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There's an EU initiative going on right now that essentially boils down to wanting to force videogame publishers with paid games and/or games with paid elements such as DLC, expansions and microtransactions to leave said games in a playable state after they end support, or in simpler terms, make them stop killing games.

A "playable state" would be something like an offline mode for previously always online titles, or the ability for people to host their own servers where reasonably possible just to name some examples.

I don't think I need to tell anyone that having something you paid for being taken from you is bad, which is a thing that routinely happens with live service and other always online games with a notable recent example being The Crew which is now permanently unplayable.

Any EU citizen is eligible to sign the initiative, but only once and if you mess up that's it. You can find it here. (https://citizens-initiative.europa.eu/initiatives/details/2024/000007_en)

Even if you're not European or you signed it already, you can share this initiative with anyone who is, even if they don't care about videogames specifically because this needs a million signatures and there is different thresholds that need to be met for each EU country for their votes to even count and could also be a precedent for other similar practices like when Sony removed a bunch of Discovery TV content people paid for.

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I am not saying here's a link to a free online version of the 1984 graphic novel but if it was there you should probably go read it.

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remember that minecraft roleplay

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blood is so beautiful. I forget bleeding is bad sometimes

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Still not over the fact that these are some of the most important and intimate lines from the show, yet everyone ignores them like they don't exist:

In the series itself (the final cut), these lines said by Alana and Hannibal while they are dining with Will are delivered a bit differently. In the final take they go like this:

A: ''They love and kill what they love.''

H: ''Then they eat what they love. It's a paradox.''

A: ''Freddie thinks the two of you are a paradox.''

After having said this, Alana suspiciously eyes both Hannibal and Will. Almost as if she knows there's something between them, but she can't figure out what it is. These lines are so important because they give an outsider point of view of Hannibal and Will's relationship. It shows that, at this point in the story, certain characters knew things they weren't supposed to know.

It also adds to their perception of the dynamic between Will and Hannibal. The dangerous pair they make, the desire to kill and even eat each other shows how unconventional and insane their bond is. How, not only tragic, but thrilling and strong whatever they have is. There's always a sense of underlying desires. Sensual danger that even the other characters can feel. They know something isn't right, and Alana's/Freddies take on their bond as a 'paradox' isn't even that far from the truth. It's actually really interesting to think of the feelings Hannibal and Will have for each other during that time in the story that way.

They really do make a very complicated paradox, knowing that they will betray each other, hurt each other, maybe even want to kill each other, but love each other anyway. That they love each other enough to want to ''eat'' each other ('they eat what they love') as a sense of fulfilment they might never reach. Not as long as they stay alive in a situation in which it's quite impossible for them to be together.

After that, we have the scene where they have dinner with just the two of them and 'prepare' Freddie, including this gorgeous shot:

A simple scene where they cook together. Hannibal hands Will a cooking knife (originally a product to use to prepare food, a deadly weapon given the right reason), which is an indirect throwback to the conversation they had with Alana. They merge love, death and eating in this scene. Hannibal's trust when he hands Will the knife. The blade pointed towards himself indicates betrayal and a violent shared history between them, depicted by the way the knife's tip is pointing at Hannibal's pink-ish red and raw scar. This scene is romantic, because Hannibal literally shows Will that he ''trusts him with his life'' by doing this.

Will is also hesitant about accepting the knife at first. His thumb hovers above it before he completely wraps his hand around the handle. He mistrusts himself with something as important and valuable as Hannibal's life, because he abused it before (his numerous attempts to kill or have Hannibal killed). He finally takes it, knowing and accepting that he doesn't want to kill Hannibal anymore for the sake of killing him. When he's given the choice, he wants Hannibal to run, to be free, maybe to join him eventually. He takes Hannibal's dangerous yet delicate life into his hands, that's when he chose Hannibal's side, despite everything he did to make Hannibal think otherwise.

In the dinner scene with Alana she also points out that she thinks they might not be the killers individually, but together. Holding a weapon at the same time for a few seconds too long proves her point. Their sharing of the knife without hurting one another means they are working together when it comes to violence and death. It's a sign of Will's corruption. A reflection of his true self in the silver of the blade. A mirror of violence and his own darkest urges.

Will and Hannibal are a paradox like a knife is a paradox. It nurtures, is used to prepare food which gives life, and is usually a friend, until it's used against you and suddenly becomes deadly. Their love is a double edged knife, being able to cause harm and grant help at the same time. It makes you wonder, do Hannibal and Will desire to kill each other because of their love, or rather in spite of it?

Anyway, I love Naka-Choko because of the insane tension throughout the whole episode. Had to share why I think that this quote is such a heavy yet romantic giveaway of their mutual feelings and bond, it's a shame it's so incredibly overlooked just like a few other really good lines in the show.

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Dudes shouldn't have to prove themselves by having spartan greyscale homes with dollar store rubber shower curtains and a mattress on the floor. Do you know what life is like with linen

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i dont know how tumblr posting works but, saw this page by @rbbtstw in the @coloringwithhermits zine and decided to give it a go :]

alt under the cut

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suck, and i cannot stress this enough, my cock to the fucking base

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I had an interesting night last night

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website

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I fucking hate game apps. I wanted to play tetris the otherday so I figured there must be a simple tetris app out there its the most basic game. But every app is like heres your daily log in bonus of 10 gold! You get 5 free plays a day. Here's an ad. To replay a level costs 1 diamond. You can eart gold by earning points in levels. 1000 points = 1 gold. You can exchange 550 gold for one diamond but we have a sale right now that they only cost 500 gold. Heres an ad. You can buy a loot crate of diamonds for 5.99$! You leveled up! Heres 1 free diamond. Youve run out of free replays for today, would you like to buy some more diamonds? Heres your daily tasks, make sure to log in every day this month for a free reward chest. its free! Heres an ad. Would you like to sign up for this credit card to recieve 10 free diamonds? Invite a friend and you can earn points! Ding! Youve leveled up. Heres an ad. This is our special bonus play weekend, you get one free replay and a pack of diamonds only costs 4.99$. You can use your gold to purchase new skins for the tetris blocks. This ones shaped like cats! It costs 100 diamonds. You need to collect them all. Free to play, may be some in-app purchases.

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Okay okay this will not go away so

The Hermits ranking how weird they are right

And Impulse talking about his inverted mouse controls and how Skizz also uses inverted controls because they both played the same war game

Where Impulse was the helicopter pilot

And Skizz was his gunner

And I just.

In a fictional version of Hermitcraft, Impulse the demon soldier of wars long won or lost but either way forgotten going 'you know what, it's nice here, it's calm and fun and beautiful and the chaos is always tempered by love no matter how destructive it gets, I should bring my friend.'

And his friend Skizz- an angel, the opposite of him in every way, an enemy turned ally turned something like brother but the word brother does not and cannot truly encompass what they have become to one another over millennia- says, 'will they want me?'

'Of course they will.'

'I can't create. I never could.'

'That's not what it's about. Come on, come see it. Come be with me where there are no guns. Come fly again.'

And these two old soldiers, one guiding the other into a circle of people who will trust and care and treat him like a person, not a weapon. Who will laugh at his antics and love him just as he is, as Impulse came to love him.

Just fucking. Impulse and Skizz, both with ancient scars, building new things together just like they promised one another they would when everything was dust and blood and this- this is their happy ending, and they share it with people who don't have a clue, and its perfect.

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Made a mouthwashing animation yayyy