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Pretty much every little sister to their big brother
DREAM & DELIRIUM The Sandman | 2.05 "The Song of Orpheus"
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Peter Capaldi joins Franz Ferdinand for Take Me Out at Glastonbury 2025
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"Face the Raven" // "The Interstellar Song Contest"
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Doctor Who Journey's End | The Robot Revolution
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From Instagram @infglasgow Peter Capaldi releases new single Sweet Illusions on Friday 17 January ☁The title track is the final single from the new album which is set for release on vinyl, CD & digital in March 2025 Sweet Illusions is available to pre-order on our website now!
Here is the link: https://www.instagram.com/p/DEhbRc6MOTg/
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hell bent // heaven sent
meta below cut!
i wanted to do a screencap study and when i saw this one of clara oswald i knew that i could pair it with the legendary shot of 12 at the table.
i wanted there to be contrasting colors. the reference of 12 was already warm and orange like the page 1 leaf that’s near and dear to clara. so i saturated clara’s reference with blue to evoke imagery of the TARDIS as well as create a dichotomy, “hell vs heaven.” they both share the same isolating and desolate feeling.
as far as lighting goes, i love that the doctor is more illuminated yet also less decipherable. that’s the type of person he is, only allowing you to see what he wants you to see. you’ll never know fully what he’s thinking. then there’s clara who’s shrouded but wears her emotions on her sleeve, always touched by melancholy. and there’s a single spotlight on them, the most clever people around, but what use is that without company, without a companion?
the techniques chosen for each piece varied too bc i used different brushes. clara’s was more free form with larger strokes. where as the doctor’s required a finer brush to capture all the detailed color blocks. retrospectively this is thematic with how the doctor operates within his own rules (though sometimes breaking them) while Clara is more brazen with all her humanity and free will.
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“…what a wonderful butler.”
City of Death - season 17 - 1979
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