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Lolita Lempicka RTW SS 1998

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Valerius De Saedeleer (Belgian, 1867-1941), Winter Evening, 1924. Oil on canvas, 85 x 95 cm.

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Grounded Flight

2024, decolorant screenprint on quilted cotton

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flatid planthopper nymph, Singapore. hemipterans (true bugs) like these have mastered the art of covering oneself in weird waxy filaments, which are shed along with their last juvenile molt, revealing a sleek, gossamer-winged adult

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Maggie Smith as the fairy queen Titania, “A Midsummer Night’s Dream” (1977)

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Labels In Britain: Exhibitions / Kiállítások

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“Balenciaga Project”, gown made with zero-waste weaving technique from 2 recycled wedding gowns by Ása Bríet Bratta for Cristobals Balenciaga Museums exhibition “Transmission”, 2021. Photography by Viðar Logi.

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Choy Moo Kheong（Singaporean, b.1950）

Blue Whispering Day 2022 Acrylic on Canvas 139.7 x 114.3 cm via

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Sketchbook cover!! I completed this back in Febuary for the new year.

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incredible high fashion game changer look for comic-con by @graceduval on instagram, posted with permission

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Ribon Deluxe りぼんデラックス (Summer 1977)

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Wally Dion, born 1976, Saskatoon, Saskatchewan.

Fabric Star Quilts.

Wally (Walter) Dion is a Canadian artist of Saulteaux ancestry living and working in Upstate New York. Working in a number of media including painting, drawing and sculpture.

Wally explains:

"The first fabric star quilt was made as part of a 2022 residency at Wanuskewin Park. It was my way of reflecting upon prairie tall grass and the reintroduction of bison into the Great Plaines. I wanted to make several transparent quilts and superimpose them; one in front another... a quilt for the microbiome, another for the bison, their manure & hooves, another for the summer fires that scorch the ground and a final quilt for the sweetgrass braid.

I was considering how all of these things worked together for thousands of years to create what is known as the 'prairie tall grass ecosystem'. A vast and fertile expanse of land stretching from the foothills of Alberta to the banks of the Mississippi. I wanted to highlight the invisibility of systems when everything is working well, as it should be.

I started with the green quilt because it is the colour of the sweet grass braid that is exchanged in ceremony and relationship building. I considered the nature and tradition of quilting; impoverished craftspeople using tiny scraps of fabric. I considered the act of offering fabric and adherence to tradition. I thought of a thousand tiny prayers and how that might look; invisible acts of respect and adherence to protocols spanning decades. My thoughts travelled across the land, imagining the trees and rocks collecting these prayers like a bush of cloth, or an etched boulders."

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'Flight Trails'. Edu Aguilera.