a compilation of my art for the overwrought agent :-)
nemesis spoilers under this cut
she’s part of my nemesis 2 storyline where she was a nemesis pc before scuba who lost her daughter, but didn’t kill cups and chose instead to revive her daughter. however she feels a very intense guilt over not killing cups and after meeting scuba and hearing that it wants to kill wines she is just full of reawakened grief again. i love her deeply… my grieving mom oc… </3
persona is locked in the waswood in mental exile. she cannot come out because she is currently no longer part of edison - she was, but not is. and some might suppose it is a cruel yet ultimately ironic punishment for her, until she can be trusted again
L'Art et la mode, no. 39, vol. 31, 24 septembre 1910, Paris. Costume de velours pékiné noir et blanc garni de velours noir incrusté de médaillons perlés “bleu de nuit” sur tulle noir. Bandes de renard. (Black and white Pekin velvet dress trimmed with black velvet inlaid with “midnight blue” pearl medallions on black tulle. Fox stripes.) Imp. d'art L. Lafontaine, Paris. Bibliothèque nationale de France
persona is locked in the waswood in mental exile. she cannot come out because she is currently no longer part of edison - she was, but not is. and some might suppose it is a cruel yet ultimately ironic punishment for her, until she can be trusted again
after eight years, I finally updated my huge Historical Fashion Reference & Resources Doc! Now in the form of a MUCH more easily updated Google Doc with better organization, refreshed links, and five more pages of books and online resources.
I know tumblr hates links, but it’s worth it for a doc that I can now update with far more regularity going forward! RIP to the original, you did your duty for far longer than you should have. 😔🙏🏼
"Rescue me from the mire; do not let me sink."
During the fourth iteration of 1899, when everyone thought him gone for good, one Sir Edison Hollingsworth draws himself from the depths of literary circles, and leaves, in the wake of his passing, the pages of a manuscript. Nobody sees him deliver these pages, mind — some believe it was an individual rifling around in the ashy remnants of his home, publishing the details of his life posthumously, whereas others imagine it is the Laureate's final bow on the Neath's stage, to, perhaps, show them what-for. This autobiography is no letter to anyone, and, yet, it is a letter to all; one might call it a cautionary tale, or a sob, adrift on a sea of misery.
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