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We play on our piano the Chorale in G minor by J.S. BACH: "Ich ruf zu dir, Herr Jesu Christ" .

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We play on our piano the Minuets No. 2 and 4 from the Notenbuch für NANNERL MOZART (1759). Mozart played them at the age of 4 .

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We play on our piano a Minuet in C major KV 6 by Mozart then the first of the 8 Minuets from the "Notenbuch für Nannerl Mozart", 1759.

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We play on our piano the movement 4 (La Coquète) of the First Harpsichord Suite by J.-F. Dandrieu in his "Premier Livre de Clavecin" (Paris, 1724).

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From G.P. TELEMANN, we play on our Kawai piano an extract from the Partita TWV 32:1, in particular MENUET No 1 and GIGUE :

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By MICHEL CORRETTE (1707-1795) we play on our spinet the piece Les Amants Enchantés (Tendrement) published in Paris in 1734.

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By MICHAEL HENKEL (organist who lived in Fulda) we play, from his Opus 96, two short pieces on the piano then on our digital Viscount organ for the Fête de la Musique 2024.

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From C. GURLITT we play, on the piano, 3 studies from his Opus 117: No. 14 (Going to School; zur Schule), No. 23 (Farewell; Abschied), No. 24 (Return; Wiedersehen).

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Pour mettre en évidence notre Clavicorde du facteur Kurt WITTMAYER (vers 1960-70), nous jouons 3 études pour le clavier des compositeurs suivants: deux études de Cornelius GURLITT (compositeur allemand: 1820-1901), et une étude du compositeur allemand Ferdinand BEYER (1803-1863). Nous avons simplement voulu présenter ce clavicorde avec l'éclairage de ces 3 études relativement simples, destinées à l'apprentissage des claviers (principalement le piano).

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At our SPINETTINO (in 4') Neupert, we play the following 2 pieces by Henry PURCELL: Minuet in G Major Z. 651 (Andantino) and the Prelude to the Suite in G Major Z. 660 (Andantino) .

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De Michel CORRETTE (1707-1795), nous jouons à notre Virginal italien (du facteur vénitien B. Floriani, vers 1572: reconstruction réalisée par J.C. Neupert, de Bamberg, D), 2 MENUETS tirés des Livres IV et I "Des Amusements du Parnasse".

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From Henry PURCELL (1659-1695) we play the Minuet in E minor (Z. D225) on our Martin Sassmann spinet. Henry PURCELL (1659-1695) was a major composer of the English Baroque era...

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By J.S. BACH, we are playing for Easter 2024, the Chorale of the Passion according to Saint Matthew BWV 244 "Herzlich tut mich verlangen", on the piano.

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For Easter 2024 we play, by J.S. BACH (1685-1750), the final chorus of the CANTATA BWV 158, one of the most moving messages left by BACH for the Easter period. This cantata BWV 158 uses the fifth verse of Martin Luther's chorale, in a chorus of the fourth and last movement of the cantata. The hymn "Christ lag in Todesbanden" celebrates the Resurrection of Jesus, with particular reference to the struggle between LIFE and DEATH. J.S. BACH also composed a cantata BWV 4 entitled "Christ lag in Todesbanden"; it was performed for the first time at Easter 1707 (April 24). The second piece chosen for this Easter 2024 is Trio 1 from Opus 38 by composer Matthäus Koch (1862-1933). This composer was born near Stuttgart where he studied the organ from 1888. He became organist and choirmaster at the Friedenskirche in Stuttgart. He composed sacred choral music, organ (or piano) pieces for accompaniments in churches. NOTE: We feel that this BACH chorale is often played too FAST on the piano or organ. This music, if it actually refers to the Resurrection, it recalls, by its title, that Christ "was seized by the bonds of death" (a clear allusion to Good Friday), hence the need, in our eyes, to play "full play", yes, but at a rhythm that is still a little restrained and deep).

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From G.F. TELEMANN, we play on our spinet, the ARIA from the Overture in G major TWV 32:13 for harpsichord or keyboard.

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From Domenico ZIPOLI (1688-1726), we play on our piano, then on our Viscount Cantorum VI Plus digital organ, the Verso 2 of the Sonata d'Intavolatura per Organo e Cimbalo in D minor.

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From TELEMANN, we play on our piano the 2nd movement (Dolce) of Fantasy No. 28 from TWV opus 33 for keyboard.