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Fucks me up to think about how every character in the world is literally just someone's OC

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remember kids, the moral of "Irish and Italians weren't even considered White yet!" isn't "because in those times people were so ignorant they didn't think the Irish were white". the moral is "because white is an unreal category created to justify slavery and ongoing hoarding of power and wealth". It's not that you know better about Italians. It's that the boundaries of the higher caste have changed.

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bastard sounds great in an irish accent. if an irish person calls you a 'daft bastard' it just feels right

the welsh have the monopoly on things ending in hell. fuckin hell and bloody hell hit different in a welsh accent. its like music to my ears

the scots have piss and shite for sure. "its pishin it doon out there" "this is a load of shite" absolute poetry

if i may speak for the english i think we do penis related words very well. dickhead, knobhead, bellend, etc.

and for all the shit we give them, you gotta admit that no one can deliver a 'goddamn' quite like an american. theres a certain weight to it that you just cant achieve in other accents. when an american says goddamn you know shit just got real

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as above (insane in the head) so below (insane in the pussy)

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Spring moo-d! 🐮💐🍓

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I made this for Twitter btw 😌

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My fallopian tubes are tingling

Artist: thatsallitchief on IG

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I feel like there's a solid group of fans (in all fandoms) who forget that there ARE differences between fanfiction and traditional publishing.

Transformative work is great about allowing you to explore secondary POVs and characters who aren't the focus of a text.

But traditionally published books are by their nature more constrained in their format. The physical nature of books + the publishing system means they only have so many pages. And those pages need to serve the central narrative of a story.

It can be fun to puzzle out 'man but what about the implications of x'? or 'oh, I feel like there's a connection between A and B, that's fun to think about!' or 'okay, but from Character M's point of view this is so tragic, even though they literally only exist in three scenes'. That's why transformative work is transformative, and for me, it's the fun part of fandom!

But what that doesn't mean is that the author is being mean or cowardly for not exploring those things in the source text. An author's focus has to be ultimately on the story THEY want to tell, and what makes that narrative or those themes work.

They do not have the luxury of including every digression your brain might have fun exploring, and it doesn't make them bad authors if their narrative focus isn't the one you would have personally chosen.

"But such and such character was robbed! They only appeared in x scenes and then-"

Okay, but did the scenes they were in serve their purpose? Did we get a sense of how they meaningfully impacted other characters, the plot, or the themes while still having a sense of personhood?

You can critique whether or not an author was successful in using their characters for story purposes or whether they successfully communicated their underlying message or whether the author unintentionally/intentionally included a bias that weakens their writing.

But an author not chosing to spotlight your particular minor character favorite does not make them a "coward" or bad at their craft.

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Sukugo Highschool AU

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worrying is like worshipping the problem

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dont @ me im summer chillin’ ⛱️

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venn diagrams

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I'M FOAMING AT THE MOUTH | via vhenan_virabelasan on insta