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Dolby 5.1.2 Speaker Placement

Best 5.1 Speaker Placement

Dolby Atmos 5.1.2 Setup Guide

How To 5.1 Speaker Placement

Achieving proper Dolby Atmos requires a bit of diligence and technical know-how on your part, but it’s totally worth it. The result is a clearer, richer sound that surpasses 5.1.2 or 7.1.2 surround. Dolby also has a deep-dive Home Theater Installation Guide with more detailed guidance, including the recommended height for the surround and surround-back channels. The most common Dolby Atmos surround sound set-ups are: 5.1.2 - 5.1 speaker configuration with two (2) overhead height effects speakers.

Published: 2019-03-28 - 18:07:40

Use this step-by-step guide to optimize your home theater with 5.1.2 overhead speakers enabled with Dolby Atmos. Experience your entertainment in premium Dolby sound. Cookie Notice We use cookies to personalise content and ads, to provide social media features and to analyse our traffic.

NOTES: for items 2-4, they are totally 5 normal speakers as 5 with the subwoofer as the “.1” and final “.2” refers to 2 additional speakers in-ceiling. Let’s take a look on the floor-plan of the 5.1.2 theater. The installation suggestion is based on the information available from the Dolby Lab.

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What Does 5.1.2 or 7.1.4 Mean for Surround Sound Speakers, Dolby Atmos and DTS:X?

Dear BPBS,

I've been shopping for a receiver lately and want to get one that does the immersive audio stuff (Dolby Atmos, DTS:X). Some of the receivers say they're 7.2 and other say they're 5.1.4. What do I need and what do these numbers really mean? And can I do the same thing with a soundbar intead of buying a receiver and lots of speakers?

Thanks,

-Peter in Pittsburgh

Hi, Peter,

Thanks for your question. It's one that we've gotten often over the years.

As the technology of audio and video reproduction advances, things have gotten more complicated. Monophonic tube radios evolved into stereophonic HiFi systems, which in turn evolved into multi-channel surround sound systems. The most recent advance in surround sound -- 'immersive sound' -- reproduces sound in all directions, not just in front of and behind the listener, but above our heads too. As these technologies have advanced, a common shorthand has arisen in order to identify the different options available to consumers. And those are the numbers you're asking about.

This series of 3 numbers can be used to describe the number and type of channels in any sound system, from a simple soundbar to an advanced A/V receiver to a professional movie theater surround sound system.

The format is 'x.y.z' where:

'x' is the number of channels or speakers at or near ear level,

'y' is the number of channels or speakers dedicated to low bass reproduction

'z' is the number of overhead channels or speakers.

If a system does not have any dedicated height channels, then the last digit is left off. Here are some examples:

1.0 - this is a monophonic sound system with just one speaker reproducing all of the sound.

2.0 - this is a standard 'stereo system' - it has two speakers to reproduce a stereo soundfield

2.1 - this represents a standard stereo system, but it adds a dedicated speaker for low bass reproduction (a woofer or subwoofer)

3.0 - this is similar to a stereo system, but it adds a dedicated center speaker between the front left and right speakers. This can help in reproducing movie dialog and commentary clearly.

3.1 - as above, but with a dedicated bass speaker (subwoofer).

4.0 - A typical 4.0-channel system uses two speakers in the front and two in the rear or side to reproduce surround sound. But a system with 3 speakers in the front (left, center, right) and one in the rear of the room could also qualify as 4.0

4.1 - as above, but with a dedicated bass speaker

5.0 - this is typically used to describe a traditional surround sound system with three speakers across the front (front left, center and front right) and two speakers on the sides or in the rear to generate surround sound

5.1 - as above, but with a dedicated bass channel or subwoofer

7.0 - this type of system has three speakers in the front, 2 on the side (side surround) and 2 in the rear (rear surround)

7.1 - as above, but with a dedicated bass channel or speaker

5.1.2 - this is a 'standard' 5.1-channel surround sound system, with the addition of two height channel or speakers that generate sound from above the listener

5.1.4 - as above but with 4 height channels or speakers to generate sound above the listener

7.1.2 - a standard 7.1-channel system with two additional speakers dedicated to reproducing sound above the listener

7.1.4 - as above, but with 4 height channels or speakers

Best 5.1 Speaker Placement

The Dolby Atmos system pictured here includes 12 speakers in a 7.1.4 speaker configuration.

64.4.32? Sure? Why Not?

The numbers can go even higher. Some theatrical immersive sound systems utilize dozens of speakers to reproduce sound as realistically (and immersively) as possible. But a 7.1.4 system is where we find most home theater receivers and speaker systems max out. Sankofa full movie youtube. And in a large living room or even a dedicated home theater, a 7.1.4 channel system is probably good enough to create an enjoyable audio experience anywhere in the room.

It's important to note that not every speaker represented by one of the numbers needs to be in its own physical box. A '3.0' soundbar may have all three of those speakers: front left, center and front right - in a single speaker cabinet. Similarly, not all 'height channel' speakers need to be physically placed above the listener in the ceiling or high on a wall. Some height speakers are placed at the listener's ear level but are angled up in order to bounce sound off the ceiling. This gives the illusion of sound coming from above when it's actually being generated from ear height or below.

Can a Soundbar Do That?

While a receiver with dedicated speakers will generally give you the best results, some companies are making soundbars that provide a pretty realistic immersive surround experience. New soundbars from companies such as Yamaha, Samsung and LG are designed to bounce sound off both the side walls and the ceiling in order to create a '5.1.2' immersive surround sound experience from a single soundbar and dedicated subwoofer. These types of systems can be effective at generating an immersive soundfield, but for best results, the listening room must have regular wall and ceiling surfaces that are reflective enough for sound to bounce off and reach the listener's ears from the right directions.

In general, you will get better overall results from a receiver or preamp/amp system that uses dedicated height speakers installed on or in the ceiling, but for those in smaller spaces or in apartments where running a lot of additional wires can be problematic, these reflective and virtual surround sound options offer a viable alternative.

New soundbars, such as the LG SL10Y use side-firing and upward-firing speakers to create a virtual 5.1.2 speaker system from a single soundbar plus a powered subwoofer.

Dolby Atmos 5.1.2 Setup Guide

Also, to answer the last part of your question, some receiver makers tout their receivers as '7.2' or '7.2.4' to designate that they have dual outputs for subwoofers, this can be misleading. In many cases, the two subwoofer outputs are not independently adjustable, so they really shouldn't be counted as separate channels. While it is recommended in many listening rooms to use more than one subwoofer (to compensate for standing waves and room modes), the fine adjustments in level and phase for each subwoofer are typically done on the subwoofer itself, not in the receiver.

I hope that helps!

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Publisher:Antares Audio TechnologiesLicense:SharewarePrice:USD $159.00Filesize:17.1 MBDate Added:05/02/2012

Mic Mod EFX is a modern incarnation of Antares' legendary Microphone Modeler plug-in. First introduced in 2000, Microphone Modeler won that year's TEC Award for Outstanding Technical Achievement in Software Signal Processing and garnered.. Read more

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windowshunter862 · 3 years ago

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People also search for. This effort is undertaken by friends and supporters of Haile Gerima’s work and aims to raise funds to complete The Children of Adwa. It is inspired by Haile’s lifelong dedication to bring important stories of resistance, humanity, and survival to the screen. Sankofa; Haile Gerima is a warrior, and as such in these times, a decidedly serious personality. Still, like many who know Haile, I’ve winced when I’ve seen any number of the photos (Time magazine, Vibe, The Village Voice) that have accompanied the release of Haile’s groundbreaking Sankofa. The images suggest a somewhat grim personality. Sankofa is a Black filmmaker-family-owned and operated bookstore and cafe specializing in books, movies and programming about people of African descent since '98. Find trailers, reviews, synopsis, awards and cast information for Sankofa (1993) - Haile Gerima on AllMovie - While visiting an old fortress from the.

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The film’s narrative structure follows the concept of «Sankofa,» an Akan word that signifies the recuperation of one’s past in order to comprehend the present and find one’s future. Allyson Nadia Field, UCLA trigon-film dvd-edition 260 Restored version Language OV english Subtitles deutsch, français Length 125 min. Screen 4/3 PAL, color Sound DD 1.0 mono FSK 16 Region code All regions

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Haile Gerima is a trailblazing director, writer, editor, and actor who played a major role in the black independent cinema movement. Raised in Ethiopia, Gerima offers an approach to diasporic African cinema that transcends genre. He is known for Ashes and Embers (1982), the story of a Vietnam War veteran, and After Winter: Sterling Brown (1985), a documentary about American poet Sterling Brown. His recent and already acclaimed release Sankofa (1993) is the product of fifteen years of planning. Gerima is joined by Arthur Jafa, cinematographer, filmmaker, and mentee of Gerima at Howard University, for an insightful dialogue.

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Director Haile Gerima and Arthur Jafa, cinematographer, filmmaker, and mentee of Gerima, join for a robust conversation and dissection of Gerima's recent release, Sankofa.

Haile Gerima is a warrior, and as such in these times, a decidedly serious personality. Still, like many who know Haile, I’ve winced when I’ve seen any number of the photos (Time magazine, Vibe, The Village Voice) that have accompanied the release of Haile’s groundbreaking Sankofa. The images suggest a somewhat grim personality. Haile’s powerful, yet equally warm and humble nature rarely comes through in its full richness. His determination to speak of his people and of himself in film, our most expensive popular medium, perhaps offers an explanation for the somewhat harrowing visage.

Shaman, brojos, sorcerer, Haile has the intellectual ability to formulate essential questions. What does it mean to be a person of African descent in a white supremacist society? What are the conditions of political and spiritual development that have allowed black people to survive under these circumstances? Why might this matter to anyone besides black people? His vision and determination to practice solutions is at the core of why Haile matters to anyone concerned with the process of achieving, consolidating, and defending the space for human dignity, development, and self-determination. The medium in which he has chosen to practice these solutions, cinema, is provoked by his continued interrogation of what will be a truly emancipatory and democratic form.

Beyond this, for me, there is Haile’s profound love of and dedication to black people. A love and dedication mature in its commitment to development, critical self-awareness, and the celebration of who we are, what we have been, and what we might yet be.

─Arthur Jafa

Aurthur Jafa is a cultural critic and visual artist. As a cinematographer, he has worked on Julie Dash’s Daughters of the Dust and Spike Lee’s Crooklyn. He currently serves on the faculty of the Milton Avery Graduate School of the Arts at Bard College.

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Adobe Acrobat Reader For Mac With El Capitan

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