from him for like two months so you call elrond like hey e-dog what's good have you seen my son. and elrond is like. well i dont know how to tell you this but he went on a homoerotic voyage to the most dangerous place on earth. id be so mad
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ateez :: fireworks (i’m the one) :: hongjoong
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I don’t like to do what people expect.  10 Things I Hate About You (1999) dir. Gil Junger
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have you ever noticed you pick up little habits and phrases from the people you love? it’s no wonder our hearts are so easily broken when people leave. we become a reflection of the people that we care about and those personality traits stick with us even if the people don’t
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