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My girlfriend is obsessed with him (so am I) so here we go

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old man zuko was crazy for saying to korra “i was often aang’s counsel, and i would love to be yours.” i mean i guess they’ve had several decades in between shows to establish that fact offscreen, but textually, our only instance of zuko “providing counsel” to aang is when he tried to bully him into killing his dad for him. not exactly what i would qualify as imparting sage wisdom, but ok lmfao

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thought about the Katara v Pakku fight too hard and made myself cry

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aang looks so cute in the kyoshi warriors make up

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Mai

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(old) Tattoo artist Katara (something I know shed never do in a modern au but it'd be cool)

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I think the biggest difference for me between projects (like to be clear I think NATLA is not good as an adaptation or a show, and I think the PJO tv show works as an adaptation and a show) is something that feels so basic, but shocked me when it clicked, which is that

NATLA has no actual visual storytelling going on

Which sounds ridiculous, but let me explain what I mean. "Visual storytelling" is how you communicate aspects of character or relationship through visual framing, parallels, that kind of thing, usually to indicate progression or a character's viewpoint. Many people have noticed that NATLA's cinematography leaves much to be desired, there are some shots that are good particularly in episode 6 (the Zuko transition shots between past and present, and one of the ending shots between him and Aang) but that's by and large the exception.

What I mean when I say "visual storytelling" is that NATLA doesn't have visual motifs. It doesn't really have parallels happening that much in the text or in the visuals. And this is something that ATLA did really, really well, all the time, particularly with Zuko's scar. Just take this framing of Zuko and Aang, in particular, from The Storm and The Blue Spirit.

They even have consistent colour tones of Aang having a warmer, lighter yellow (Air Nomad) and Zuko having a darker, deeper red (Fire Nation).

And this is something I think Percy Jackson does pretty well. They have consistent motifs / descriptions if it were, particularly when it comes to Percy and Annabeth's relationship and her character.

Percy: [Choosing Annabeth] And if the mission required someone to push me down a flight of stairs for it to succeed, you want someone who won't hesitate when they do it.

Percy: [literally pushes her down the stairs but to save her life]

Ares: You're new to the family, young one, so let me fill you in on how we work. [...] Olympians fight. We betray. We backstab. We will push anyone down a flight of stairs to get ahead. Annabeth: This isn't the Arch, Seaweed Brain. You're not pushing me into the stairwell aagain. Percy: Yes I am! [...] It's why you're here. When I was choosing my team, I told Chiron I needed someone who wouldn't hesitate to sacrifice me if the quest required it. He agreed. That was you. [...] You're better at this than me. You just are.

Annabeth: [Refusing to get back in Athena's good graces] It isn't how it should be! It isn't. Eat or be eaten [referencing the Kronos story Ares said earlier]. Power and glory and nothing else matters. Ares is that way. Zeus is that way. My mother is that way. He isn't that way. He's better than that. Maybe I was that way once. But I don't wanna be that way anymore. I won't be like all of you. I just won't.

But we also see this visually.

And to be clear I think it's well done, I'm not saying this kind of thing is a Masterpiece™ but what I am saying is that if you do these things, it's a great way to convey information to your audience visually and a sense of progress both in individual characterization and relationship development. And it just makes sense to lean on things visually if you're a visual medium, because prose can't do framing like this to the same degree.

And NATLA just... never does it. There's almost no real parallels, there's very little framing happening, and the even more intense overload of exposition does not help matters in this way either. The original series had a lot of parallels steadily built up (i.e. Aang's presence in the SWT and Sokka's plotline in Jet -- hell, even some of the lines he gets at Roku's Fire Sage temple -- were to show how Sokka was moving away from a more xenophobic worldview even if it was still a work in progress). There were also more overt ones, such as Sokka dressing himself for battle versus Zuko having guards/servants do it for him, but both ultimately tether the two together into having to put on a performance of confidence, manhood, and war more so than being the children they actually are.

And NATLA just has... no real visual parallels. The closest we get is the parallels between Sokka-Yue, Tui and La, and Kataang in the finale, but that's about it.

There's not a lot of scenes where a character is presented the chance to make a similar choice only to then make a different one. Even Aang wanting to go to the NWT to make a difference is muted because he never actually ran away in the first place; when you rip away character flaws or mistakes, you also gut their room for growth. When you strip away visual storytelling, it means that what you see on screen is a 1:1 of exactly what you're getting, and that is just a lot more Boring to watch as well as gutting your chances to show more character exposition. And it's just - it's just not good

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zuko alone: i am haunted by my past

korra alone: i am haunted by my past

suki alone: can i PLEASE grow my beans in peace

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Katara 🌊!!!

This urge to draw her probally came from the new atla live action. Idk if it's going to be good becuse my expectations are lowering with every new information we get. And i hate the whole art direction of the series. And don't even get me started on the costumes.

But putting that aside, ever since i watched atla 2 years ago, i couldn't wait to draw all the characters in digital medium ( : And here I am, finnaly doing so.

The patterns, tattos and jewerly are inspired by inuit coulture ( i know its not really accurate).

Anyway, I hope you like this piece

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sorry if you've posted something like this before and i just can't find it, but how & when do you think suki &/ toph learn the full story of what happened to sokka in the north pole?

this is a great question because sokka is truly such a repressed little freak and so his friends (and girlfriend) will probably never learn the full story unless they explicitly dig for it. like, let’s think about what we know:

katara was there in the spirit oasis when yue became the moon spirit. she saw aang go koizilla mode, she saw yue sacrifice herself, she saw yue become the moon and kiss sokka. i doubt she knows about what exactly was going on between yue and sokka before that moment, but after that, she has a pretty clear picture of the nature of their relationship. the only other person who witnessed it in full is iroh.

aang turned into koizilla before yue became the moon. he probably vaguely knows that she’s the moon spirit, but i don’t think he really registers it, or understands why it matters to sokka. he seems downright confused the few times sokka talks about her, so presumably katara never told him about their relationship.

zuko knows that sokka’s first girlfriend turned into the moon. technically, he was also there that night, but i don’t think he was paying attention to anything other than capturing aang and beating zhao’s ass. so he actually has more information than aang does, because he’s actually aware that sokka considered her his girlfriend (although i would contest that claim, if anything sokka was yue’s mistress), so that’s like. something.

suki knows that “something happened at the north pole” and he failed to protect someone he cared about. she does immediately connect the dots and realize that a girl he liked died and he failed to save her. but she doesn’t know that she was the princess or that she became the moon spirit until watching that play on ember island. at which point sokka gets really mad that she dares to tease him about it, and she gets mad that he’s refusing to talk about it (or she playfully pretends to be jealous? unclear). either way sokka clearly thinks he’s opened up enough and has no need to further discuss it with her.

toph just straight up has no clue about any of that. if katara wouldn’t tell aang, she certainly wouldn’t tell toph, and sokka obviously isn’t telling anyone. although perhaps at some point zuko is like “yeah, sokka’s ex girlfriend the moon, everyone knows about her” and toph, aang, and suki are just like WHAT. why did he tell this to YOU of all people 😭😭

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breezy

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sokka ✨🌟💫

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when writing Zuko I think it’s very important to keep in mind that in canon he entered Sokka’s tent in the middle of the night saw Sokka was clearly expecting different company & either ignored this or (imo more likely) did not process it because his brain was on the mission at hand (getting Katara to not hate him by any means necessary) & proceeded to ask Sokka to recall the most traumatic night of his life then he just casually left like “thanks” 🚶

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atla renaissance pt 3 calls to me like a siren

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My baby here on Earth

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Finished (re)watching ATLA with my sister a couple weeks ago. Zuko was her favorite, so I drew him for her... along with a little turtleduck :)

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The Avatar State

Acrylic on Canvas