It’s a 2am surprise: The Tortured Poets Department is a secret DOUBLE album. ✌️ I’d written so much tortured poetry in the past 2 years and wanted to share it all with you, so here’s the second installment of TTPD: The Anthology. 15 extra songs. And now the story isn’t mine anymore… it’s all yours. 🤍
https://taylor.lnk.to/ttpd-theanthology
Random writing thought: the best stories are often the ones that only you could have written — but also the ones that you could only write at this one moment.
I couldn't write All the Birds in the Sky from scratch now if I tried. But the me of 2013 couldn't have written The Prodigal Mother either.
I had the time of my life fighting dragons with youuuu! Celebrate 34 with me by watching The Eras Tour (Extended Version) including “Long Live” 🐉 “The Archer” 🏹 and “Wildest Dreams” 💙 at home!
PS troll me all you want about my excessive and literal millennial emoji use but A) no one’s prouder to be a millennial and B) it’s my bday and today I am exempt! 🎂
Sam Lansky has such a wondrous way with words, and I’ve loved reading his pieces for over a decade. If you’ve ever been around him, you know he’s just the best type of person: Curious. Interested. Hilarious. Intriguing and intrigued. I have tRuSt iSSueS when it comes to interviews but I couldn’t be happier that I did this one with him. I was blown away to see quotes from people I adore and admire like Stevie Nicks, Greta Gerwig, Shonda Rhimes, Phoebe Bridgers, Natalie Maines, Kenny Chesney, and Lucian Grainge. I was so happy he spoke to fans Madison and McCall who were so eloquent, loyal, and kind. I’m really reflecting on this year, and all the years that led up to it. Can’t say thank you enough times. 🥲
Um ok this is unreal?? I just wanted to say to anyone who listened to my music this year, anywhere in the world, thank you. Getting named Spotify’s Global Top Artist in 2023 is truly the best birthday/holiday gift you could’ve given me. We’ve seriously had THE MOST fun this year out there on tour and now this. Are you serious. So I was trying to think of a way to thank you, and a lot of you have been asking me to put “You’re Losing Me (From The Vault)” on streaming… so here you go! You can finally listen EVERYWHERE now 💋
Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.
I love you guys and I thought you should know what’s been going on.
WELL. SO. I’ve been counting down for months and finally the ‘I Can See You’ video is out. I wrote this video treatment over a year ago and really wanted to play out symbolically how it’s felt for me to have the fans helping me reclaim my music. I had my heart set on Joey King, Taylor Lautner and Presley Cash starring in it. Joey and Presley had been in the video for ‘Mean’ when they were 9 and 13 and they are back and so ridiculously bad ass!! Taytay is INCREDIBLE in this (didn’t have a stunt double!) and shout out to Tay Lautner for being so awesome to hang with on set. The Tale of 3 Taylors 😆 I always wanted to direct fight scenes/a heist storyline and had the most incredible time plotting this out with my amazing DP Jonathan Sela. So proud of this one.
https://taylor.lnk.to/ICanSeeYouMV
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