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What a terraformed Venus with realistic climates would look like 

by MrCactus04

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The Tempest, Martyl Schweig Langsdorf, c.1941, Saint Louis Art Museum: American Art

https://www.slam.org/collection/objects/35459/

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The Felixmüller Family, Otto Dix, 1919, Saint Louis Art Museum: Modern and Contemporary Art

https://www.slam.org/collection/objects/13472/

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IG beckiowens

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Painting by Peter Solarz

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Portrait of George Villiers, 1st Duke of Buckingham, 1625, Peter Paul Rubens

Medium: oil,canvas

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July Thundercloud in the Val d'Aosta, 1858, John Ruskin

https://www.wikiart.org/en/john-ruskin/july-thundercloud-in-the-val-d-aosta-1858

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Banks of the River, Pierre-Auguste Renoir

Medium: oil,canvas

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King Charles II, 1840, Charles Turner

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Dries Van Noten Spring 2017 Hand-Knitted Sweater with Distressed Woven Details

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Identity for Canyon Coffee by Studio L’Ami

Canyon Coffee is L.A. based coffee brand celebrating the everyday ritual of making & sharing coffee with the ones you love. Through their identity and packaging Canyon Coffee founders sought to create a bag so beautiful customers and retailers would want to display it in their home or store.

The packaging brings together the natural warmth of the letter-pressed kraft bag juxtaposed with a beautifully crafted label featuring a rose gold foil in the shape of a meandering canyon river.

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STUDIO L’AMI specialises in creating great brand identities and brings them to life through seductive print collateral, packaging, & environmental design. They believe in meaningful & tactile design experiences — giving people something to touch, hold & feel.

T D B:  instagram  •  twitter  •  facebook  •  newsletter  •   pinterest

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Dries Van Noten Multicolor Patchwork Sweater

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Illustrations taken from ‘One Hundred Views of Mount Fuji’ by Utagawa Hiroshige (Japanese, 1797–1858).

 Woodblock printed book (1859).

Images and text information courtesy The Met.                         

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Dries Van Noten

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Landscape with Hills, 1890, Edgar Degas

Medium: pastel

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Portrait of George Venables Vernon, 2nd Lord Vernon, 1767, Thomas Gainsborough

Medium: oil,canvas